John Frederick Kensett, 1872 - Kupita kwenye Dhoruba - chapa nzuri ya sanaa

Maelezo ya bidhaa za sanaa

The 19th karne kipande cha sanaa kilichorwa na Marekani mchoraji John Frederick Kensett. Toleo la uchoraji lilifanywa kwa saizi: 11 3/8 x 24 1/2 in (sentimita 28,9 x 62,2). Mafuta kwenye turubai was used by the North American painter as the medium of the artpiece. Furthermore, the artwork belongs to the digital collection of Makumbusho ya Metropolitan ya Sanaa, ambayo iko New York City, New York, Marekani. Tunafurahi kurejelea kuwa kito hiki, ambacho kiko kwenye Uwanja wa umma hutolewa kwa hisani ya Makumbusho ya Metropolitan ya Sanaa, New York, Zawadi ya Thomas Kensett, 1874. Zaidi ya hayo, kazi ya sanaa ina mikopo ifuatayo: Zawadi ya Thomas Kensett, 1874. alignment ya uzazi digital ni landscape na uwiano wa upande wa 2: 1, Ambayo ina maana kwamba urefu ni mara mbili zaidi ya upana. John Frederick Kensett was a painter, whose style can primarily be attributed to Romanticism. The North American painter was born in 1816 in Cheshire, New Haven county, Connecticut, United States and deceased at the age of 56 katika 1872.

Nyenzo za bidhaa zinazoweza kuchaguliwa

Tunatoa anuwai ya saizi na vifaa anuwai kwa kila bidhaa. Chagua saizi na nyenzo unayopendelea kati ya mapendeleo yafuatayo:

• Mchapishaji wa dibond ya Alumini: Aluminium Dibond prints are metal prints with an outstanding effect of depth. A direct Aluminium Dibond Print is your best introduction to fine prints with aluminum. For your Direct Print On Aluminum Dibond, we print your artwork right on the aluminium surface. The white & bright parts of the work of art shimmer with a silk gloss, however without any glow. The colors of the print are vivid and luminous, details appear crisp and clear. This UV print on aluminium is one of the most demanded entry-level products and is a modern way to showcase fine art prints, because it draws attention on the whole artwork.
• Turubai: A canvas direct print is a printed cotton canvas stretched on a wood frame. How can I hang a canvas on the wall? Canvas prints are relatively low in weight, which implies that it is quite simple to hang the Canvas print without additional wall-mounts. A canvas print is suitable for any type of wall.
• Chapa ya bango (nyenzo za turubai): Our poster is a printed canvas with a slight structure on the surface, that reminds the actual version of the artwork. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm around the print motif, which facilitates the framing.
• Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): A glossy print on acrylic glass, which is sometimes described as a print on plexiglass, makes the original work of art into brilliant home decoration and offers a viable alternative to aluminium and canvas fine art replicas. With an acrylic glass art print contrasts and also minor image details will be identifiable due to the very subtle gradation in the print.

Important legal note: We try our utmost to describe our art products as accurate as possible and to exhibit them visually. Nevertheless, the pigments of the printed materials, as well as the imprint might diverge somehwat from the image on the screen. Depending on the settings of your screen and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Given that all art reproductions are printed and processed manually, there might also be minor discrepancies in the size and exact position of the motif.

Kuhusu makala

Jedwali la sanaa

Muhtasari wa msanii

© Hakimiliki imetolewa na, Artprinta (www.artprinta.com)

Maelezo ya asili ya Jumba la Makumbusho la Sanaa la Metropolitan (© - na The Metropolitan Museum of Art - www.metmuseum.org)

Inspired by his view from Contentment Island, near Darien, Connecticut, "Passing Off of the Storm" is a masterful example of the artist’s series known as his “Last Summer’s Work.” Kensett chose an unusually wide format for the small painting and provided no framing devices to mark the edges of the composition. Showing extreme sensitivity to gradations of tone, he applied broad areas of pure color interrupted only by subtle brushstrokes, such as those representing four diagonal reeds or markers in the left half of the canvas, a rowboat in the foreground, a tiny island, several white sailboats, and a very slight white wave or reflection on the otherwise placid surface of the water.