Benjamin West, 1776 - Hagari na Ishmaeli - chapa nzuri ya sanaa

Mchoro Hagari na Ishmaeli kutoka kwa bwana mzee Benjamin Magharibi kama nakala yako ya kipekee ya sanaa

This painting was made by the male Marekani msanii Benjamin Magharibi. Asili ya zaidi ya miaka 240 ilichorwa kwa saizi: Inchi 76 x 54 1/2 (cm 193 x 138,4) na ilichorwa na mbinu of oil on canvas. Today, this artpiece is in the the digital collection of The Metropolitan Museum of Art. The Uwanja wa umma kazi ya sanaa inatolewa kwa hisani ya Makumbusho ya Metropolitan ya Sanaa, New York, Mfuko wa Maria DeWitt Jesup, 1923.dropoff Window : Dropoff Window Mfuko wa Maria DeWitt Jesup, 1923. Zaidi ya hayo, upatanishi wa uzazi wa kidijitali uko ndani picha ya umbizo lenye uwiano wa kipengele cha 3: 4, ambayo ina maana kwamba urefu ni 25% mfupi kuliko upana. Benjamin West was a male painter, whose art style can be classified as Rococo. The painter lived for miaka 82 - alizaliwa mnamo 1738 huko Swarthmore, kaunti ya Delaware, Pennsylvania, Merika na alikufa mnamo 1820.

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• Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): The print on acrylic glass, which is sometimes referenced as a plexiglass print, changes an original into marvellous wall décor and forms a good alternative to canvas or dibond fine art prints. The artwork is printed thanks to the help of modern UV print technology. The great advantage of an acrylic glass fine art print is that contrasts and small painting details become more recognizeable thanks to the delicate gradation of the print. The acrylic glass protects your selected art replica against light and heat for several decades.
• Bango lililochapishwa (nyenzo za turubai): A poster print is a printed canvas with a granular texture on the surface, which reminds the original version of the masterpiece. A printed poster is suited for putting the art replica with the help of a custom-made frame. Please bear in mind, that depending on the size of the poster print we add a white margin 2-6 cm around the painting in order to facilitate the framing.
• Uchapishaji wa turubai: A canvas print, not to be mistaken with a real artwork painted on a canvas, is a digital copy printed from an industrial printer. Canvas prints are relatively low in weight, meaning that it is quite simple to hang the Canvas print without the support of extra wall-mounts. Canvas prints are suitable for any kind of wall.
• Dibondi ya Aluminium: Aluminium Dibond prints are prints on metal with an impressive depth. The Direct Print on Aluminum Dibond is your best start to fine art prints with aluminum. For your Direct Print On Aluminum Dibond, we print the favorite artwork right on the aluminium composite surface. The bright and white parts of the original work of art shine with a silk gloss but without any glare. Colors are luminous and vivid, fine details of the print are clear and crisp, and you can perceive a matte appearance of the fine art print.

Muhimu kumbuka: We try whatever we can to describe the art products as clearly as possible and to display them visually. Please bear in mind that some pigments of the printing material, as well as the print result can diverge to a certain extent from the presentation on the device's screen. Depending on the settings of your screen and the condition of the surface, not all colors will be printed as realistically as the digital version. Because all the are printed and processed by hand, there may as well be slight variations in the motif's size and exact position.

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Maandishi haya ni haki miliki na yanalindwa na hakimiliki ©, Artprinta.com

What does the original description of the The Metropolitan Museum of Art say about the work of art made by Benjamin West? (© Copyright - by The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)

This painting illustrates the plight of Ishmael after he and his mother have been turned out of Abraham’s household (Genesis 21). West exhibited the picture at the Royal Academy of Arts in London in 1776. In 1803 he changed both the figures and the background, repainted the angel, added draperies, and submitted the painting for a second exhibition. The Royal Academy ruled that no artist could show a work twice. West, who was the academy’s president from 1792 to 1820, was outraged. The controversy continued until 1806, when West was finally allowed to exhibit the picture.