Girolamo Romanino, 1540 - The Flagellation; (reverse) Madonna wa Rehema - chapa nzuri ya sanaa

Taarifa kuhusu kipengee hiki

Mchoro wenye kichwa The Flagellation; (reverse) The Madonna of Mercy iliundwa na mwanaume italian mchoraji Girolamo Romanino. Kipande cha sanaa kinapima saizi - 70 7/8 x 47 1/2 in (sentimita 180 x 120,7) na ilitengenezwa kwa njia ya kati distemper and oilon canvas. Mchoro huu unaweza kutazamwa katika mkusanyiko wa Makumbusho ya Metropolitan ya Sanaa. Hii Uwanja wa umma kazi ya sanaa inajumuishwa kwa hisani ya The Metropolitan Museum of Art, New York, Purchase, Anonymous Bequest, by exchange, 1989. Pia, mchoro una nambari ya mkopo: Purchase, Anonymous Bequest, by exchange, 1989. Aidha, alignment ni picha ya na ina uwiano wa picha wa 1: 1.4, ikimaanisha kuwa urefu ni 29% mfupi kuliko upana. Girolamo Romanino was a male painter from Italy, whose artistic style was primarily High Renaissance. The European artist lived for a total of miaka 76 na alizaliwa mwaka wa 1484 na kufariki mwaka wa 1560.

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Kwa kila chapa ya sanaa tunatoa anuwai ya nyenzo na saizi tofauti. Chaguzi zifuatazo zinapatikana kwa ubinafsishaji:

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• Chapisho la bango (nyenzo za turubai): The poster is a printed canvas paper with a nice surface finish. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6 cm around the painting, which facilitates the framing with a custom frame.
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• Uchapishaji wa glasi ya Acrylic: An acrylic glass print, which is often described as a UV print on plexiglass, will transform an artwork into amazing home decoration and offers a good alternative option to canvas and aluminidum dibond fine art replicas.

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Additional description as provided from The Metropolitan Museum of Art website (© - na The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)

Romanino painted this expressive depiction of the flagellation of Christ as a processional banner for a confraternity, or lay religious group, in Brescia, a city not far from Milan. Contemporary German prints, which circulated widely in northern Italy, inspired its dramatically compressed composition and the vehemence of the brutish executioners. Caravaggio, the groundbreaking artist of the next generation, spent his formative years in the region and almost certainly knew and admired this painting. On its reverse, Romanino painted the Madonna of Mercy surrounded by kneeling members, now unfortunately somewhat damaged. For an image of the reverse visit metmuseum.org.