Jean Honoré Fragonard, 1760 - Mambo ya Ndani ya Kirumi - uchapishaji mzuri wa sanaa
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Mchoro huu wa kawaida wa sanaa unaoitwa Roman Interior ilitengenezwa na mchoraji wa Ufaransa Jean Honoré Fragonard in 1760. The 260 Kito cha umri wa miaka kilitengenezwa na saizi: 19 1/4 x 23 3/8 in (sentimita 48,9 x 59,4). Mafuta kwenye turubai was applied by the French artist as the medium of the masterpiece. Nowadays, the artwork can be viewed in in the The Metropolitan Museum of Art's digital collection. We are pleased to reference that the Uwanja wa umma masterpiece is included with courtesy of The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1946. The creditline of the artpiece is the following: Mfuko wa Dick wa Harris Brisbane, 1946. Zaidi ya hayo, upatanishi wa uzazi wa kidijitali uko ndani landscape format yenye uwiano wa picha wa 1.2 : 1, ambayo inamaanisha kuwa urefu ni 20% zaidi ya upana.
Chagua nyenzo za bidhaa unayopenda
Tunatoa anuwai ya vifaa na saizi anuwai kwa kila bidhaa. Ili kuendana na mahitaji yako ya kibinafsi kikamilifu, unaweza kuchagua kati ya chaguo zifuatazo za ubinafsishaji wa bidhaa:
- Uchapishaji wa turubai: A canvas print is a printed canvas mounted on a wooden frame. Canvas prints are relatively low in weight, meaning that it is easy to hang your Canvas print without any wall-mounts. Therefore, a canvas print is suited for any kind of wall.
- Chapisho la bango kwenye nyenzo za turubai: The poster is a UV printed sheet of flat canvas with a nice structure on the surface. The poster print is designed for framing the fine art print with a special frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the painting, which facilitates the framing with your custom frame.
- Chapisha kwenye glasi ya akriliki yenye kung'aa (iliyo na mipako halisi ya glasi): An acrylic glass print, often referred to as a plexiglass print, transforms the original work of art into beautiful wall décor. Your own version of the artwork is manufactured with state-of-the-art UV printing machines. The major advantage of a plexiglass art print is that contrasts as well as minor details will be more exposed thanks to the very subtle gradation in the picture. Our real glass coating protects your chosen art replica against light and heat for many years.
- Chapa ya dibond ya Alumini (chuma): Aluminium Dibond prints are metal prints with a true depth effect, which creates a contemporary impression thanks to a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your ideal introduction to the sophisticated world of fine reproductions with aluminum. For our Print On Aluminum Dibond, we print the artpiece on the aluminium composite surface. Colors are luminous, the fine details appear crisp and clear.
Ujumbe wa kisheria: We try what we can to depict our art products as clearly as possible and to exhibit them visually on the respective product detail pages. Nonetheless, some colors of the print materials, as well as the print result can differ to a certain extent from the image on the device's screen. Depending on your screen settings and the condition of the surface, color pigments may not be printed as realistically as the digital version shown here. Since the art prints are processed and printed manually, there may as well be minor differences in the motif's size and exact position.
Kuhusu makala
| Uainishaji wa makala: | uchapishaji mzuri wa sanaa |
| Njia ya uzazi: | uzazi wa kidijitali |
| Mbinu ya utengenezaji: | uchapishaji wa dijiti |
| Asili: | kufanywa nchini Ujerumani |
| Aina ya hisa: | kwa mahitaji ya uzalishaji |
| Matumizi yaliyokusudiwa ya bidhaa: | mapambo ya nyumbani, mkusanyiko wa sanaa (reproductions) |
| Mwelekeo: | muundo wa mazingira |
| Uwiano wa upande: | 1.2: 1 (urefu: upana) |
| Maana ya uwiano wa kipengele: | urefu ni 20% zaidi ya upana |
| Chaguzi zinazopatikana: | chapa ya turubai, chapa ya bango (karatasi ya turubai), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya chuma (dibondi ya alumini) |
| Chaguzi za kuchapisha turubai (turubai kwenye fremu ya machela): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
| Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
| Chapisho la bango (karatasi ya turubai): | 60x50cm - 24x20", 120x100cm - 47x39" |
| Uchapishaji wa alumini: | 60x50cm - 24x20", 120x100cm - 47x39" |
| Muundo wa uchapishaji wa sanaa: | tafadhali kumbuka kuwa chapa hii ya sanaa haijaandaliwa |
Habari ya msingi ya kazi ya sanaa
| Jina la uchoraji: | "Roman Interior" |
| Uainishaji wa kazi za sanaa: | uchoraji |
| Kategoria ya jumla: | sanaa ya classic |
| Uainishaji wa muda: | 18th karne |
| Mwaka wa kazi ya sanaa: | 1760 |
| Umri wa kazi ya sanaa: | zaidi ya miaka 260 |
| Njia asili ya kazi ya sanaa: | mafuta kwenye turubai |
| Ukubwa asili (mchoro): | 19 1/4 x 23 3/8 in (sentimita 48,9 x 59,4) |
| Makumbusho / eneo: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| Tovuti ya Makumbusho: | www.metmuseum.org |
| leseni: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya Metropolitan ya Sanaa, New York, Mfuko wa Dick wa Harris Brisbane, 1946 |
| Mstari wa mkopo wa kazi ya sanaa: | Mfuko wa Dick wa Harris Brisbane, 1946 |
Jedwali la muhtasari wa msanii
| Artist: | Jean Honoré Fragonard |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | Kifaransa |
| Utaalam wa msanii: | mchoraji |
| Nchi ya msanii: | Ufaransa |
| Uainishaji wa msanii: | bwana mzee |
| Uzima wa maisha: | miaka 74 |
| Mwaka wa kuzaliwa: | 1732 |
| Mwaka wa kifo: | 1806 |
Hakimiliki © | Artprinta.com
Maelezo ya ziada na Makumbusho ya Sanaa ya Metropolitan (© - na The Metropolitan Museum of Art - www.metmuseum.org)
Rather few eighteenth-century French artists would have painted a laundry, which is evidently what we see here. The canvas dates to about 1760, toward the end of Fragonard's first trip to Italy. His impetuous technique falls between the usual stages of preparatory sketch and finished work. The surface has suffered wear and damage, but the central figure group is intact. Fragonard paints the chaotic scene with warmth and feeling.