Edgar Melville Ward, 1898 - The Coppersmith - chapa nzuri ya sanaa
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Unachopaswa kujua kuhusu uchoraji wa zaidi ya miaka 120
Mchoro huu ulichorwa na msanii Edgar Melville Ward. Zaidi ya hapo 120 years old original had the following size of 23 7/8 x 21 in (60,5 x 53,3 cm). Oil on canvas was applied by the artist as the technique for the artpiece. This work of art forms part of the art collection of Makumbusho ya Metropolitan ya Sanaa, ambayo ni mojawapo ya makumbusho makubwa zaidi na bora zaidi ya sanaa duniani, ambayo yanajumuisha zaidi ya kazi milioni mbili za sanaa zilizochukua miaka elfu tano ya utamaduni wa dunia, kutoka historia hadi sasa na kutoka kila sehemu ya dunia.. Kwa hisani ya Makumbusho ya Metropolitan ya Sanaa, New York, Zawadi ya Mabwana Kadhaa, 1900 (leseni ya kikoa cha umma). Kwa kuongezea, kazi ya sanaa ina nambari ifuatayo ya mkopo: Zawadi ya Mabwana Kadhaa, 1900. Aidha, alignment ya uzazi digital ni picha ya na ina uwiano wa picha wa 1: 1.2, Ambayo ina maana kwamba urefu ni 20% mfupi kuliko upana.
Agiza nyenzo ambazo ungependa kuning'inia nyumbani kwako
Kwa kila picha nzuri ya sanaa tunatoa anuwai ya ukubwa na nyenzo tofauti. Saizi na nyenzo zifuatazo ndizo chaguo tunazokupa kwa ubinafsishaji:
- Turubai: The printed canvas, which shall not be confused with a canvas painting, is a digital replica printed from an industrial printing machine. In addition to that, a canvas print makes a homelike and appealing ambience. A canvas print of this artpiece will let you turn your personal fine art print into a large work of art. How do I hang a canvas on the wall? Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.
- Chapa ya dibond ya Alumini (chuma): These are metal prints on aluminium dibond material with a true effect of depth. Its non-reflective surface make a fashionable look. The bright and white sections of the artpiece shimmer with a silky gloss but without glare. The colors of the print are luminous and vivid in the highest definition, fine details of the print are crisp and clear. The direct UV print on aluminium is one of the most demanded entry-level products and is an extremely stylish way to showcase artworks, because it puts 100% of the viewer’s focus on the replica of the artwork.
- Chapisho la bango kwenye nyenzo za turubai: Our poster is a printed canvas with a nice surface structure, that resembles the original masterpiece. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the print motif in order to facilitate the framing with your custom frame.
- Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): An acrylic glass print, which is sometimes denoted as a print on plexiglass, will convert your selected original artwork into magnificient décor. Our acrylic glass protects your selected fine art print against light and heat for decades.
Muhimu kumbuka: We try everything to depict the products as exact as possible and to demonstrate them visually. At the same time, the tone of the print products and the printing may vary to a certain extent from the presentation on your device's screen. Depending on the screen settings and the quality of the surface, colors may not be printed as realistically as the digital version on this website. Since the art prints are processed and printed by hand, there may also be minor variations in the exact position and the size of the motif.
Maelezo ya makala
| Uainishaji wa makala: | uzazi mzuri wa sanaa |
| Uzazi: | uzazi wa kidijitali |
| Mbinu ya utengenezaji: | Uchapishaji wa UV / uchapishaji wa dijiti |
| Asili ya bidhaa: | germany |
| Aina ya hisa: | kwa mahitaji ya uzalishaji |
| Matumizi ya bidhaa: | muundo wa nyumba, mkusanyiko wa sanaa (reproductions) |
| Mpangilio wa picha: | mpangilio wa picha |
| Uwiano wa picha: | 1: 1.2 |
| Maana ya uwiano wa picha: | urefu ni 20% mfupi kuliko upana |
| Nyenzo unaweza kuchagua: | chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya turubai, chapa ya chuma (dibond ya alumini), chapa ya bango (karatasi ya turubai) |
| Chaguzi za kuchapisha turubai (turubai kwenye fremu ya machela): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Chaguzi za ukubwa wa glasi ya akriliki (na mipako halisi ya glasi): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Chapisho la bango (karatasi ya turubai): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Chaguzi za uchapishaji wa Dibond (nyenzo za alumini): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Muundo wa nakala ya sanaa: | hakuna sura |
Maelezo kuhusu kipande cha kipekee cha sanaa
| Jina la mchoro: | "The Coppersmith" |
| Uainishaji: | uchoraji |
| Aina pana: | sanaa ya kisasa |
| Karne: | 19th karne |
| Iliundwa katika mwaka: | 1898 |
| Takriban umri wa kazi ya sanaa: | zaidi ya miaka 120 |
| Mchoro wa kati asilia: | mafuta kwenye turubai |
| Saizi asili ya mchoro: | Inchi 23 7/8 x 21 (cm 60,5 x 53,3) |
| Makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| Ukurasa wa wavuti wa Makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
| Aina ya leseni ya uchoraji: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya Metropolitan ya Sanaa, New York, Zawadi ya Mabwana Kadhaa, 1900 |
| Nambari ya mkopo: | Zawadi ya Mabwana Kadhaa, 1900 |
Maelezo ya msanii muundo
| jina: | Edgar Melville Ward |
| Majina Mbadala: | Edgar Melville Ward, Ward Edgar Melville |
| Jinsia ya msanii: | kiume |
| Raia: | Marekani |
| Kazi: | mchoraji |
| Nchi: | Marekani |
| Uainishaji wa msanii: | msanii wa kisasa |
| Uhai: | miaka 76 |
| Mzaliwa wa mwaka: | 1839 |
| Mji wa kuzaliwa: | Urbana, Champaign county, Illinois, United States |
| Mwaka ulikufa: | 1915 |
Maandishi haya ni haki miliki na yanalindwa na hakimiliki © | Artprinta.com
(© - na The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)
The Ohio-born Ward studied at the National Academy of Design in New York from 1865 to 1870 and at the École des Beaux-Arts in Paris from 1872 to 1878. A consummate academic, he began teaching at the National Academy in 1882 and directed the school from 1889 to 1909. His paintings, which often depict tradesmen and craftsmen, demonstrate his meticulous academic style. "The Coppersmith" reflects late nineteenth-century nostalgia for the past and for beautiful handicrafts in an increasingly industrialized age. Here, Ward ennobles a metalworker by presenting him as a dignified artist in his studio.