Paul Désiré Trouillebert, 1888 - Ujenzi wa Reli ya Juu: Daraja juu ya Cours de Vincennes - chapa nzuri ya sanaa

Taarifa kuhusu makala hii

The sanaa ya kisasa Kito Construction of an Elevated Railway: Bridge over the Cours de Vincennes was painted by the artist Paul Désiré Trouillebert. The 130 year-old version of the artpiece was painted with the size - Isiyo na fremu: sentimita 38,2 x 56 (15 1/16 x 22 1/16 in). Mafuta kwenye kitambaa ilitumiwa na mchoraji wa Ulaya kama njia ya kazi ya sanaa. Signed lower left: Trouillebert is the masterpiece's inscription. Nowadays, this artpiece can be viewed in in the Makumbusho ya Sanaa ya Cleveland mkusanyo wa sanaa ya dijitali huko Cleveland, Ohio, Marekani. Kwa hisani ya - Makumbusho ya Sanaa ya Cleveland (leseni: kikoa cha umma). The creditline of the artpiece is: Bequest of Noah L. Butkin. In addition to that, the alignment is in landscape format na ina uwiano wa 3 : 2, ambayo ina maana kwamba urefu ni 50% zaidi ya upana.

Pata lahaja ya nyenzo ya bidhaa unayopendelea

Kwa kila picha ya sanaa tunatoa saizi na nyenzo tofauti. Chagua kati ya chaguo zifuatazo za bidhaa sasa ili kulinganisha mapendeleo yako kwa ukubwa na nyenzo:

• Bango lililochapishwa (nyenzo za turubai): Our poster print is a printed canvas with a fine texture on the surface, that resembles the actual masterpiece. It is used for framing the art replica with the help of a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the work of art, which facilitates the framing with your custom frame.
• Mchapishaji wa dibond ya Alumini: This is a metal print manufactured on aluminium dibond material with an outstanding depth. The Direct Print on Aluminum Dibond is your ideal introduction to art replicas with aluminum. The colors are bright and luminous in the highest definition, the details appear crisp, and you can notice the matte appearance of the art print surface.
• Uchapishaji wa turubai: The canvas print is a printed cotton canvas stretched on a wood frame. Additionally, a printed canvas creates a soft and pleasing appearance. A canvas print of this artpiece will give you the unique opportunity of turning your custom into a large artpiece. Canvas prints are relatively low in weight. That means, it is quite simple to hang up the Canvas print without any wall-mounts. That is why, canvas prints are suitable for any type of wall in your house.
• Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): An print on acrylic glass, which is often named as a fine art print on plexiglass, will change your favorite original into brilliant home decoration. Your favorite artwork is being made with the help of modern UV print technology. This creates stunning, intense colors. The major advantage of an acrylic glass art print is that contrasts and small artwork details become exposed with the help of the precise gradation.

Muhimu kumbuka: We try the best we can to depict our products as exact as possible and to illustrate them visually on the respective product detail pages. Nevertheless, the tone of the print products, as well as the print result can diverge to a certain extent from the presentation on your device's screen. Depending on the settings of your screen and the condition of the surface, colors can unfortunately not be printed one hundret percent realistically. Bearing in mind that all art prints are processed and printed manually, there might also be minor differences in the motif's size and exact position.

Maelezo ya kipengee

Maelezo ya msingi juu ya kazi ya sanaa

Mchoraji

Hakimiliki ©, www.artprinta.com (Artprinta)

General description as provided by The Cleveland Museum of Art (© - The Cleveland Museum of Art - Makumbusho ya Sanaa ya Cleveland)

Conceived in 1851, after Napoleon III came to power, the railway encircling Paris was intended to transport merchandise and, eventually, passengers. The railway represented a new convenience, but measures were needed to ensure the safety of other traffic. The numerous railway crossings included in the initial plans turned out to be a source of fatal accidents. To remedy the problem, the platforms and retaining walls were to be raised at the most dangerous spots. The Cours de Vincennes, in the eastern part of Paris, had been one of the deadliest intersections. The work on an elevated railway bridge over this street, which is depicted here, was completed in February 1889. Trouillebert concentrated on portraits until about 1881, when he began to focus on landscapes. He also painted everyday scenes and nudes. He was commissioned by Edme Piot, a public works contractor, to paint this and four related views of the Paris railway construction.