Francesco Salviati, 1548 - Carlo Rimbotti (1518-1591) - uchapishaji mzuri wa sanaa

Carlo Rimbotti (1518-1591) was by Francesco Salviati. The artpiece was made with the absolute size: 20 3/4 × 16 3/8 in (sentimita 52,5 × 41,5) na ilitengenezwa na mbinu of mafuta juu ya kuni. Furthermore, this artpiece belongs to the art collection of Makumbusho ya Metropolitan ya Sanaa. This artwork, which belongs to the public domain is provided with courtesy of The Metropolitan Museum of Art, New York, Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund, Alejandro Santo Domingo, Ronald S. Lauder, and The Morris and Alma Schapiro Fund Gifts, and Beatrice Stern, Annette de la Renta, Brownstein Family Foundation, and David and Julie Tobey Gifts, 2017. The creditline of the artwork is: Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund, Alejandro Santo Domingo, Ronald S. Lauder, and The Morris and Alma Schapiro Fund Gifts, and Beatrice Stern, Annette de la Renta, Brownstein Family Foundation, and David and Julie Tobey Gifts, 2017. Kwa kuongezea hiyo, upatanishi wa uzazi wa kidijitali uko ndani picha ya format na ina uwiano wa upande wa 1: 1.2, ikimaanisha kuwa urefu ni 20% mfupi kuliko upana.

Maelezo ya ziada na tovuti ya makumbusho (© - Makumbusho ya Sanaa ya Metropolitan - Makumbusho ya Metropolitan ya Sanaa)

Salviati painted the Florentine medical doctor Carlo Rimbotti when both men belonged to the literary society, the Accademia Fiorentina. The vivid quality of psychological presence suggests that this was an informal portrait for a friend. The precise observation—note the moles on Rimbotti’s brow and forehead—is in contrast with the formality and artifice of Bronzino’s portrait that hangs nearby. There, the young man is psychologically distant and surrounded by objects that allude to his status and interests. Most contemporary portraits followed Bronzino’s lead. Salviati’s is a rare attempt to encourage the viewer to draw close to this remarkable sitter.

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• Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): The acrylic glass print, often named a UV print on plexiglass, will transform the artwork into lovely décor and offers a viable alternative option to canvas or dibond fine art prints. Your artwork is being made with the help of state-of-the-art UV print machines. It creates sharp and rich color shades. The major upside of an acrylic glass print is that sharp contrasts plus minor color details become identifiable because of the subtle gradation in the picture. The real glass coating protects your chosen art replica against sunlight and external influences for up to 6 decades.
• Chapa ya bango (nyenzo za turubai): The poster print is a UV printed cotton canvas paper with a slight structure on the surface, which resembles the actual work of art. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm round about the work of art, which facilitates the framing with your custom frame.
• Chapa ya chuma (dibond ya alumini): Aluminium Dibond prints are prints on metal with an impressive depth - for a modern look and non-reflective surface. The white & bright sections of the artwork shine with a silk gloss but without any glow. The colors of the print are luminous and bright in the highest definition, details of the print are very clear.
• Uchapishaji wa turubai: The canvas direct print is a printed cotton canvas mounted on a wood stretcher. What is more, printed canvas makes a cosy and positive ambience. Canvas prints are relatively low in weight. That means, it is easy to hang up your Canvas print without extra wall-mounts. Because of thatcanvas prints are suitable for any type of wall.

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Kanusho la kisheria: We try everythig possible to depict our art products with as many details as possible and to display them visually in our shop. Nonetheless, the pigments of the print products, as well as the printing can vary slightly from the presentation on your screen. Depending on the settings of your screen and the nature of the surface, not all colors can be printed as realistically as the digital version shown here. Considering that our are processed and printed by hand, there might also be slight variations in the motif's size and exact position.

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