Eugène Delacroix, 1843 - The Ghost on the Terrace - chapa nzuri ya sanaa
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Ufafanuzi wa bidhaa za sanaa
In 1843 ya kiume Kifaransa msanii Eugène Delacroix aliunda 19th karne uchoraji jina The Ghost on the Terrace. Zaidi ya hapo 170 year-old original version measures the size: Image: 10 3/16 x 7 1/2 in (25,8 x 19,1 cm) Sheet: 11 7/16 x 8 7/16 in (29 x 21,5 cm). Lithograph, first state of five was applied by the European painter as the medium of the artwork. Moveover, this artwork is part of the digital art collection of The Metropolitan Museum of Art. With courtesy of: Makumbusho ya Metropolitan ya Sanaa, New York, Mfuko wa Rogers, 1922 (licensed: public domain). : Rogers Fund, 1922. Furthermore, alignment is picha ya na ina uwiano wa kipengele cha 3: 4, Ambayo ina maana kwamba urefu ni 25% mfupi kuliko upana. Eugène Delacroix was a painter, whose artistic style can be attributed mainly to Romanticism. The French painter was born in the year 1798 huko Saint-Maurice, Val-de-Marne na alikufa akiwa na umri wa 65 katika mwaka 1863.
Chagua lahaja yako ya nyenzo za uchapishaji wa sanaa
Kwa kila bidhaa tunatoa anuwai ya vifaa na saizi tofauti. Tunakuruhusu kuchagua kati ya anuwai zifuatazo:
- Uchapishaji wa glasi ya akriliki inayong'aa (iliyo na mipako halisi ya glasi juu): The acrylic glass print, which is sometimes labelled as a UV print on plexiglass, makes the original into décor. Your own replica of the work of art will be printed with the help of state-of-the-art UV printing technology.
- Chapa ya bango (nyenzo za turubai): The poster print is a UV printed canvas paper with a nice surface texture. It is optimally used for placing your fine art print with a customized frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the painting to facilitate the framing.
- Turubai: The UV printed canvas material mounted on a wooden stretcher frame. Additionally, a canvas print generates a charming and positive look. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang the Canvas print without any wall-mounts. Because of thatcanvas prints are suited for any type of wall.
- Dibondi ya Aluminium: Aluminium Dibond prints are metal prints with an outstanding depth - for a modern impression and a non-reflective surface. A direct Direct Print on Aluminum Dibond is the best introduction to the sophisticated world of fine art reproductions with aluminum. The white and bright parts of the artwork shine with a silk gloss but without the glare. This print on Aluminum Dibond is the most popular entry-level product and is an extremely stylish way to showcase fine art reproductions, because it puts 100% of the viewer’s focus on the artwork.
disclaimer: We try whatever we can to depict our products as accurate as possible and to showcase them visually in our shop. Nevertheless, the colors of the print products and the imprint may vary slightly from the presentation on your device's monitor. Depending on your screen settings and the condition of the surface, colors can unfortunately not be printed one hundret percent realistically. Given that all the art reproductions are printed and processed by hand, there may as well be minor discrepancies in the motif's exact position and the size.
Kuhusu kipengee
| Aina ya makala: | uchapishaji wa sanaa |
| Uzazi: | uzazi wa kidijitali |
| Mbinu ya utengenezaji: | Uchapishaji wa UV / uchapishaji wa dijiti |
| Asili: | zinazozalishwa nchini Ujerumani |
| Aina ya hisa: | kwa mahitaji ya uzalishaji |
| Matumizi ya bidhaa iliyopendekezwa: | mapambo ya ukuta, mapambo ya ukuta |
| Mpangilio wa kazi ya sanaa: | mpangilio wa picha |
| Uwiano wa upande: | 3 : 4 urefu hadi upana |
| Tafsiri ya uwiano wa picha: | urefu ni 25% mfupi kuliko upana |
| Chaguzi za kitambaa: | chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya turubai, chapa ya bango (karatasi ya turubai), chapa ya chuma (dibond ya alumini) |
| Chaguzi za kuchapisha turubai (turubai kwenye fremu ya machela): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
| Chaguzi za kuchapisha glasi ya Acrylic (na mipako halisi ya glasi): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
| Chapisho la bango (karatasi ya turubai): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
| Ukubwa wa kuchapisha dibond ya alumini (nyenzo za alumini): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
| Muafaka wa picha: | haipatikani |
Data ya kazi ya sanaa iliyopangwa
| Jina la kazi ya sanaa: | "The Ghost on the Terrace" |
| Uainishaji wa kazi za sanaa: | uchoraji |
| Neno la jumla: | sanaa ya kisasa |
| kipindi: | 19th karne |
| Mwaka wa kazi ya sanaa: | 1843 |
| Takriban umri wa kazi ya sanaa: | zaidi ya miaka 170 |
| Wastani asili: | lithograph, first state of five |
| Vipimo vya mchoro asilia: | Picha: 10 3/16 x 7 1/2 in (25,8 x 19,1 cm) Laha: 11 7/16 x 8 7/16 in (29 x 21,5 cm) |
| Makumbusho / mkusanyiko: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| Tovuti ya makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
| Aina ya leseni: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya Metropolitan ya Sanaa, New York, Mfuko wa Rogers, 1922 |
| Mstari wa mkopo wa kazi ya sanaa: | Rogers Fund, 1922 |
Jedwali la muhtasari wa msanii
| Jina la msanii: | Eugène Delacroix |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | Kifaransa |
| Kazi: | mchoraji |
| Nchi ya nyumbani: | Ufaransa |
| Uainishaji wa msanii: | msanii wa kisasa |
| Mitindo ya msanii: | Upendo |
| Alikufa akiwa na umri: | miaka 65 |
| Mwaka wa kuzaliwa: | 1798 |
| Kuzaliwa katika (mahali): | Saint-Maurice, Val-de-Marne |
| Alikufa: | 1863 |
| Mji wa kifo: | Paris |
Maandishi haya yanalindwa na hakimiliki © , www.artprinta.com (Artprinta)
Maelezo ya ziada na makumbusho (© - na The Metropolitan Museum of Art - www.metmuseum.org)
In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here, in act 1, scene 5, the prince has followed his father's spirit to learn that he is: ""Doom'd for a certain term to walk the night, / And for the day confined to fast in fires,/ Till the foul crimes done in my days of nature/ Are burnt and purged away." When the ghost reveals that he was murdered by Hamlet's uncle and demands revenge, his son responds with hesitancy with shocked surprise. Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most significant achievements.