Giovanni Battista Tiepolo, 1725 - Kutekwa kwa Carthage - chapa nzuri ya sanaa
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Vipimo vya makala
The artwork "The Capture of Carthage" was created by Giovanni Battista Tiepolo in 1725. The over 290 year-old original measures the size of Irregular painted surface, 162 x 148 3/8 in (411,5 x 376,9 cm). Mafuta kwenye turubai was used by the Italian artist as the technique for the piece of art. It is in the the Makumbusho ya Metropolitan ya Sanaa mkusanyiko, ambayo iko ndani New York City, New York, Marekani. The classic art artwork, which is in the Uwanja wa umma imejumuishwa kwa hisani ya Makumbusho ya Metropolitan ya Sanaa, New York, Mfuko wa Rogers, 1965. : Rogers Fund, 1965. Further, the alignment is in picha ya format na uwiano wa kipengele cha 1: 1.2, which means that the length is 20% shorter than the width. The painter, printmaker Giovanni Battista Tiepolo was an artist from Italy, whose artistic style was primarily Rococo. The Rococo painter was born in 1696 huko Venice, mkoa wa Venezia, Veneto, Italia na alikufa akiwa na umri wa miaka 74 mnamo 1770.
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- Turubai: A canvas print, not to be mistaken with a canvas painting, is a digital image printed on a UV direct printing machine. A canvas produces a extra effect of three-dimensionality. Besides, canvas print generates a cosy and comfy appearance. A canvas print has the advantage of being relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without the help of additional wall-mounts. Therefore, canvas prints are suited for any kind of wall.
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- Mchapishaji wa glasi ya akriliki: The acrylic glass print, which is often described as a an art print on plexiglass, will turn your selected original into beautiful home décor. Besides, the acrylic print makes a viable alternative to dibond or canvas fine art prints. The artwork is being manufactured with modern UV print technology. With an acrylic glass fine art print sharp contrasts and also details become more exposed due to the very subtle gradation of the picture. Our real glass coating protects your custom fine art print against sunlight and external influences for up to six decades.
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Kuhusu kipengee
Uainishaji wa makala: | ukuta sanaa |
Njia ya uzazi: | uzazi wa kidijitali |
Mchakato wa uzalishaji: | Uchapishaji wa moja kwa moja wa UV (uchapishaji wa dijiti) |
Asili: | Imetengenezwa kwa Ujerumani |
Aina ya hisa: | uzalishaji kwa mahitaji |
Bidhaa matumizi: | muundo wa nyumba, mapambo ya nyumbani |
Mwelekeo wa picha: | mpangilio wa picha |
Uwiano wa picha: | 1, 1.2 : XNUMX - urefu: upana |
Maana ya uwiano wa picha: | urefu ni 20% mfupi kuliko upana |
Vitambaa vya uzazi vinavyopatikana: | chapa ya turubai, chapa ya bango (karatasi ya turubai), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya chuma (dibondi ya alumini) |
Vibadala vya kuchapisha turubai (turubai kwenye fremu ya machela): | 50x60cm - 20x24" |
Chaguzi za ukubwa wa glasi ya akriliki (na mipako halisi ya glasi): | 50x60cm - 20x24" |
Vibadala vya kuchapisha bango (karatasi ya turubai): | 50x60cm - 20x24" |
Chaguzi za kuchapisha dibond ya Alumini: | 50x60cm - 20x24" |
Muafaka wa picha: | bila sura |
Maelezo ya usuli kuhusu mchoro wa kipekee
Jina la mchoro: | "The Capture of Carthage" |
Uainishaji wa kazi za sanaa: | uchoraji |
Muda wa mwavuli: | sanaa ya classic |
Karne: | 18th karne |
Iliundwa katika mwaka: | 1725 |
Umri wa kazi ya sanaa: | 290 umri wa miaka |
Wastani asili: | mafuta kwenye turubai |
Saizi asili ya mchoro: | Uso uliopakwa rangi isiyo ya kawaida, inchi 162 x 148 3/8 (411,5 x 376,9 cm) |
Makumbusho / eneo: | Makumbusho ya Metropolitan ya Sanaa |
Mahali pa makumbusho: | New York City, New York, Marekani |
URL ya Wavuti: | Makumbusho ya Metropolitan ya Sanaa |
Aina ya leseni ya mchoro: | Uwanja wa umma |
Kwa hisani ya: | Makumbusho ya Metropolitan ya Sanaa, New York, Mfuko wa Rogers, 1965 |
Mstari wa mkopo wa kazi ya sanaa: | Rogers Fund, 1965 |
Jedwali la metadata la msanii
Jina la msanii: | Giovanni Battista Tiepolo |
Majina ya paka: | giovanni batt. tiepolo, giovanni bapt. tiepolo, giovanni tiepolo, Tʹepolo Dzhovanni Battista, Gio Baptista Tiepolo, Tiopolo, Tiepolo Giov. Batt., Tiépolo Juan Bautista, Teipolo, J. B. Tiepolo le père, Tiepolo C. B., Giovanni Battista Tiepolo, Tiepolo Giovanni, Giambatista Tiepelo, nachahmer des tiepolo, Tiepolo, G.B. Tiepolo, Hiepolo, giov. batt. tiepolo, Le Tiépoli, Gio. Battista Tiepolo, Tiepulo, Tiipolo, Tiepolo G. B., Tiopalo, טייפולו ג'ובאני בטיסטה, Giambattista Tiepolo, Teipolo Giovanni Battista, giovanni baptista tiepolo, Tripolo, F. B. Tiepolo, giov. battista tiepolo, Tiepoli Giovanni Battista, Diebolo, Johann Baptista Tiepolo, Jean-Baptiste Tiepolo, Tiepolo Giovanni Battista, Tiepolo Giovanni Battista, Diepolo, Gian Battista Tiepolo, tiepolo g.b., Tibolo, Giambatista Tiepolo, Tiepoli, tiepolo giov. b., tiepolo g. battista, Tippoli, Joh. Bapt. Tiepolo, Tripoli, Tiepolo J. B., Juan Bautista Tiepolo, Giovanni Batista Tiepolo, Tiepolo Giambattista, Tiepolo G.B., J.-B. Tiépolo, Tieoplo, J. Batista Tiepolo, G. Tiepolo, Tiepolo Gio. Battista, Tiopoli, j.b. tiepolo, Johann Babtiste Tiepolo, giovanni b. tiepolo, Johann Bapt. Tiepolo, Tipolo, g. b. tiepolo, Thiepolo, J. B. Tiepolo, Tipoli |
Jinsia ya msanii: | kiume |
Raia wa msanii: | italian |
Kazi: | mchoraji, mchoraji |
Nchi ya msanii: | Italia |
Uainishaji wa msanii: | bwana mzee |
Mitindo ya msanii: | Rococo |
Uhai: | miaka 74 |
Mzaliwa wa mwaka: | 1696 |
Kuzaliwa katika (mahali): | Venice, mkoa wa Venezia, Veneto, Italia |
Mwaka wa kifo: | 1770 |
Mji wa kifo: | Madrid, jimbo la Madrid, Comunidad de Madrid, Uhispania |
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Maelezo ya ziada ya kazi ya sanaa na tovuti ya makumbusho (© - na The Metropolitan Museum of Art - www.metmuseum.org)
This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca’ Dolfin, Venice. The subject has been variously identified. It probably shows the capture of Carthage by Cornelius Scipio Aemilianus (known as Scipio Africanus the Younger) in 146 B.C., a momentous event that categorically ended the power of Carthage. The carnage was unspeakable and the city burned for seventeen days. The depiction of this event probably carried an allusion to the recent campaigns of the Venetians against the Turks in the Mediterranean, and in particular to the participation of Daniele Dolfin.