Nicolas Poussin, 1640 - Njia Inayoongoza Kwenye Usafishaji wa Msitu - chapa nzuri ya sanaa

Muhtasari wa makala

In 1640 Nicolas Poussin painted this 17th karne artwork. The original creation has the size: 38,6 x 24,6cm. Pen and brown ink and brown wash was used by the French painter as the technique for the masterpiece. Today, the work of art is in the the Makumbusho ya J. Paul Getty mkusanyiko. Kwa hisani ya - Makumbusho ya J. Paul Getty (leseni: kikoa cha umma).In addition, the artwork has the creditline: . On top of that, alignment is portrait and has an aspect ratio of 1: 1.4, Ambayo ina maana kwamba urefu ni 29% mfupi kuliko upana. The painter Nicolas Poussin was a European artist from France, whose style can be classified as Baroque. The Baroque artist lived for miaka 71 - alizaliwa mwaka 1594 in Les Andelys, Normandie, France and died in the year 1665 in Rome, Roma province, Lazio, Italy.

Maelezo ya jumla kutoka kwa tovuti ya makumbusho (© Hakimiliki - Makumbusho ya J. Paul Getty - Makumbusho ya J. Paul Getty)

Nicolas Poussin is primarily known as a painter of history subjects, but he was also an accomplished landscapist. He probably made this drawing for its own sake, rather than as a study for a painting.

Poussin probably made this view on the spot. He captured the atmosphere of a wooded path opening onto a grassy clearing, with sunlight streaming through a thicket of trees. With vivid touches of his pen and brush, he skillfully suggested the deep shadows on the trunks of the trees and the sunlight penetrating their foliage.

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Jedwali la msanii

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Kwa kila picha nzuri ya sanaa tunatoa anuwai ya ukubwa na nyenzo tofauti. Chaguzi zifuatazo zinapatikana kwa ubinafsishaji:

• Chapisha kwenye glasi ya akriliki yenye kung'aa (iliyo na mipako halisi ya glasi): The print on acrylic glass, often referenced as a print on plexiglass, changes the original into magnificient home decoration. Your artwork is being manufactured with the help of state-of-the-art UV printing technology. The great advantage of a plexiglass fine art copy is that contrasts and also image details will be visible thanks to the precise gradation. The plexiglass with real glass coating protects your selected fine art print against sunlight and external influences for many decades.
• Turubai: The UV printed canvas applied on a wood stretcher frame. Canvas prints are relatively low in weight. This means, it is easy to hang up the Canvas print without any wall-mounts. Hence, canvas prints are suitable for any kind of wall.
• Bango lililochapishwa (nyenzo za turubai): A poster is a printed sheet of canvas paper with a slight surface structure. Please bear in mind, that depending on the size of the poster print we add a white margin of around 2-6cm round about the artwork to facilitate the framing.
• Dibondi ya Aluminium: An Aluminium Dibond print is a print material with an impressive depth effect. The Aluminium Dibond Print is your ideal start to art reproductions produced with aluminum. For the Aluminium Dibond option, we print your chosen work of art right onto the surface of the white-primed aluminum. The white & bright components of the artpiece shimmer with a silky gloss but without glow. Colors are luminous in the highest definition, the details appear crisp.

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Kanusho la kisheria: We try the best we can in order to describe the art products as clearly as it is possible and to demonstrate them visually on the product detail pages. At the same time, the tone of the printing material and the imprint might vary slightly from the representation on the monitor. Depending on your settings of your screen and the condition of the surface, colors might not be printed one hundret percent realistically. Given that our are processed and printed manually, there might as well be slight differences in the motif's size and exact position.

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