Hans Memling, 1475 - Bikira na Mtoto - chapa nzuri ya sanaa
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Katika 1475 Kukumbuka kwa Hans alifanya mchoro huu kuitwa "Bikira na Mtoto". The more than 540 year old original measures the size - Overall, with integral frame, diameter 9 3/4 in (24,8 cm); painted surface diameter 6 7/8 in (17,5 cm). Oil on wood was used by the Dutch painter as the technique for the work of art. This work of art can be viewed in in the digital art collection of Makumbusho ya Metropolitan ya Sanaa, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The classic art artpiece, which is part of the public domain is supplied with courtesy of The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931. : The Friedsam Collection, Bequest of Michael Friedsam, 1931. What is more, the alignment of the digital reproduction is mraba na ina uwiano wa 1: 1, Ambayo ina maana kwamba urefu ni sawa na upana. Hans Memling was a male Netherlandish, whose art style was mainly Northern Renaissance. The artist was born in 1430 huko Seligenstadt, jimbo la Hessen, Ujerumani na alikufa akiwa na umri wa miaka 64 mnamo 1494 huko Bruges, West-Vlaanderen, Flanders, Ubelgiji.
Chagua nyenzo zako
Kwa kila picha ya sanaa tunatoa saizi na nyenzo tofauti. Chaguzi zifuatazo zinapatikana kwa ubinafsishaji:
- Uchapishaji wa glasi ya Acrylic: The print on acrylic glass, which is sometimes referred to as a plexiglass print, will transform your favorite original artwork into lovely décor. The great benefit of a plexiglass print is that contrasts as well as artwork details will be more visible due to the delicate tonal gradation. Our real glass coating protects your chosen fine art print against light and external influences for between 40-60 years.
- Chapa ya chuma (dibond ya alumini): An Aluminium Dibond print is a print with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is your best introduction to fine art replicas with aluminum. For the Aluminium Dibond option, we print your selected work of art on the surface of the aluminum composite. The bright and white sections of the artwork shimmer with a silky gloss, however without glow. The colors of the print are bright and luminous, the fine details are very clear, and you can literally feel the matte appearance.
- Bango kwenye nyenzo za turubai: The poster print is a printed flat canvas paper with a fine surface texture, which resembles the original work of art. The print poster is optimally qualified for framing the fine art print using a customized frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the artwork, which facilitates the framing with your custom frame.
- Uchapishaji wa turubai: A canvas print is a printed canvas mounted on a wooden stretcher. A canvas creates the unique impression of three dimensionality. A canvas print produces a cosy and comfy appearance. A printed canvas of this artwork will give you the opportunity to turn your fine art print into a large work of art as you know from galleries. Canvas prints are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without any wall-mounts. Therefore, a canvas print is suitable for all kinds of walls in your house.
Ujumbe wa kisheria: We try whatever we can to describe our art products as precisely as it is possible and to display them visually. Although, the tone of the print materials and the imprint can differ slightly from the presentation on your device's monitor. Depending on your screen settings and the quality of the surface, colors may not be printed one hundret percent realistically. Since all art prints are processed and printed by hand, there may also be minor deviations in the motif's exact position and the size.
Bidhaa maelezo
| Chapisha bidhaa: | uchapishaji wa sanaa |
| Mbinu ya uzazi: | uzazi wa kidijitali |
| Utaratibu wa Uzalishaji: | Uchapishaji wa UV / uchapishaji wa dijiti |
| viwanda: | viwandani nchini Ujerumani |
| Aina ya hisa: | uzalishaji kwa mahitaji |
| Bidhaa matumizi: | sanaa ya uzazi nyumba ya sanaa, kubuni nyumbani |
| Mwelekeo wa picha: | mpangilio wa mraba |
| Uwiano wa upande: | 1: 1 |
| Kidokezo: | urefu ni sawa na upana |
| Chaguzi za nyenzo: | chapa ya chuma (dibond ya alumini), chapa ya turubai, chapa ya bango (karatasi ya turubai), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi) |
| Ukubwa wa kuchapisha turubai (turubai kwenye fremu ya machela): | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180x71 cm |
| Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180x71 cm |
| Chapisho la bango (karatasi ya turubai): | 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
| Chaguzi za ukubwa wa uchapishaji wa alumini: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
| Muundo wa uchapishaji wa sanaa: | haipatikani |
Maelezo ya muundo kwenye mchoro
| Kichwa cha kipande cha sanaa: | "Bikira na Mtoto" |
| Uainishaji wa kazi ya sanaa: | uchoraji |
| jamii: | sanaa ya classic |
| Karne ya sanaa: | 15th karne |
| Iliundwa katika mwaka: | 1475 |
| Umri wa kazi ya sanaa: | karibu na umri wa miaka 540 |
| Mchoro wa kati wa asili: | mafuta juu ya kuni |
| Vipimo vya mchoro asilia: | Overall, with integral frame, diameter 9 3/4 in (24,8 cm); painted surface diameter 6 7/8 in (17,5 cm) |
| Makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| Inapatikana kwa: | Makumbusho ya Metropolitan ya Sanaa |
| Leseni ya kazi ya sanaa: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya Metropolitan ya Sanaa, New York, Mkusanyiko wa Friedsam, Wasia wa Michael Friedsam, 1931 |
| Mstari wa mkopo wa kazi ya sanaa: | Mkusanyiko wa Friedsam, Wasia wa Michael Friedsam, 1931 |
Maelezo ya msingi kuhusu msanii
| Artist: | Kukumbuka kwa Hans |
| Majina mengine: | memling h., Hammelmik, Jean Emmelinck, Emmelinkx, Memlinc Hans, Memling Hans, Jean Hemelinck, Hemelink, Memling Khans, Zuan Memeglino, Jean Hemmelink, Hans Memlinc, Heymelinck, Memlinc Jan, Hans Hemmelinck, Hans Hémelink, Memmelinck Hans, Hans Memmelinck of Bruges, Himmelinck, Mamline Hans, Emmelinck, Hemelinck Hans, Jan van Mimnelinghe, Hans van Brugge, Hemmeling Hans, Hemling Hans, hemling hans, Memling, Memmelynghe Jan van, Hemmelinck, Membling, Hemeling, John of Bruges, Hans Memling, Emelinck, Hamelinck |
| Jinsia: | kiume |
| Raia: | dutch |
| Kazi: | Kiholanzi |
| Nchi ya nyumbani: | Uholanzi |
| Kategoria ya msanii: | bwana mzee |
| Mitindo ya msanii: | Renaissance ya Kaskazini |
| Alikufa akiwa na umri wa miaka: | miaka 64 |
| Mwaka wa kuzaliwa: | 1430 |
| Mji wa Nyumbani: | Seligenstadt, jimbo la Hessen, Ujerumani |
| Alikufa: | 1494 |
| Alikufa katika (mahali): | Bruges, West-Vlaanderen, Flanders, Ubelgiji |
Maandishi haya ni haki miliki na yanalindwa na hakimiliki © | www.artprinta.com (Artprinta)
Maelezo ya ziada juu ya mchoro asili kutoka kwa jumba la makumbusho (© Hakimiliki - Makumbusho ya Sanaa ya Metropolitan - www.metmuseum.org)
The composition of this small roundel of the Virgin suckling the Christ Child was very popular: it derives from a composition by Robert Campin that was disseminated through workshop patterns. Memling enriched the prototype by adding an extended wooded landscape. Roundels like this were often hung above the heads of beds, where they served as a blessing over a married couple or as a focus for personal prayer. The frame and painted image are carved from a single piece of wood.