Hilaire Germain Edgar Degas, 1876 - Wachezaji wa Njano (Katika Wings) - uchapishaji mzuri wa sanaa

Hii zaidi ya 140 mchoro wa umri wa miaka jina lake Yellow Dancers (In the Wings) ilichorwa na kiume mchoraji Hilaire Germain Edgar Degas mnamo 1876. Ya asili ilikuwa na saizi ifuatayo: 73,5 × 59,5 cm (28 15/16 × 23 7/16 ndani). Oil on canvas was applied by the European artist as the medium of the painting. The original artwork is inscribed with the following information - inscribed at lower right: Degas. What is more, this work of art can be viewed in in the Art Institute Chicago's digital art collection. With courtesy of: Art Institute Chicago (leseni - kikoa cha umma). The creditline of the artwork is the following: Gift of Mr. and Mrs. Gordon Palmer, Mrs. Bertha P. Thorne, Mr. and Mrs. Arthur M. Wood, and Mrs. Rose M. Palmer. What is more, the alignment is picha ya na uwiano wa 1: 1.2, ambayo ina maana kwamba urefu ni 20% mfupi kuliko upana.

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• Uchapishaji wa glasi ya Acrylic: The acrylic glass print, often denoted as a plexiglass print, will turn your favorite original into brilliant home decoration. The great advantage of a plexiglass fine art copy is that sharp contrasts plus granular painting details become exposed with the help of the fine tonal gradation. Our real glass coating protects your chosen fine art print against sunlight and external influences for several decades.
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disclaimer: We try to depict our art products as accurately as possible and to showcase them visually in our shop. Nonetheless, the colors of the print products, as well as the imprint can vary to a certain extent from the image on your device's screen. Depending on your settings of your screen and the condition of the surface, not all colors are printed as realisitcally as the digital version. Because the art reproductions are processed and printed by hand, there might as well be minor deviations in the size and exact position of the motif.

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Edgar Degas first painted dancers as an independent subject in 1871. He was to devote almost half his output as an artist to this subject, observing countless performances and rehearsals at the Paris Opéra. Here he placed the viewer in the wings, as if among the elite Opéra subscribers who roamed and socialized backstage. Dance subjects allowed Degas to contemporize his lifelong interest in showing the human body in complex movement, shifting the scene from ancient history to modern Paris. He finished and signed the present canvas in time for the second Impressionist exhibition, in April 1876.