Jean Auguste Dominique Ingres, 1852 - Bikira Anayeabudu Mwenyeji - chapa nzuri ya sanaa
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Bidhaa ya sanaa
This modern art painting was created by Jean Auguste Dominique Ingres in 1852. Ya asili ilitengenezwa na saizi: 15 7/8 x 12 7/8 in (sentimita 40,3 x 32,7). Mafuta kwenye turubai was used by the European artist as the medium of the work of art. What is more, this work of art is included in the art collection of Makumbusho ya Metropolitan ya Sanaa in New York City, New York, Marekani. Kwa hisani ya - The Metropolitan Museum of Art, New York, Gift of Lila and Herman Shickman, 2005 (leseni: kikoa cha umma). Also, the artwork has the following creditline: Gift of Lila and Herman Shickman, 2005. What is more, the alignment is in portrait format with a side ratio of 1: 1.2, ambayo ina maana kwamba urefu ni 20% mfupi kuliko upana.
Ni nyenzo gani ya bidhaa unayopendelea?
The product dropdown menu ofers you the opportunity to pick your individual size and material. You can choose your your favorite size and material among the following options:
- Bango lililochapishwa (nyenzo za turubai): The poster print is a printed cotton canvas paper with a slight structure on the surface. A poster print is best qualified for placing the fine art print with a custom-made frame. Please note, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm around the print motif, which facilitates the framing with your custom frame.
- Dibondi ya Alumini (chapa ya chuma): An Aluminium Dibond print is a print with a true depth effect. A non-reflective surface structure creates a fashionable look. The bright sections of the original artpiece shimmer with a silky gloss, however without any glare. The colors of the print are luminous in the highest definition, the fine details appear clear and crisp, and you can feel a matte appearance of the product. This direct print on Aluminum Dibond is the most popular entry-level product and is a truly stylish way to showcase fine art reproductions, as it puts all of the viewer’s attention on the replica of the artwork.
- Mchapishaji wa glasi ya akriliki: The print on acrylic glass, which is sometimes described as a print on plexiglass, will change your favorite original work of art into stunning décor. Your own version of the work of art is being manufactured with the help of modern UV printing technology. It makes vibrant and stunning colors. With an acrylic glass fine art print contrasts plus smaller details will be more visible with the help of the delicate gradation in the picture. The acrylic glass protects your chosen art replica against light and external influences for many years.
- Uchapishaji wa turubai: The printed canvas material applied on a wood stretcher frame. A canvas creates the unique look of three-dimensionality. A printed canvas produces a cosy and comfy atmosphere. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without additional wall-mounts. A canvas print is suited for any type of wall.
Kanusho la kisheria: We strive to depict our art products as accurate as possible and to display them visually in our shop. Although, the tone of the print materials, as well as the imprint can vary to a certain extent from the image on the device's monitor. Depending on the screen settings and the quality of the surface, not all color pigments are printed as realisitcally as the digital version shown here. Given that the fine art prints are processed and printed by hand, there might as well be slight discrepancies in the motif's exact position and the size.
Maelezo ya kipengee kilichopangwa
| Uainishaji wa bidhaa: | uchapishaji mzuri wa sanaa |
| Njia ya uzazi: | uzazi wa kidijitali |
| Utaratibu wa Uzalishaji: | Uchapishaji wa moja kwa moja wa UV |
| Asili: | kufanywa nchini Ujerumani |
| Aina ya hisa: | uzalishaji kwa mahitaji |
| Matumizi yaliyokusudiwa: | ukusanyaji wa sanaa (reproductions), mapambo ya ukuta |
| Mwelekeo: | muundo wa picha |
| Uwiano wa picha: | 1: 1.2 |
| Tafsiri ya uwiano wa picha: | urefu ni 20% mfupi kuliko upana |
| Chaguzi za kitambaa: | chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya turubai, chapa ya chuma (dibond ya alumini), chapa ya bango (karatasi ya turubai) |
| Chapisha turubai (turubai kwenye fremu ya machela): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Uchapishaji wa glasi ya akriliki (iliyo na mipako halisi ya glasi) anuwai za saizi: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Chapisho la bango (karatasi ya turubai): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Saizi za uchapishaji wa Dibond (nyenzo za alumini): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Muundo wa mchoro wa sanaa: | bila sura |
Jedwali la kazi ya sanaa
| Kichwa cha kazi ya sanaa: | "The Virgin Adoring the Host" |
| Uainishaji wa kazi ya sanaa: | uchoraji |
| Kategoria ya jumla: | sanaa ya kisasa |
| Karne ya sanaa: | 19th karne |
| Iliundwa katika mwaka: | 1852 |
| Umri wa kazi ya sanaa: | zaidi ya miaka 160 |
| Mchoro wa kati wa asili: | mafuta kwenye turubai |
| Vipimo vya kazi ya asili ya sanaa: | 15 7/8 x 12 7/8 in (sentimita 40,3 x 32,7) |
| Makumbusho / mkusanyiko: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| URL ya Wavuti: | Makumbusho ya Metropolitan ya Sanaa |
| leseni: | Uwanja wa umma |
| Kwa hisani ya: | The Metropolitan Museum of Art, New York, Gift of Lila and Herman Shickman, 2005 |
| Mstari wa mkopo wa kazi ya sanaa: | Gift of Lila and Herman Shickman, 2005 |
Maelezo ya msanii
| Artist: | Jean Auguste Dominique Ingres |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | Kifaransa |
| Kazi: | mchoraji |
| Nchi: | Ufaransa |
| Uainishaji: | msanii wa kisasa |
| Umri wa kifo: | miaka 87 |
| Mzaliwa: | 1780 |
| Mji wa kuzaliwa: | Montauban |
| Alikufa katika mwaka: | 1867 |
| Alikufa katika (mahali): | Paris |
Hakimiliki © - Artprinta.com (Artprinta)
Maelezo ya kazi ya sanaa kutoka tovuti ya Metropolitan Museum of Art (© - na The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)
This small, jewel-like devotional painting was made as a gift for Ingres’s friend Louise Marcotte, who introduced the artist to Delphine Ramel, whom he married in 1852. The Raphaelesque composition is based on one Ingres first painted in 1841 for the future czar Alexander II, which includes the two patron saints of Russia, Alexander Nevsky and Nicholas (Pushkin Museum of Fine Arts, Moscow). For this version, Ingres replaced the Russian saints with two French ones. He would go on to paint four more variants, as well as, in 1855, a watercolor for Madame Ingres herself (Fogg Museum, Cambridge, Mass.).