Amedeo Modigliani, 1917 - Kuegemea kutoka Nyuma (Nu couché de dos) - picha nzuri ya sanaa

Maelezo ya asili kuhusu mchoro kutoka kwenye jumba la makumbusho (© Hakimiliki - Barnes Foundation - www.barnesfoundation.org)

In 1917 Leopold Zborowski, a Polish-born poet-turned-art dealer, provided the impoverished Amedeo Modigliani with a space in his apartment in which to work, as well as art supplies, models, and a daily stipend. While ensconced in Zborowski's home and at his request, Modigliani embarked on an ambitious series of just over two dozen female nudes. These works combined the artist's distinctively stylized masklike treatment of the face--derived from a wealth of archaic Greek, Asian, ancient Egyptian, and African sources--with poses that recognizably cited works by his predecessors, including not only revered old masters such as Titian, Giorgione, and Diego Velazquez, but also avant-garde provocateurs such as Édouard Manet. However, Modigliani avoided any hint of anecdote, presenting his viewers with the frank carnality of his models. Some of these works caused a scandal when they debuted at Berthe Weill's gallery in December 1917, and police removed one nude from the gallery window for its perceived impropriety.Stretching beyond the edges of the canvas at left and barely contained within its edges at right, this model-cropped at the knee-occupies a shallow, claustrophobic space. Most likely looking to The Odalisque, 1745, by Francois Boucher as a reference, Modigliani's nude lies on her stomach on the standard prop for the series--a dark crimson cushion that luridly sets off the warm flesh tones of the figure. The rounded contours of the pillow heighten the sinuous effect of the successive curves of the model, particularly along her back, buttocks, and thighs. While her body suggests litheness, her face remains stony, showing the hollowed eyes of the artist's mature idiom and the inexpressive button mouth.Judith Dolkart, The Barnes Foundation: Masterworks (New York: Skira Rizzoli, 2012), 336

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• Uchapishaji wa turubai: A printed canvas, not to be mistaken with a canvas painting, is a digital replica printed from an industrial printing machine. It produces the sculptural effect of three dimensionality. A canvas print of this masterpiece will allow you to transform your fine art print into a large size artpiece as you would see in a gallery. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up the Canvas print without additional wall-mounts. Canvas prints are suitable for all kinds of walls.
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Muhtasari wa bidhaa ya kisasa ya sanaa

The sanaa ya kisasa kipande cha sanaa kilifanywa na mchoraji Amedeo Modigliani in 1917. Asili ya zaidi ya miaka 100 hupima saizi: Kwa jumla: 25 1/2 x 39 1/4 in (cm 64,8 x 99,7). Mafuta kwenye turubai was applied by the artist as the medium of the masterpiece. The work of art forms part of the digital collection of Barnes Foundation located in Philadelphia, Pennsylvania, United States of America. With courtesy of - Kwa hisani ya Wakfu wa Barnes, Merion na Philadelphia, Pennsylvania (leseni - kikoa cha umma).:. Juu ya hayo, usawazishaji uko ndani landscape umbizo na ina uwiano wa upande wa 3: 2, which means that the length is 50% longer than the width. Amedeo Modigliani was a male painter, sculptor of Italian nationality, whose style can be classified as Expressionism. The Expressionist painter lived for a total of miaka 36 - born in the year 1884 in Livorno, Livorno province, Tuscany, Italy and died in the year 1920.

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