Jean-Léon Gérôme, 1868 - Utafiti wa Miti ya Mitende - chapa nzuri ya sanaa
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hii sanaa ya kisasa artwork named "Study of Palm Trees" was created by the painter Jean-Léon Gérôme in the year 1868. The version of the work of art was made with the size - 10 1/2 × 12 3/4 in (sentimita 26,7 × 32,4). Oil on canvas, laid down on board was applied by the European artist as the technique for the piece of art. Nowadays, the artwork belongs to the digital collection of Makumbusho ya Metropolitan ya Sanaa. We are happy to state that the public domain artpiece is being supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of Kenneth Jay Lane, 2015. In addition, the artwork has the following creditline: Gift of Kenneth Jay Lane, 2015. Furthermore, alignment is in landscape format and has a side ratio of 1.2 : 1, meaning that urefu ni 20% zaidi ya upana. Jean-Léon Gérôme was a male painter of French nationality, whose art style can primarily be classified as Realism. The Realist painter lived for a total of miaka 80, aliyezaliwa mwaka 1824 na alikufa mnamo 1904.
Nyenzo za uchapishaji wa sanaa ambazo unaweza kuchagua kutoka:
In the product dropdown menu you can pick your prefered material and size. That is why, we allow you to choose among the following options:
- Chapisho la bango (nyenzo za turubai): A poster print is a UV printed flat canvas with a fine surface structure, which reminds the actual version of the artwork. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2 - 6cm around the print motif in order to facilitate the framing with your custom frame.
- Turubai: The UV printed canvas material mounted on a wood frame. A canvas produces a distinctive effect of three-dimensionality. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without extra wall-mounts. A canvas print is suitable for all kinds of walls.
- Dibondi ya Aluminium: These are metal prints on aluminium dibond material with an outstanding depth effect - for a modern look and a non-reflective surface. For your Direct Print On Aluminum Dibond, we print the chosen artpiece onto the surface of the aluminum composite.
- Chapisha kwenye glasi ya akriliki yenye kung'aa (iliyo na mipako halisi ya glasi): An print on acrylic glass, often named a an art print on plexiglass, will turn the original into stunning wall decoration. What is more, the acrylic art print offers a great alternative to dibond or canvas fine art prints. Your own replica of the work of art is made with the help of modern UV direct printing technology. This creates impressive and vivid colors. With an acrylic glass art print contrasts and also image details will be more recognizeable with the help of the very fine tonal gradation. Our acrylic glass protects your chosen art replica against light and heat for many more years.
Legal disclaimer: We try everything in order to depict the art products as clearly as possible and to showcase them visually on the different product detail pages. At the same time, the pigments of the printed materials and the printing might differ slightly from the presentation on your device's screen. Depending on your settings of your screen and the condition of the surface, not all colors are printed as realistically as the digital version depicted here. Bearing in mind that all the art reproductions are printed and processed manually, there might as well be minor variations in the exact position and the size of the motif.
Maelezo ya makala yaliyoundwa
| Uainishaji wa makala: | nakala ya sanaa |
| Njia ya uzazi: | uzazi wa kidijitali |
| Mbinu ya utengenezaji: | Uchapishaji wa moja kwa moja wa UV |
| Asili ya bidhaa: | Imetengenezwa kwa Ujerumani |
| Aina ya hisa: | kwa mahitaji ya uzalishaji |
| Bidhaa matumizi: | ukuta wa nyumba ya sanaa, nyumba ya sanaa ya kuchapisha |
| Mwelekeo wa kazi ya sanaa: | mpangilio wa mazingira |
| Uwiano wa picha: | 1.2: 1 urefu: upana |
| Ufafanuzi: | urefu ni 20% zaidi ya upana |
| Nyenzo unaweza kuchagua: | chapa ya chuma (dibond ya alumini), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya turubai, chapa ya bango (karatasi ya turubai) |
| Turubai kwenye fremu ya machela (kuchapishwa kwa turubai): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
| Chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi) anuwai: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
| Chaguzi za kuchapisha bango (karatasi ya turubai): | 60x50cm - 24x20", 120x100cm - 47x39" |
| Ukubwa wa uchapishaji wa alumini: | 60x50cm - 24x20", 120x100cm - 47x39" |
| Muafaka wa picha: | si ni pamoja na |
Maelezo ya usuli wa kazi ya sanaa
| Kichwa cha kazi ya sanaa: | "Study of Palm Trees" |
| Uainishaji wa kazi ya sanaa: | uchoraji |
| Neno la jumla: | sanaa ya kisasa |
| Uainishaji wa muda: | 19th karne |
| Iliundwa katika mwaka: | 1868 |
| Takriban umri wa kazi ya sanaa: | zaidi ya miaka 150 |
| Mchoro wa kati asilia: | oil on canvas, laid down on board |
| Vipimo vya kazi ya asili ya sanaa: | 10 1/2 × 12 3/4 in (sentimita 26,7 × 32,4) |
| Makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| Tovuti ya makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
| Leseni ya kazi ya sanaa: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya Sanaa ya Metropolitan, New York, Zawadi ya Kenneth Jay Lane, 2015 |
| Mstari wa mkopo wa kazi ya sanaa: | Zawadi ya Kenneth Jay Lane, 2015 |
Muhtasari wa msanii
| Jina la msanii: | Jean-Léon Gérôme |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | Kifaransa |
| Taaluma: | mchoraji |
| Nchi ya msanii: | Ufaransa |
| Uainishaji wa msanii: | msanii wa kisasa |
| Mitindo ya sanaa: | uhalisia |
| Muda wa maisha: | miaka 80 |
| Mwaka wa kuzaliwa: | 1824 |
| Mwaka ulikufa: | 1904 |
Maandishi haya ni haki miliki na yanalindwa na hakimiliki ©, Artprinta.com (Artprinta)
Maelezo ya ziada na tovuti ya The Metropolitan Museum of Art (© - na The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)
This study is thought to have been painted in 1868, during Gérôme's final visit to Egypt. The same cluster of palm trees reappears with slight variations in Caravan, an undated work executed late in the artist's career (whereabouts unknown).