Corrado Giaquinto, 1754 - Fumbo la Amani na Haki - chapa nzuri ya sanaa

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Allegory of Peace and Justice is an artwork made by the baroque italian msanii Corrado Giaquinto in 1754. The version of the work of art measures the size: 16-1/8 x 27-1/4 in and was painted with the mbinu mafuta kwenye turubai. Siku hizi, mchoro ni sehemu ya mkusanyiko wa Indianapolis Jumba la Sanaa, which is one of the finest universal art museums that has an extensive collection of art history from different eras with objects from all parts of the world.. We are delighted to state that the public domain artpiece is being included with courtesy of Indianapolis Jumba la Sanaa.The creditline of the artwork is the following: . Besides, the alignment of the digital reproduction is landscape with a side ratio of 16: 9, Ambayo ina maana kwamba urefu ni 78% zaidi ya upana. The painter Corrado Giaquinto was an artist, whose artistic style can be classified as Baroque. The Italian artist was born in 1703 in Molfetta, Bari province, Apulia, Italy and deceased at the age of 63 katika mwaka wa 1766 huko Naples, jimbo la Napoli, Campania, Italia.

Chagua nyenzo zako

Kwa kila bidhaa tunatoa anuwai ya vifaa na saizi tofauti. Saizi na nyenzo zifuatazo ndizo chaguo tunazokupa kwa ubinafsishaji:

  • Uchapishaji wa turubai: A UV printed canvas material applied on a wooden frame. A canvas generates a sculptural impression of three dimensionality. How can I hang a canvas print on the wall? The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up the Canvas print without the support of additional wall-mounts. Canvas prints are suitable for any kind of wall.
  • Chapisho la bango (nyenzo za turubai): The poster print is a UV printed flat canvas with a nice finish on the surface. A poster print is particularly suited for placing your art replica with a custom-made frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the work of art, which facilitates the framing with your custom frame.
  • Dibondi ya Alumini (chapa ya chuma): An Aluminium Dibond print is a print material with an outstanding depth effect - for a modern look and non-reflective surface. A direct Aluminium Dibond Print is your ideal introduction to the sophisticated world of fine art reproductions with aluminum. For the Print On Aluminum Dibond, we print your artpiece onto the aluminium surface. The colors are luminous and bright, fine details of the print appear clear and crisp.
  • Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): The acrylic glass print, often named a plexiglass print, will transform your favorite original artwork into great décor. The plexiglass protects your chosen art replica against sunlight and heat for many decades.

Kanusho la kisheria: We try whatever we can to describe the products as accurate as possible and to illustrate them visually in our shop. Although, the tone of the printed materials and the printing may differ to a certain extent from the representation on the screen. Depending on your screen settings and the condition of the surface, color pigments might not be printed 100% realistically. Since our art reproductions are processed and printed manually, there may as well be minor deviations in the motif's exact position and the size.

Kuhusu bidhaa hii

Aina ya bidhaa: nakala ya sanaa
Njia ya uzazi: uzazi wa kidijitali
Njia ya Uzalishaji: Uchapishaji wa moja kwa moja wa UV
Uzalishaji: germany
Aina ya hisa: uzalishaji kwa mahitaji
Matumizi ya bidhaa iliyopendekezwa: ukuta wa nyumba ya sanaa, nyumba ya sanaa ya kuchapisha
Mwelekeo wa picha: mpangilio wa mazingira
Uwiano wa picha: 16: 9 (urefu: upana)
Ufafanuzi wa uwiano wa kipengele: urefu ni 78% zaidi ya upana
Vitambaa vya uzazi vinavyopatikana: chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya turubai, chapa ya chuma (dibond ya alumini), chapa ya bango (karatasi ya turubai)
Chapisho la turubai (turubai kwenye fremu ya machela) lahaja za ukubwa: 90x50cm - 35x20", 180x100cm - 71x39"
Chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi) anuwai: 90x50cm - 35x20"
Vibadala vya ukubwa wa bango (karatasi ya turubai): 90x50cm - 35x20"
Chaguzi za uchapishaji wa dibond ya Alumini (nyenzo za alumini): 90x50cm - 35x20"
Frame: nakala ya sanaa isiyo na fremu

Maelezo ya msingi juu ya kipande cha sanaa

Jina la uchoraji: "Allegory of Peace and Justice"
Uainishaji: uchoraji
jamii: sanaa ya classic
Karne ya sanaa: 18th karne
Iliundwa katika mwaka: 1754
Umri wa kazi ya sanaa: zaidi ya miaka 260
Njia asili ya kazi ya sanaa: mafuta kwenye turubai
Vipimo vya mchoro wa asili: Inchi 16-1/8 x 27-1/4
Makumbusho / mkusanyiko: Indianapolis Jumba la Sanaa
Mahali pa makumbusho: Indianapolis, Indiana, Marekani
Tovuti ya Makumbusho: Indianapolis Jumba la Sanaa
Aina ya leseni ya mchoro: Uwanja wa umma
Kwa hisani ya: Indianapolis Jumba la Sanaa

Muhtasari wa msanii

Jina la msanii: Corrado Giaquinto
Majina ya ziada: Corado de Rome, Giaquinto, Corado, Giaquinto Corrado, Giacinto Corrado, Cavaliere Corrado Giaquinto, Chevalier Currado Giaquinto, Cav. Corradi, Corrado Giaquinto, hyacinth corrado, Corrado Giacquinto, Corrado
Jinsia: kiume
Raia wa msanii: italian
Taaluma: mchoraji
Nchi: Italia
Uainishaji wa msanii: bwana mzee
Mitindo ya msanii: Baroque
Alikufa akiwa na umri: miaka 63
Mwaka wa kuzaliwa: 1703
Mahali pa kuzaliwa: Molfetta, Bari province, Apulia, Italy
Mwaka ulikufa: 1766
Alikufa katika (mahali): Naples, jimbo la Napoli, Campania, Italia

© Hakimiliki ya, Artprinta.com (Artprinta)

Original artwork information by Indianapolis Museum of Art (© - na Indianapolis Museum of Art - Indianapolis Jumba la Sanaa)

This sketch is a study for a painting for the Royal Palace, Madrid. The allegory alludes to Ferdinand VI’s fair and peaceful reign. Clad in luminous pink and white, Peace holds an olive branch in her hand, while her companion, Justice, is seated above a sword and scales. The dead youth refers to the resolution of the War of Succession waged under the king’s father, Philip V.

Called to the Spanish court in 1753, Giaquinto would spend nearly a decade in Spain, where he was named first painter to the king and director of the Madrid Academy. Engaged in several large-scale decorative projects, Giaquinto left behind many preparatory studies, of which this is an example.

Indianapolis Jumba la Sanaa

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