Anthony van Dyck, 1622 - Lucas van Uffel (Mayest 1637) - chapa nzuri ya sanaa

Additional information on the original artwork from the museum's website (© Copyright - by The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)

Van Uffel was a wealthy Flemish merchant who lived in Venice, where Van Dyck probably painted this portrait early in his Italian period (1621–27). In another portrait (Herzog Anton Ulrich-Museum, Brauschweig), Van Dyck shows the same sitter authoritatively posed before a view of ships sailing off a Mediterranean coast. Ours, by contrast, shows Van Uffel as a learned gentleman, with signs of his varied interests: dividers, a recorder, the bow of a viola da gamba, an antique head, a drawing, and a celestial globe.

Specifications of the art print titled "Lucas van Uffel (mayest 1637)"

In 1622 mchoraji wa kiume wa Uholanzi Anthony van Dyck aliunda mchoro huu. Zaidi ya hapo 390 umri wa mwaka awali hupima ukubwa: 49 x 39 5/8 in (124,5 x 100,6 cm). Mafuta kwenye turubai was used by the European painter as the technique for the piece of art. Nowadays, the piece of art is in the the Makumbusho ya Metropolitan ya Sanaa mkusanyiko wa sanaa ya kidijitali uliopo New York City, New York, Marekani. Tunafurahi kurejelea kwamba hii Uwanja wa umma kipande cha sanaa ni pamoja na kwa hisani ya Jumba la kumbukumbu la Metropolitan la Sanaa, New York, Bequest of Benjamin Altman, 1913. Also, the artpiece has the creditline: Bequest of Benjamin Altman, 1913. Besides this, the alignment is in picha ya umbizo lenye uwiano wa picha wa 1: 1.2, Ambayo ina maana kwamba urefu ni 20% mfupi kuliko upana. Anthony van Dyck was a male translator, author, dramaturge, painter, theater director, etcher from the Netherlands, whose artistic style can be classified as Baroque. The European painter was born in 1599 huko Antwerp, jimbo la Antwerpen, Flanders, Ubelgiji na alikufa akiwa na umri wa miaka 42 katika 1641.

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• Mchapishaji wa dibond ya Alumini: Aluminium Dibond prints are metal prints with an impressive depth. The Direct Print on Aluminum Dibond is the best introduction to fine art replicas produced on aluminum. Colors are luminous, the details are very clear. The direct print on aluminium is the most popular entry-level product and is a stylish way to display art prints, because it draws attention on the whole artwork.
• Mchapishaji wa glasi ya akriliki: An acrylic glass print, which is sometimes described as a print on plexiglass, transforms your original work of art into gorgeous décor. In addition, the acrylic glass art print offers a distinct alternative to dibond and canvas fine art prints. The major benefit of a plexiglass art print is that contrasts and painting details will be more identifiable because of the granular gradation in the print.
• Chapa ya bango (nyenzo za turubai): The Artprinta poster is a UV printed canvas paper with a slightly roughened structure on the surface, which reminds the original artwork. The poster print is suited for framing the art copy in a special frame. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the print motif, which facilitates the framing.
• Uchapishaji wa turubai: A printed canvas, which shall not be mistaken with a painting on a canvas, is a digital copy printed from a UV direct printing machine. The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the help of extra wall-mounts. A canvas print is suited for any kind of wall.

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