Willem Kalf, 1640 - Still Life na Ewer, Vyombo na Pomegranate - chapa nzuri ya sanaa

Zaidi ya 380 mchoro wa mwaka Still Life with Ewer, Vessels and Pomegranate ilifanywa na Baroque mchoraji Willem Kalf mnamo 1640. Toleo la mchoro lilikuwa na saizi ifuatayo: 104,5 × 80,6 cm (41 1/8 × 31 3/4 ndani) and was crafted with oil on canvas. Nowadays, the work of art can be viewed in in the The J. Paul Getty Museum's collection, which is located in Los Angeles, California, Marekani. Hii Uwanja wa umma kazi ya sanaa inatolewa kwa hisani ya Makumbusho ya J. Paul Getty.Moreover, the artwork has the following creditline: . On top of that, alignment is portrait and has an aspect ratio of 1: 1.2, which implies that the length is 20% shorter than the width. The painter Willem Kalf was an artist, whose art style can mainly be classified as Baroque. The Baroque artist lived for miaka 74, mzaliwa ndani 1619 in Rotterdam, South Holland, Netherlands and passed away in 1693 in Amsterdam, North Holland, Netherlands.

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(© Hakimiliki - Makumbusho ya J. Paul Getty - Makumbusho ya J. Paul Getty)

Luxury objects, such as the ornate Mannerist ewer, steeple cup, and elegant glass vessels, are carefully arranged on a table in this Dutch still life. An open pomegranate and a bowl of fruit rest on white drapery. To the right, a lemon and three olives are reflected in a silver plate that rests precariously on the table's edge. Behind this, a platter holds a tankard whose elaborate polished surface reflects the adjacent wineglass. Light falls from the left, playing across these precious objects and causing them to glitter and shine.

Willem Kalf delighted in the play and contrast of transparent and reflective surfaces: the finely wrought metal of the ewer, the representation of smooth glass, the weave of the linen drapery, the dry crumbly texture of the bread, and the wet, shiny insides of the open pomegranate. At first glance, this still life implies an absence of human presence. But a closer look reveals just the opposite. The torn bread, half empty glass of wine, sliced fruit, and overturned glass allude to human intervention, as if these lavish delicacies were abruptly left on the table.