Meindert Hobbema, 1664 - A Watermill - chapa nzuri ya sanaa
Kodi ni pamoja. Usafirishaji umehesabiwa katika Checkout.
Picha yako binafsi ya sanaa
Kinu cha maji is an artpiece by the male artist Meindert Hobbema in 1664. It can be viewed in in the Rijksmuseum's ukusanyaji wa digital. Tunafurahi kutaja kwamba Uwanja wa umma kipande cha sanaa kinatolewa kwa hisani ya Rijksmuseum.Mstari wa mkopo wa mchoro ni:. Zaidi ya hayo, usawazishaji wa uzazi wa dijiti uko ndani landscape format na ina uwiano wa upande wa 1.4: 1, ikimaanisha kuwa urefu ni 40% zaidi ya upana.
Chagua chaguo la nyenzo za bidhaa
Kwa kila bidhaa tunatoa anuwai ya vifaa na saizi tofauti. Saizi na nyenzo zifuatazo ndizo chaguo tunazokupa kwa ubinafsishaji:
- Uchapishaji wa glasi ya Acrylic: An print on acrylic glass, which is often denoted as a plexiglass print, makes the original work of art into beautiful décor. Furthermore, the acrylic print offers a great alternative to canvas and aluminidum dibond fine art replicas. Your work of art is being made with the help of modern UV print technology. With an acrylic glass art print contrasts as well as painting details become more visible due to the delicate gradation. The plexiglass protects your custom fine art print against sunlight and heat for many decades.
- Uchapishaji wa turubai: The canvas print, which should not be confused with a painting on a canvas, is a digital image printed on an industrial printer. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang the Canvas print without the help of extra wall-mounts. A canvas print is suited for any kind of wall.
- Chapisho la bango (nyenzo za turubai): Our poster is a UV printed sheet of canvas paper with a granular texture on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6 cm round about the print in order to facilitate the framing with a custom frame.
- Dibondi ya Aluminium: Aluminium Dibond prints are prints on metal with an outstanding effect of depth. The Aluminium Dibond Print is your ideal introduction to art replicas manufactured with aluminum. For our Direct Print On Aluminum Dibond, we print your selected work of art right on the surface of the aluminum composite. The colors of the print are luminous, the details appear very clear.
Kanusho la kisheria: We strive in order to describe our art products as exact as possible and to showcase them visually. Nevertheless, the pigments of the printing material, as well as the printing can vary somehwat from the presentation on your device's monitor. Depending on the settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. In view of the fact that the art reproductions are printed and processed by hand, there might as well be minor variations in the motif's size and exact position.
Bidhaa
| Uainishaji wa makala: | nakala ya sanaa |
| Njia ya uzazi: | uzazi katika muundo wa digital |
| Mbinu ya utengenezaji: | Uchapishaji wa moja kwa moja wa UV (uchapishaji wa dijiti) |
| viwanda: | Imetengenezwa kwa Ujerumani |
| Aina ya hisa: | juu ya mahitaji |
| Bidhaa matumizi: | mapambo ya ukuta, mkusanyiko wa sanaa (utoaji) |
| Mpangilio wa kazi ya sanaa: | mpangilio wa mazingira |
| Uwiano wa upande: | 1.4: 1 |
| Athari ya uwiano wa picha: | urefu ni 40% zaidi ya upana |
| Nyenzo za uzazi zinazopatikana: | chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya chuma (dibond ya alumini), chapa ya turubai, chapa ya bango (karatasi ya turubai) |
| Turubai kwenye fremu ya machela (chapisho la turubai) lahaja za ukubwa: | 70x50cm - 28x20", 140x100cm - 55x39" |
| Uchapishaji wa glasi ya akriliki (iliyo na mipako halisi ya glasi) anuwai za saizi: | 70x50cm - 28x20", 140x100cm - 55x39" |
| Vibadala vya ukubwa wa bango (karatasi ya turubai): | 70x50cm - 28x20" |
| Chapa ya dibond ya Alumini (nyenzo za alumini): | 70x50cm - 28x20", 140x100cm - 55x39" |
| Frame: | tafadhali zingatia kuwa chapa hii ya sanaa haijaandaliwa |
Vipimo vya kazi ya sanaa
| Jina la kazi ya sanaa: | "Kinu cha maji" |
| Uainishaji wa kazi ya sanaa: | uchoraji |
| Aina pana: | sanaa ya classic |
| kipindi: | 17th karne |
| Mwaka wa kazi ya sanaa: | 1664 |
| Takriban umri wa kazi ya sanaa: | zaidi ya miaka 350 |
| Makumbusho / mkusanyiko: | Rijksmuseum |
| Mahali pa makumbusho: | Amsterdam, Uholanzi |
| Inapatikana kwa: | www.rijksmuseum.nl |
| Leseni ya kazi ya sanaa: | Uwanja wa umma |
| Kwa hisani ya: | Rijksmuseum |
Muhtasari wa msanii
| jina: | Meindert Hobbema |
| Majina Mbadala: | Minderout Hobbima, Hobimma, M. Hobbima, Habbima, Hobbema, Meyndert Lubbertsz Hobbema, Meindert Hobema, Meindert Hobbima, Hobbima Minderhout, Holbimer, Hobbimar, Hobema, Hobdoma Meindert, Hobbdma, Hosema, Hobima Meindert, hobbema meindaert, Hobbime, Hobbimma Meindert, Hobbimma, Hobbima, Hobbimer Meindert, Hobbema Meyndert Lubbertsz, Habbima Meindert, Minderhoud Hobbima, Hobbimer, Minderhoot Hobima, Hobima Minderhoot, Hobbina Meindert, hobbema m., Meindert Hobbema, Holbina Meindert, Meijdert Hopemans, melchior hobbema, M. Hobbema, Hobbima Meindert, Hobbimia, Hobbema Meindert, Holbimer Meindert, Hobima, Hobbema Meyndert, Hobbina, Obema, Hobdoma, meinert hobbema, Hobbyme, Minderhoud Hobbema, Hobbyme Meindert, Hobbma, Hobema Meindert, Minderhout Hobbima, Obbema, Mynder Hobema |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | dutch |
| Taaluma: | mchoraji |
| Nchi ya nyumbani: | Uholanzi |
| Uainishaji: | bwana mzee |
| Alikufa akiwa na umri: | miaka 71 |
| Mzaliwa: | 1638 |
| Mahali pa kuzaliwa: | Amsterdam, Uholanzi Kaskazini, Uholanzi |
| Alikufa: | 1709 |
| Mji wa kifo: | Amsterdam, Uholanzi Kaskazini, Uholanzi |
© Hakimiliki, Artprinta.com
Maelezo ya ziada kutoka kwa tovuti ya makumbusho (© Hakimiliki - na Rijksmuseum - Rijksmuseum)
Hobbema painted more than thirty ‘portraits’ of watermills, based on drawings he had made in the east of the Netherlands. He drew the same mill from various angles, so that one could see exactly how it was assembled. Here he was interested primarily in the technical construction of the wooden water channel, rendered in grey, which stands out against the landscape.