Frederick Goodall, 1852 - William Edward Dighton (1822-1853) katika mavazi ya Mashariki ya Kati - chapa nzuri ya sanaa

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Maelezo ya kina ya bidhaa

Zaidi ya 160 year old painting was painted by the male British painter Frederick Goodall. The original measures the size - Inchi 21 × 15 1/2 (cm 53,3 × 39,4) and was painted with the medium oil on canvas. What is more, the artwork is included in the art collection of Makumbusho ya Metropolitan ya Sanaa, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Gift of Kenneth Jay Lane, 2014 (leseni: kikoa cha umma). Mstari wa mkopo wa kazi ya sanaa ni kama ifuatavyo: Zawadi ya Kenneth Jay Lane, 2014. Aidha, alignment ya uzazi digital ni picha ya na uwiano wa picha wa 3: 4, Ambayo ina maana kwamba urefu ni 25% mfupi kuliko upana.

Nyenzo zinazoweza kuchaguliwa

Tunatoa anuwai ya vifaa na saizi anuwai kwa kila bidhaa. Saizi na nyenzo zifuatazo ndizo chaguo tunazokupa kwa ubinafsishaji:

  • Uchapishaji wa turubai: A printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital replica printed from an industrial printer. A canvas of your favorite work of art will allow you to transform your fine art print into a large collection piece as you would see in a gallery. Canvas prints are relatively low in weight, which implies that it is quite simple to hang the Canvas print without the support of additional wall-mounts. Canvas prints are suited for all kinds of walls.
  • Bango lililochapishwa kwenye nyenzo za turubai: The poster print is a printed canvas paper with a nice surface structure. It is excellently qualified for placing the art print using a custom-made frame. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm round about the print motif, which facilitates the framing with your custom frame.
  • Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): A glossy print on acrylic glass, which is often denoted as a plexiglass print, will convert your artwork into brilliant home decoration. The work of art is made with the help of state-of-the-art UV direct print machines. The great advantage of an acrylic glass fine art copy is that sharp contrasts as well as smaller details will be more identifiable thanks to the fine tonal gradation. Our real glass coating protects your chosen fine art print against sunlight and heat for several decades.
  • Chapa ya chuma (dibond ya alumini): This is a metal print made on aluminium dibond with an impressive effect of depth - for a modern look and non-reflective surface. For our Direct Print On Aluminum Dibond, we print your chosen work of art on the surface of the white-primed aluminum composite. The bright parts of the original artwork shimmer with a silk gloss, however without any glare.

Kanusho la kisheria: We try the best we can to depict the art products in as much detail as possible and to demonstrate them visually. At the same time, the colors of the printing material, as well as the imprint can differ slightly from the image on your device's monitor. Depending on your screen settings and the quality of the surface, colors may not be printed as exactly as the digital version. Given that all art reproductions are processed and printed manually, there may as well be minor discrepancies in the motif's exact position and the size.

Maelezo ya bidhaa

Uainishaji wa bidhaa: uzazi mzuri wa sanaa
Mbinu ya uzazi: uzazi katika muundo wa digital
Utaratibu wa Uzalishaji: uchapishaji wa dijiti
Asili ya Bidhaa: zinazozalishwa nchini Ujerumani
Aina ya hisa: kwa mahitaji ya uzalishaji
Matumizi ya bidhaa iliyopendekezwa: picha ya ukuta, matunzio ya sanaa ya uzazi
Mpangilio: mpangilio wa picha
Kipengele uwiano: (urefu: upana) 3: 4
Maana ya uwiano wa picha: urefu ni 25% mfupi kuliko upana
Nyenzo unaweza kuchagua: chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya chuma (dibond ya alumini), chapa ya bango (karatasi ya turubai), chapa ya turubai
Chapisho la turubai (turubai kwenye fremu ya machela) lahaja za ukubwa: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Chaguzi za kuchapisha glasi ya Acrylic (na mipako halisi ya glasi): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Chaguzi za ukubwa wa uchapishaji wa bango (karatasi ya turubai): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Chaguzi za uchapishaji wa alumini: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Muafaka wa picha: hakuna sura

Maelezo ya muundo kwenye mchoro

Jina la kazi ya sanaa: "William Edward Dighton (1822–1853) in Middle Eastern Dress"
Uainishaji wa kazi za sanaa: uchoraji
Aina pana: sanaa ya kisasa
Karne ya sanaa: 19th karne
Mwaka wa kazi ya sanaa: 1852
Umri wa kazi ya sanaa: karibu na miaka 160
Wastani asili: mafuta kwenye turubai
Ukubwa wa mchoro wa asili: Inchi 21 × 15 1/2 (cm 53,3 × 39,4)
Makumbusho: Makumbusho ya Metropolitan ya Sanaa
Mahali pa makumbusho: New York City, New York, Marekani
Tovuti ya Makumbusho: www.metmuseum.org
Leseni ya kazi ya sanaa: Uwanja wa umma
Kwa hisani ya: Makumbusho ya Sanaa ya Metropolitan, New York, Zawadi ya Kenneth Jay Lane, 2014
Nambari ya mkopo: Zawadi ya Kenneth Jay Lane, 2014

Maelezo ya jumla juu ya msanii

Artist: Frederick Goodall
Pia inajulikana kama: Goodall Frederick, Frederick Goodall, Goodall, Goodall F., גודאל פרדריק
Jinsia ya msanii: kiume
Raia wa msanii: Uingereza
Kazi za msanii: mchoraji
Nchi ya asili: Uingereza
Uainishaji wa msanii: msanii wa kisasa
Uhai: miaka 82
Mwaka wa kuzaliwa: 1822
Mahali: London, Greater London, Uingereza, Uingereza
Mwaka wa kifo: 1904
Mahali pa kifo: London, Greater London, Uingereza, Uingereza

Maandishi haya yanalindwa na hakimiliki © , Artprinta.com

Maelezo ya jumla kutoka kwa tovuti ya makumbusho (© Hakimiliki - na The Metropolitan Museum of Art - www.metmuseum.org)

This is the only known portrait of Goodall’s fellow artist Dighton. It must have been painted soon before or immediately after the sitter’s 1852 tour of Egypt, Syria, and Palestine. Images of Westerners dressed in exotic costume proliferated in this period marked by colonial expansion and increased travel to regions beyond Europe.

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