Domenichino, 1610 - Njia ya Kalvari - uchapishaji mzuri wa sanaa
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What does the website of the The J. Paul Getty Museum state about this artwork from the painter Domenichino? (© Copyright - The J. Paul Getty Museum - Makumbusho ya J. Paul Getty)
The cross pins Christ to the ground under its weight as he struggles on the way to his Crucifixion. With his mouth parted as if to speak, Christ looks sorrowfully out at the viewer. The large figures and compressed composition enhance the sense of his oppression under the massive cross and the cruelty of his tormentors.
Domenichino paid particular attention to individualized types; the attendant soldiers and executioners seem studiously painted from individual models. A Roman soldier in armor and sandals leads the procession and gestures with a baton at Simon of Cyrene, who tries to assist Christ. Behind them, another soldier tugs sharply on the rope tied around the body of Christ and raises his right arm as if to strike. Shocked faces from the civilian throng that accompanied Christ to Calvary are visible between his legs. In the background are various figures: a man in a fringed red hat carrying a ladder on his shoulders and two more soldiers, one on horseback and another on foot.
The painting's coloring has retained its strong impact because of the superior preservative qualities of oil on a copper surface.
hii sanaa ya classic mchoro The Way to Calvary iliundwa na Domenichino katika mwaka wa 1610. Zaidi ya hapo 410 toleo la asili la mwaka lilitengenezwa na saizi: 55,2 × 67,6 cm (21 3/4 × 26 5/8 ndani) and was painted on the medium oil on copper. The artpiece belongs to the art collection of Makumbusho ya J. Paul Getty in Los Angeles, California, Marekani. Tunafurahi kutaja kwamba mchoro huu, ambao ni wa Uwanja wa umma imejumuishwa kwa hisani ya Makumbusho ya J. Paul Getty.Mbali na hilo, kazi ya sanaa ina mikopo ifuatayo: . Juu ya hayo, upatanishi wa uzazi wa kidijitali uko ndani landscape format na ina uwiano wa kipengele cha 1.2: 1, Ambayo ina maana kwamba urefu ni 20% zaidi ya upana. Domenichino was a male painter from Italy, whose artistic style can mainly be classified as Baroque. The Baroque painter lived for 60 years, born in 1581 na alikufa mnamo 1641.
Agiza nyenzo za kipengee cha chaguo lako
Kwa kila picha nzuri ya sanaa tunatoa anuwai ya ukubwa na nyenzo tofauti. Tunakuruhusu kuchagua saizi na nyenzo unayopenda kati ya chaguzi zifuatazo za ubinafsishaji wa bidhaa:
- Chapa ya bango (nyenzo za turubai): The poster is a UV printed canvas with a slightly rough surface structure. Please bear in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm around the artwork to facilitate the framing with your custom frame.
- Turubai: A canvas print is a printed canvas mounted on a wooden stretcher. How do I hang a canvas print on the wall? Canvas Prints have the great advantage of being low in weight, which means that it is easy and straightforward to hang your Canvas print without additional wall-mounts. Canvas prints are suited for any type of wall.
- Dibondi ya Aluminium: This is a metal print manufactured on aluminium dibond material with an impressive effect of depth. Its non-reflective surface make a fashionable impression. For our Direct Aluminium Dibond option, we print your artpiece onto the surface of the aluminum material.
- Uchapishaji wa glasi ya Acrylic: An print on acrylic glass, which is often labelled as a UV print on plexiglass, will transform your selected original into home décor and is a viable alternative to canvas or aluminium dibond art prints. The acrylic glass protects your chosen art print against light and external influences for decades.
Msanii
| Artist: | Domenichino |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | italian |
| Taaluma: | mchoraji |
| Nchi ya msanii: | Italia |
| Uainishaji wa msanii: | bwana mzee |
| Mitindo ya sanaa: | Baroque |
| Alikufa akiwa na umri wa miaka: | miaka 60 |
| Mzaliwa: | 1581 |
| Mwaka ulikufa: | 1641 |
Data ya usuli kwenye mchoro asili
| Jina la sanaa: | "The Way to Calvary" |
| Uainishaji wa kazi za sanaa: | uchoraji |
| Uainishaji wa sanaa: | sanaa ya classic |
| kipindi: | 17th karne |
| Iliundwa katika mwaka: | 1610 |
| Umri wa kazi ya sanaa: | 410 umri wa miaka |
| Njia asili ya kazi ya sanaa: | mafuta juu ya shaba |
| Ukubwa asili (mchoro): | 55,2 × 67,6 cm (21 3/4 × 26 5/8 ndani) |
| Makumbusho: | Makumbusho ya J. Paul Getty |
| Mahali pa makumbusho: | Los Angeles, California, Marekani |
| Website: | Makumbusho ya J. Paul Getty |
| Leseni ya kazi ya sanaa: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya J. Paul Getty |
Kuhusu bidhaa hii
| Uainishaji wa bidhaa: | ukuta sanaa |
| Uzazi: | uzazi katika muundo wa digital |
| Mchakato wa uzalishaji: | Uchapishaji wa moja kwa moja wa UV (uchapishaji wa dijiti) |
| Asili: | Uzalishaji wa Ujerumani |
| Aina ya hisa: | uzalishaji kwa mahitaji |
| Matumizi yaliyokusudiwa ya bidhaa: | mkusanyiko wa sanaa (reproductions), nyumba ya sanaa ya ukuta |
| Mwelekeo wa kazi ya sanaa: | muundo wa mazingira |
| Uwiano wa upande: | 1.2, 1 : XNUMX - (urefu: upana) |
| Maana ya uwiano wa picha: | urefu ni 20% zaidi ya upana |
| Nyenzo unaweza kuchagua kutoka: | chapa ya chuma (dibond ya alumini), chapa ya bango (karatasi ya turubai), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya turubai |
| Turubai kwenye fremu ya machela (chapisho la turubai) lahaja za ukubwa: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
| Chaguzi za kuchapisha glasi ya Acrylic (na mipako halisi ya glasi): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
| Chaguzi za ukubwa wa uchapishaji wa bango (karatasi ya turubai): | 60x50cm - 24x20", 120x100cm - 47x39" |
| Uchapishaji wa Dibond (nyenzo za alumini): | 60x50cm - 24x20", 120x100cm - 47x39" |
| Frame: | si ni pamoja na |
Kanusho la kisheria: We try to depict the art products as exact as possible and to showcase them visually. At the same time, the tone of the printed materials and the imprint can differ slightly from the image on your device's monitor. Depending on your settings of your screen and the quality of the surface, not all colors can be printed 100% realistically. Given that all are printed and processed by hand, there may also be minor deviations in the size and exact position of the motif.
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