Albert Pinkham Ryder, 1880 - The Toilers of the Sea - chapa nzuri ya sanaa

Uainishaji wa bidhaa ya sanaa

Mchoro huu wa karne ya 19 ulitengenezwa na Marekani painter Albert Pinkham Ryder in the year 1880. The 140 toleo la zamani la mchoro lilichorwa na saizi: Inchi 11 1/2 x 12 (cm 29,2 x 30,5). Mafuta juu ya kuni was applied by the North American artist as the technique for the artwork. The work of art can be viewed in in the Makumbusho ya Metropolitan ya Sanaa ukusanyaji wa digital katika New York City, New York, Marekani. Hii sanaa ya kisasa Uwanja wa umma artpiece hutolewa kwa hisani ya The Metropolitan Museum of Art, New York, George A. Hearn Fund, 1915. The creditline of the artpiece is the following: George A. Hearn Fund, 1915. Further, the alignment of the digital reproduction is mraba na ina uwiano wa 1: 1, ikimaanisha kuwa urefu ni sawa na upana. Albert Pinkham Ryder was a male artist, painter, whose style can be classified as Symbolism. The Symbolist painter was born in 1847 in New Bedford, Bristol county, Massachusetts, United States and died at the age of 70 mwaka wa 1917 huko Elmhurst, New York City, jimbo la New York, Marekani.

Chagua nyenzo zako

Menyu kunjuzi ya bidhaa hukupa uwezekano wa kuchagua nyenzo na saizi unayopenda. Chaguzi zifuatazo zinapatikana kwa ubinafsishaji:

• Bango (nyenzo za turubai): A poster is a UV printed sheet of canvas paper with a granular finish on the surface, which resembles the actual version of the masterpiece. Please note, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the artwork, which facilitates the framing.
• Uchapishaji wa turubai: The canvas print, not to be confused with a painting on a canvas, is an image printed on an industrial printing machine. In addition to that, a printed canvas makes a nice and pleasing look. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without any wall-mounts. Therefore, a canvas print is suitable for any type of wall.
• Uchapishaji wa glasi ya Acrylic: The print on acrylic glass, often labelled as a an art print on plexiglass, transforms your favorite original artwork into lovely wall décor and makes a great alternative option to canvas or dibond prints.
• Chapa ya dibond ya Alumini (chuma): An Aluminium Dibond print is a print with an outstanding depth effect - for a modern look and non-reflective surface. For the Aluminium Dibond print, we print your selected artwork right onto the aluminium composite white-primed surface. The bright & white sections of the work of art shimmer with a silk gloss but without the glow. This direct UV print on aluminium is one of the most demanded entry-level products and is a truly contemporary way to showcase fine art prints, because it puts all of the viewer’s focus on the artwork.

Ujumbe muhimu wa kisheria: We try the best we can in order to describe our art products as precisely as possible and to illustrate them visually. Although, the pigments of the printed materials, as well as the print result may diverge to a certain extent from the image on the device's screen. Depending on the settings of your screen and the nature of the surface, colors may not be printed 100% realistically. Bearing in mind that all the art reproductions are printed and processed manually, there might as well be slight differences in the motif's exact position and the size.

Kuhusu kipengee

Maelezo kuhusu mchoro wa asili

Mchoraji

Maandishi haya yana hakimiliki ©, Artprinta (www.artprinta.com)

Maelezo ya ziada kama yalivyotolewa kutoka kwa tovuti ya jumba la makumbusho (© - Makumbusho ya Sanaa ya Metropolitan - Makumbusho ya Metropolitan ya Sanaa)

Ryder probably either selected or approved the title of this painting, which relates it to Victor Hugo’s famous 1866 novel of the same name (Les travailleurs de la mer, in the original French). The painting could illustrate any one of several scenes in that novel, which features a fisherman character whose personality and attitudes resemble Ryder’s own. The surface has changed and suffered over the years; still, as with most of Ryder’s works, the composition conveys the artist’s vision of the mystical relationship between people and nature.