Gilbert Stuart, 1779 - Man in a Green Coat - chapa nzuri ya sanaa
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Uainishaji wa bidhaa
In 1779 Gilbert Stuart made the 18th karne painting "Man in a Green Coat". The original was painted with the size - 28 1/2 x 23 1/2 in (sentimita 72,3 x 59,7). Mafuta kwenye turubai was used by the American painter as the medium of the artpiece. Today, this work of art is in the the Makumbusho ya Metropolitan ya Sanaa digital collection located in New York City, New York, United States of America. With courtesy of The Metropolitan Museum of Art, New York, Bequest of Mary Stillman Harkness, 1950 (public domain). The creditline of the artwork is the following: Bequest of Mary Stillman Harkness, 1950. The alignment is in portrait format na uwiano wa upande wa 1: 1.2, ambayo ina maana kwamba urefu ni 20% mfupi kuliko upana. The painter Gilbert Stuart was an artist, whose artistic style can be classified as Rococo. The American artist was born in the year 1755 in North Kingstown, Washington county, Rhode Island, United States and deceased at the age of 73 in the year 1828 in Boston, Suffolk county, Massachusetts, United States.
Nyenzo zinazoweza kuchaguliwa
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- Uchapishaji wa turubai: A canvas print is a printed cotton canvas mounted on a wooden frame. It has a special impression of three dimensionality. In addition to that, a canvas print produces a attractive and pleasant appearance. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without extra wall-mounts. That is why, canvas prints are suited for any kind of wall.
- Bango (nyenzo za turubai): The Artprinta poster print is a UV printed sheet of canvas with a nice surface finish, that reminds the original work of art. It is suited for placing the fine art print in a special frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the artwork in order to facilitate the framing with your custom frame.
- Mchapishaji wa dibond ya Alumini: An Aluminium Dibond print is a print material with a true effect of depth. The white and bright parts of the original work of art shine with a silky gloss, however without the glow. Colors are luminous, the fine details are crisp, and the print has a a matte look that you can literally feel. This direct UV print on aluminium is the most popular entry-level product and is a truly modern way to display artworks, because it draws focus on the replica of the artwork.
- Uchapishaji wa glasi ya Acrylic: A glossy acrylic glass print, which is often labelled as a print on plexiglass, changes your favorite original artwork into wonderful wall decoration. Your artwork is custom-made with the help of modern UV direct print technology. With an acrylic glass fine art print contrasts and also color details will be exposed because of the granular tonal gradation of the print.
Kanusho la kisheria: We try everythig possible to depict the art products as accurate as it is possible and to illustrate them visually. Although, the pigments of the print products and the imprint may vary marginally from the image on your device's monitor. Depending on your screen settings and the nature of the surface, not all colors are printed as exactly as the digital version on this website. Since the fine art prints are processed and printed manually, there may as well be slight differences in the motif's size and exact position.
Kuhusu kipengee
Uainishaji wa bidhaa: | uzazi mzuri wa sanaa |
Mbinu ya uzazi: | uzazi wa kidijitali |
Utaratibu wa Uzalishaji: | Uchapishaji wa moja kwa moja wa UV |
Uzalishaji: | viwandani nchini Ujerumani |
Aina ya hisa: | uzalishaji kwa mahitaji |
Bidhaa matumizi: | ukuta wa nyumba ya sanaa, nyumba ya sanaa ya ukuta |
Mpangilio wa picha: | muundo wa picha |
Uwiano wa picha: | urefu: upana - 1: 1.2 |
Maana: | urefu ni 20% mfupi kuliko upana |
Tofauti za nyenzo za bidhaa: | chapa ya bango (karatasi ya turubai), chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya chuma (dibond ya alumini), chapa ya turubai |
Turubai kwenye fremu ya machela (kuchapishwa kwa turubai): | 50x60cm - 20x24", 100x120cm - 39x47" |
Uchapishaji wa glasi ya akriliki (iliyo na mipako halisi ya glasi) anuwai za saizi: | 50x60cm - 20x24", 100x120cm - 39x47" |
Vibadala vya ukubwa wa bango (karatasi ya turubai): | 50x60cm - 20x24", 100x120cm - 39x47" |
Vibadala vya kuchapisha dibond ya Alumini (nyenzo za alumini): | 50x60cm - 20x24", 100x120cm - 39x47" |
Muundo wa uchapishaji wa sanaa: | bidhaa isiyo na muundo |
Maelezo ya kazi ya sanaa iliyopangwa
Kichwa cha sanaa: | "Man in a Green Coat" |
Uainishaji wa kazi za sanaa: | uchoraji |
Neno la jumla: | sanaa ya classic |
kipindi: | 18th karne |
Iliundwa katika mwaka: | 1779 |
Umri wa kazi ya sanaa: | 240 umri wa miaka |
Imechorwa kwenye: | mafuta kwenye turubai |
Vipimo vya asili vya mchoro: | 28 1/2 x 23 1/2 in (sentimita 72,3 x 59,7) |
Makumbusho / eneo: | Makumbusho ya Metropolitan ya Sanaa |
Mahali pa makumbusho: | New York City, New York, Marekani |
Tovuti ya Makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
Aina ya leseni ya uchoraji: | Uwanja wa umma |
Kwa hisani ya: | Jumba la kumbukumbu la Metropolitan la Sanaa, New York, Bequest of Mary Stillman Harkness, 1950 |
Nambari ya mkopo: | Wosia wa Mary Stillman Harkness, 1950 |
Muhtasari wa haraka wa msanii
Jina la msanii: | Gilbert Stuart |
Uwezo: | Stuart, Stuart Gilbert Charles, Stewart Gilbert, American Stuart, stuart g., G. Stuart, Gilbert Stuart, American Stewart, Stuart Gilbert, Stewart |
Jinsia: | kiume |
Raia: | Marekani |
Kazi: | mchoraji |
Nchi ya nyumbani: | Marekani |
Uainishaji wa msanii: | bwana mzee |
Mitindo ya msanii: | Rococo |
Alikufa akiwa na umri wa miaka: | miaka 73 |
Mwaka wa kuzaliwa: | 1755 |
Mahali: | North Kingstown, kaunti ya Washington, Rhode Island, Marekani |
Alikufa katika mwaka: | 1828 |
Alikufa katika (mahali): | Boston, kaunti ya Suffolk, Massachusetts, Marekani |
Maandishi haya ni haki miliki na yanalindwa na hakimiliki ©, www.artprinta.com (Artprinta)
(© - Makumbusho ya Sanaa ya Metropolitan - Makumbusho ya Metropolitan ya Sanaa)
This portrait seems to have been begun as a rectangle and then changed to an oval format. It is one of Stuart’s most virtuosic paintings, clearly from his first years in London, but both its date and the identity of the sitter are unknown. The vague, brushy treatment of the background has raised the suggestion that the work is unfinished. Yet it seems rather to be inspired by Thomas Gainsborough, whose paintings the young American certainly saw and admired in England. Gainsborough also favored oval portraits and such light pastel colors as the pleasing green of the young sitter’s coat.