Nicolas Froment, 1480 - The Pérussis Altarpiece - chapa nzuri ya sanaa
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Maelezo ya kina ya bidhaa ya sanaa
hii sanaa ya classic kazi ya sanaa iliundwa na kiume mchoraji Nicolas Froment. Mchoro ulichorwa kwa saizi: Three panels, each 54 1/2 x 23 in (138,4 x 58,4 cm). Oil and gold on wood was used by the European artist as the technique for the artpiece. This piece of art can be viewed in in the Makumbusho ya Metropolitan ya Sanaa digital collection. We are happy to reference that the work of art, which belongs to the Uwanja wa umma imejumuishwa kwa hisani ya The Metropolitan Museum of Art, New York, Purchase, Mary Wetmore Shively Bequest, kwa kumbukumbu ya mumewe, Henry L. Shively, M.D., 1954. Kwa kuongezea, mchoro una nambari ifuatayo ya mkopo: Nunua, Mary Wetmore Shively Bequest, kwa kumbukumbu ya mumewe, Henry L. Shively, M.D., 1954. Besides this, the alignment is landscape with an image ratio of 1.2: 1, ambayo ina maana kwamba urefu ni 20% zaidi ya upana. The painter Nicolas Froment was an artist from France, whose style can be classified as Northern Renaissance. The French artist lived for miaka 24 - alizaliwa mnamo 1460 na alikufa mnamo 1484.
General description as provided by The Metropolitan Museum of Art (© - na The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)
The subject of this large altarpiece, the adoration of the empty cross on Golgatha, is unusual. According to a documented inscription on the lost original frame, the painting was made in 1480 for Aloisius Rudolphe de Pérussis, whose family coat of arms and motto are displayed on the side panels. One of the kneeling donors, presented by John the Baptist and Saint Francis, may be Aloisius himself. Originally from Florence, the Pérussis or Peruzzi took refuge in Avignon after they were exiled by Cosimo de' Medici in 1434. Included in the background landscape is a faithful topographical view of Avignon.
Maelezo ya mchoro
Jina la kazi ya sanaa: | "The Pérussis Altarpiece" |
Uainishaji: | uchoraji |
Neno la jumla: | sanaa ya classic |
Wakati: | 15th karne |
kuundwa: | 1480 |
Umri wa kazi ya sanaa: | zaidi ya miaka 540 |
Imechorwa kwenye: | mafuta na dhahabu juu ya kuni |
Saizi asili ya mchoro: | Three panels, each 54 1/2 x 23 in (138,4 x 58,4 cm) |
Imeonyeshwa katika: | Makumbusho ya Metropolitan ya Sanaa |
Mahali pa makumbusho: | New York City, New York, Marekani |
Tovuti ya Makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
Aina ya leseni ya mchoro: | Uwanja wa umma |
Kwa hisani ya: | The Metropolitan Museum of Art, New York, Purchase, Mary Wetmore Shively Bequest, kwa kumbukumbu ya mumewe, Henry L. Shively, M.D., 1954 |
Mstari wa mkopo wa kazi ya sanaa: | Nunua, Mary Wetmore Shively Bequest, kwa kumbukumbu ya mumewe, Henry L. Shively, M.D., 1954 |
Mchoraji
Jina la msanii: | Nicolas Froment |
Uwezo: | Nicolas Froment, Froment, Froment Nicolas, Froment Nicholas |
Jinsia ya msanii: | kiume |
Raia wa msanii: | Kifaransa |
Kazi za msanii: | mchoraji |
Nchi ya nyumbani: | Ufaransa |
Uainishaji wa msanii: | bwana mzee |
Mitindo ya sanaa: | Renaissance ya Kaskazini |
Alikufa akiwa na umri: | miaka 24 |
Mwaka wa kuzaliwa: | 1460 |
Mwaka wa kifo: | 1484 |
Chagua lahaja unayopendelea ya nyenzo za uchapishaji wa sanaa
Kwa kila bidhaa tunatoa anuwai ya vifaa na saizi tofauti. Unaweza kuchagua kati ya chaguzi zifuatazo za ubinafsishaji wa bidhaa:
- Uchapishaji wa glasi ya Acrylic: An acrylic glass print, often described as a print on plexiglass, will convert the original work of art into stunning wall décor and offers a viable alternative option to canvas or aluminium dibond art prints. The artwork is custom-made thanks to the help of modern UV print technology. This makes impressive and rich color shades. The major upside of an acrylic glass print is that contrasts plus minor painting details will be exposed due to the granular tonal gradation. The acrylic glass protects your chosen art print against light and heat for many years to come.
- Uchapishaji wa turubai: The printed canvas material stretched on a wooden stretcher frame. A printed canvas creates a soft and warm effect. Canvas Prints have the advantage of being low in weight. This means, it is quite simple to hang the Canvas print without extra wall-mounts. Hence, canvas prints are suitable for all kinds of walls.
- Mchapishaji wa dibond ya Alumini: Chapisho la Dibond ya Aluminium ni chapa iliyo na athari bora ya kina.
- Bango (nyenzo za turubai): The Artprinta poster is a UV printed canvas paper with a nice texture on the surface, which resembles the actual artwork. The poster print is used for placing the art replica with a custom-made frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the print, which facilitates the framing with your custom frame.
Maelezo ya bidhaa iliyopangwa
Uainishaji wa makala: | uchapishaji wa sanaa |
Uzazi: | uzazi wa kidijitali |
Mbinu ya uzalishaji: | uchapishaji wa dijiti (uchapishaji wa moja kwa moja wa UV) |
Uzalishaji: | kufanywa nchini Ujerumani |
Aina ya hisa: | kwa mahitaji ya uzalishaji |
Matumizi ya bidhaa iliyopendekezwa: | mkusanyiko wa sanaa (reproductions), nyumba ya sanaa ya kuchapisha sanaa |
Mwelekeo wa kazi ya sanaa: | mpangilio wa mazingira |
Uwiano wa picha: | (urefu: upana) 1.2: 1 |
Tafsiri ya uwiano wa picha: | urefu ni 20% zaidi ya upana |
Lahaja zinazopatikana: | chapa ya turubai, chapa ya chuma (dibond ya alumini), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya bango (karatasi ya turubai) |
Turubai kwenye fremu ya machela (chapisho la turubai) lahaja: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Chaguzi za ukubwa wa glasi ya akriliki (na mipako halisi ya glasi): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Chaguzi za ukubwa wa uchapishaji wa bango (karatasi ya turubai): | 60x50cm - 24x20", 120x100cm - 47x39" |
Chaguzi za kuchapisha dibond ya Alumini: | 60x50cm - 24x20", 120x100cm - 47x39" |
Muundo wa uchapishaji wa sanaa: | bila sura |
Ujumbe wa kisheria: We try our best in order to describe the products as accurate as possible and to illustrate them visually. At the same time, the pigments of the printed materials, as well as the print result might diverge slightly from the representation on your device's screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed 100% realistically. Since all the are processed and printed by hand, there might also be minor variations in the motif's exact position and the size.
Maandishi haya yanalindwa na hakimiliki © - Artprinta.com (Artprinta)