Théodule-Augustin Ribot, 1880 - Wavuvi wa Breton na Familia Zao - chapa nzuri ya sanaa
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Maelezo ya kina ya bidhaa
Katika mwaka 1880 ya kiume msanii Théodule-Augustin Ribot alifanya sanaa ya kisasa Kito "Breton Fishermen and Their Families". The over 140 umri wa miaka asili uliwekwa rangi na vipimo: 21 3/4 x 18 1/4 in (sentimita 55,2 x 46,4) na ilitengenezwa na kati mafuta kwenye turubai. Nowadays, the work of art is in the the digital art collection of The Metropolitan Museum of Art in New York City, New York, Marekani. Kito hiki cha kisasa cha kikoa cha umma kimejumuishwa kwa hisani ya Makumbusho ya Metropolitan ya Sanaa, New York, Wasia wa Catherine D. Wentworth, 1948. Mstari wa mkopo wa kazi ya sanaa: Wasia wa Catherine D. Wentworth, 1948. On top of that, alignment is portrait and has a ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Théodule-Augustin Ribot was a male painter, whose artistic style was primarily Realism. The European artist was born in the year 1823 and passed away at the age of 68 katika 1891.
Vifaa vya bidhaa vinavyopatikana
Katika menyu kunjuzi ya bidhaa unaweza kuchagua nyenzo na saizi yako binafsi. Chaguzi zifuatazo zinapatikana kwa ubinafsishaji:
- Kioo cha akriliki kilichochapishwa (na mipako halisi ya glasi juu): A glossy acrylic glass print, which is sometimes labelled as a plexiglass print, makes your favorite artwork into décor and is a distinct alternative to canvas and dibond fine art replicas. Our real glass coating protects your custom art print against light and heat for up to 60 years.
- Bango (nyenzo za turubai): Our poster print is a UV printed cotton canvas with a granular texture on the surface. It is excellently qualified for placing your fine art print with a customized frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2 - 6cm round about the print motif, which facilitates the framing with your custom frame.
- Uchapishaji wa turubai: The canvas direct print is a printed cotton canvas mounted on a wood stretcher. How can I hang a canvas print on my wall? A canvas print has the advantage of being low in weight, which implies that it is easy to hang up your Canvas print without extra wall-mounts. A canvas print is suitable for any type of wall.
- Chapa ya chuma (dibond ya alumini): Aluminium Dibond prints are prints on metal with an outstanding effect of depth, which creates a modern impression by having a non-reflective surface. The white and bright parts of the artwork shimmer with a silky gloss, however without glare. Colors are luminous and bright in the highest definition, details of the print are very clear, and the print has a a matte appearance you can literally feel. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to display fine art reproductions, since it draws attention on the replica of the artwork.
Kanusho la kisheria: We try what we can in order to depict the products in as much detail as possible and to display them visually in our shop. Although, the colors of the printed materials, as well as the print result might vary marginally from the representation on your device's screen. Depending on the screen settings and the nature of the surface, not all color pigments are printed 100% realistically. Since our art prints are processed and printed by hand, there may as well be slight deviations in the size and exact position of the motif.
Maelezo ya kipengee kilichopangwa
| Aina ya makala: | uzazi mzuri wa sanaa |
| Uzazi: | uzazi wa kidijitali |
| Mbinu ya utengenezaji: | Uchapishaji wa moja kwa moja wa UV |
| Asili: | viwandani nchini Ujerumani |
| Aina ya hisa: | juu ya mahitaji |
| Matumizi yaliyokusudiwa ya bidhaa: | picha ya ukuta, mapambo ya ukuta |
| Mpangilio: | muundo wa picha |
| Uwiano wa picha: | 1: 1.2 (urefu: upana) |
| Maana: | urefu ni 20% mfupi kuliko upana |
| Lahaja zinazopatikana: | chapa ya chuma (dibond ya alumini), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya turubai, chapa ya bango (karatasi ya turubai) |
| Chaguzi za kuchapisha turubai (turubai kwenye fremu ya machela): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Chaguzi za ukubwa wa glasi ya akriliki (na mipako halisi ya glasi): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Chaguzi za ukubwa wa uchapishaji wa bango (karatasi ya turubai): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Chaguzi za uchapishaji wa Dibond (nyenzo za alumini): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Muundo wa uchapishaji wa sanaa: | hakuna sura |
Data ya usuli kuhusu kazi asilia ya sanaa
| Kipande cha jina la sanaa: | "Breton Fishermen and Their Families" |
| Uainishaji: | uchoraji |
| Kategoria ya jumla: | sanaa ya kisasa |
| Karne ya sanaa: | 19th karne |
| Mwaka wa uumbaji: | 1880 |
| Takriban umri wa kazi ya sanaa: | zaidi ya miaka 140 |
| Mchoro wa kati asilia: | mafuta kwenye turubai |
| Vipimo vya asili (mchoro): | 21 3/4 x 18 1/4 in (sentimita 55,2 x 46,4) |
| Makumbusho / mkusanyiko: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| Tovuti ya Makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
| leseni: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya Metropolitan ya Sanaa, New York, Wasia wa Catherine D. Wentworth, 1948 |
| Mstari wa mkopo wa kazi ya sanaa: | Wasia wa Catherine D. Wentworth, 1948 |
Jedwali la msanii
| Jina la msanii: | Théodule-Augustin Ribot |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | Kifaransa |
| Kazi za msanii: | mchoraji |
| Nchi ya nyumbani: | Ufaransa |
| Uainishaji wa msanii: | msanii wa kisasa |
| Mitindo ya sanaa: | uhalisia |
| Alikufa akiwa na umri: | miaka 68 |
| Mwaka wa kuzaliwa: | 1823 |
| Mwaka wa kifo: | 1891 |
© Hakimiliki inalindwa | www.artprinta.com (Artprinta)
Additional description as provided by The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)
Toward the end of his life, Ribot, who was strongly influenced by seventeenth-century Spanish painters, especially Ribera, brought a vigorous realism and a predilection for contrasting values to the subject of Breton and Norman peasants. Beginning in the 1870s, he painted several group portraits similar to this one.