Carlo Francesco Nuvolone, 1650 - A Female Martyr Saint - chapa nzuri ya sanaa

Hii imekwisha 370 year-old artwork was created by Carlo Francesco Nuvolone. The beyond 370 years old original was made with the size: 20 x 16 3/8 in (50,8 x 41,6 cm). Mafuta juu ya kuni was used by the Italian painter as the technique for the painting. Nowadays, the work of art is in the the Makumbusho ya Metropolitan ya Sanaa mkusanyiko, ambayo ni mojawapo ya makumbusho makubwa na bora zaidi ya sanaa duniani, ambayo yanajumuisha zaidi ya kazi milioni mbili za sanaa zilizochukua miaka elfu tano ya utamaduni wa dunia, kutoka historia hadi sasa na kutoka kila sehemu ya dunia.. Kwa hisani ya: Makumbusho ya Metropolitan ya Sanaa, New York, Wasia wa Anna Mont, kwa kumbukumbu ya Frederick Mont, 2010 (leseni - kikoa cha umma). Kwa kuongezea, kazi ya sanaa ina nambari ya mkopo: Wasia wa Anna Mont, kwa kumbukumbu ya Frederick Mont, 2010. Mbali na hayo, usawa ni picha ya kwa uwiano wa 1: 1.2, ikimaanisha kuwa urefu ni 20% mfupi kuliko upana. Carlo Francesco Nuvolone was a male painter from Italy, whose style was primarily Baroque. The painter was born in 1609 in Milan, Milano province, Lombardy, Italy and died at the age of 53 in 1662.

Chagua chaguo lako bora la nyenzo za uchapishaji wa sanaa

In the dropdown lists next to the product offering you can choose a material and a sizeaccording to your individual preferences. Pick your preferred size and material among the following preferences:

• Chapa ya bango (nyenzo za turubai): A poster print is a UV printed canvas paper with a nice structure on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the work of art in order to facilitate the framing.
• Turubai: A canvas print, not to be confused with a painting on a canvas, is an image applied on a canvas material. A canvas makes a distinctive impression of three-dimensionality. Your printed canvas of your favorite artwork will let you turn your art print into a large work of art as you know from art galleries. A canvas print has the advantage of being relatively low in weight, which implies that it is easy to hang up the Canvas print without the use of extra wall-mounts. A canvas print is suitable for any kind of wall.
• Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): The print on acrylic glass, which is sometimes described as a UV print on plexiglass, will change the original work of art into wall decoration. What is more, it makes a good alternative to dibond or canvas art prints. The work of art is printed with modern UV direct print machines.
• Chapa ya dibond ya Alumini (chuma): These are metal prints on aluminium dibond material with an outstanding effect of depth, which creates a modern look thanks to a non-reflective surface. This direct UV print on aluminium is the most popular entry-level product and is a truly sophisticated way to display fine art prints, because it puts the viewer’s focus on the replica of the artwork.

Muhimu kumbuka: We try our utmost to describe the products as precisely as possible and to showcase them visually. Nevertheless, the tone of the printed materials, as well as the print result can differ marginally from the image on the screen. Depending on your settings of your screen and the quality of the surface, not all color pigments will be printed as exactly as the digital version on this website. In view of the fact that all are processed and printed manually, there might as well be slight discrepancies in the motif's exact position and the size.

Jedwali la makala

Data ya kazi ya sanaa iliyopangwa

Muhtasari wa msanii

Maandishi haya yanalindwa na hakimiliki © - Artprinta (www.artprinta.com)

Maelezo ya kazi ya sanaa kama yalivyotolewa na Makumbusho ya Sanaa ya Metropolitan (© - na The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)

The female saint portrayed in this painting is unidentified. The palm she holds in her left hand classifies her as a martyr. Nuvolone was one of the most prominent painters of the mid-seventeenth century in Milan. He is the typical exponent of the Lombard style of painting, characterized by the strong contrast between light and shadow, and the distinctive sweetness in his figures.