Giambattista Tiepolo, 1745 - Armida Aliachwa na Rinaldo - chapa nzuri ya sanaa
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Je, tunakuletea bidhaa ya aina gani?
hii sanaa ya classic kipande cha sanaa kilicho na kichwa Armida Abandoned by Rinaldo iliundwa na mchoraji Giambattista Tiepolo katika mwaka wa 1745. The 270 Kito cha umri wa miaka kilipakwa rangi na saizi: 73 1/2 × 102 1/8 in. Oil on canvas was applied by the European painter as the technique for the artpiece. Furthermore, the piece of art is in the the collection of Art Institute Chicago, which is located in Chicago, Illinois, Marekani. With courtesy of - Art Institute Chicago (licensed: public domain). : Bequest of James Deering. In addition to that, the alignment is in landscape format na uwiano wa upande wa 1.4 : 1, ambayo ina maana kwamba urefu ni 40% zaidi ya upana.
Chagua nyenzo ambazo ungependa kuwa nazo
Menyu kunjuzi ya bidhaa hukupa fursa ya kuchagua ukubwa na nyenzo unayopendelea. Unaweza kuchagua kati ya chaguzi zifuatazo za ubinafsishaji wa bidhaa:
- Mchapishaji wa dibond ya Alumini: Aluminium Dibond prints are prints on metal with an impressive depth. For your Print On Aluminum Dibond, we print your chosen work of art right onto the aluminium composite white-primed surface. The bright and white components of the artpiece shine with a silk gloss but without the glare. Colors are luminous, details are crisp and clear, and there’s a matte look that you can literally feel. This print on aluminium is one of the most demanded entry-level products and is a modern way to display art, since it puts 100% of the viewer’s attention on the artwork.
- Uchapishaji wa turubai: The canvas print, not to be mistaken with a painting on a canvas, is a digital copy printed directly on cotton canvas. A canvas has the particular look of three-dimensionality. What is more, printed canvas creates a homelike and pleasing effect. Your canvas print of this artpiece will let you turn your art print into a large artwork. How do I hang a canvas print on my wall? The advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang the Canvas print without any wall-mounts. Canvas prints are suitable for all kinds of walls.
- Chapisho la bango kwenye nyenzo za turubai: The poster print is a printed cotton canvas paper with a slight surface structure. It is particularly appropriate for putting the art print with a special frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm around the print motif in order to facilitate the framing with your custom frame.
- Mchapishaji wa glasi ya akriliki: An print on acrylic glass, which is often labelled as a plexiglass print, will transform your favorite original work of art into marvellous wall décor. Your favorite artwork is being custom-made with the help of state-of-the-art UV print machines. This makes impressive, rich color tones. With an acrylic glass art print sharp contrasts and artwork details will be visible with the help of the precise gradation. Our real glass coating protects your custom fine art print against light and external influences for up to six decades.
disclaimer: We try our best to describe our art products as clearly as possible and to illustrate them visually on the respective product detail pages. At the same time, the pigments of the printed materials, as well as the print result might diverge somehwat from the representation on your monitor. Depending on the screen settings and the nature of the surface, not all color pigments are printed 100% realistically. Given that all the are processed and printed by hand, there might also be minor differences in the exact position and the size of the motif.
Data ya usuli wa bidhaa
| Uainishaji wa bidhaa: | uchapishaji wa sanaa |
| Mbinu ya uzazi: | uzazi katika muundo wa digital |
| Utaratibu wa Uzalishaji: | Uchapishaji wa moja kwa moja wa UV |
| Uzalishaji: | viwandani nchini Ujerumani |
| Aina ya hisa: | kwa mahitaji ya uzalishaji |
| Matumizi yaliyokusudiwa ya bidhaa: | mkusanyiko wa sanaa (reproductions), picha ya ukuta |
| Mwelekeo wa kazi ya sanaa: | mpangilio wa mazingira |
| Kipengele uwiano: | 1.4: 1 |
| Maana ya uwiano wa picha: | urefu ni 40% zaidi ya upana |
| Tofauti za nyenzo za bidhaa: | chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya chuma (dibond ya alumini), chapa ya turubai, chapa ya bango (karatasi ya turubai) |
| Turubai kwenye fremu ya machela (kuchapishwa kwa turubai): | 70x50cm - 28x20", 140x100cm - 55x39" |
| Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): | 70x50cm - 28x20", 140x100cm - 55x39" |
| Vibadala vya ukubwa wa bango (karatasi ya turubai): | 70x50cm - 28x20" |
| Vibadala vya ukubwa wa uchapishaji wa dibondi ya Alumini: | 70x50cm - 28x20", 140x100cm - 55x39" |
| Muundo wa uzazi wa sanaa: | tafadhali kumbuka kuwa chapa hii ya sanaa haina fremu |
Maelezo ya sanaa
| Sehemu ya kichwa cha sanaa: | "Armida Abandoned by Rinaldo" |
| Uainishaji: | uchoraji |
| Kategoria ya jumla: | sanaa ya classic |
| kipindi: | 18th karne |
| Imeundwa katika: | 1745 |
| Umri wa kazi ya sanaa: | zaidi ya miaka 270 |
| Mchoro wa kati asilia: | mafuta kwenye turubai |
| Vipimo vya asili vya mchoro: | 73 1/2 × 102 1/8 in |
| Imeonyeshwa katika: | Taasisi ya Sanaa ya Chicago |
| Mahali pa makumbusho: | Chicago, Illinois, Marekani |
| Website: | www.artic.edu |
| Aina ya leseni ya mchoro: | Uwanja wa umma |
| Kwa hisani ya: | Taasisi ya Sanaa ya Chicago |
| Nambari ya mkopo: | Wasia wa James Deering |
Maelezo ya jumla kuhusu msanii
| Artist: | Giambattista Tiepolo |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | italian |
| Utaalam wa msanii: | mchoraji |
| Nchi ya msanii: | Italia |
| Kategoria ya msanii: | bwana mzee |
| Alikufa akiwa na umri: | miaka 74 |
| Mwaka wa kuzaliwa: | 1696 |
| Mwaka wa kifo: | 1770 |
© Hakimiliki imetolewa na - Artprinta (www.artprinta.com)
Artwork information from Art Institute Chicago (© - Art Institute Chicago - Taasisi ya Sanaa ya Chicago)
The third scene from Giovanni Battista Tiepolo’s brilliant suite of decorations for a room in the Venetian palace of the Cornaro family, this painting shows the emotional climax of the story of Rinaldo and Armida. The knight Rinaldo has been persuaded by his companions, Carlo and Ubaldo, to renounce the love of the beautiful sorceress Armida. The gazes of the figures express the tension of the moment. Bareheaded and pensive, Rinaldo has taken up his arms again and appears to hesitate as the older knights gesture toward the boat that will carry them back to the crusader army. Armida tries vainly to detain him with her imploring gaze and provocatively bare, outstretched leg.