Gerard David, 1512 - The Rest on the Flight into Egypt - chapa nzuri ya sanaa

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Kisanaa Wengine kwenye Ndege kuelekea Misri na bwana mzee Gerard david kama nakala yako mpya ya sanaa

In 1512 Gerard david created this 16th century work of art. The beyond 500 year-old original creation has the following size of 20 x 17 in (50,8 x 43,2 cm). Mafuta juu ya kuni was used by the European artist as the technique for the work of art. The piece of art forms part of the collection of The Metropolitan Museum of Art. With courtesy of Makumbusho ya Metropolitan ya Sanaa, New York, Mkusanyiko wa Jules Bache, 1949 (license: public domain). Creditline of the artwork: The Jules Bache Collection, 1949. What is more, the alignment of the digital reproduction is in portrait format with a side ratio of 3 : 4, which means that urefu ni 25% mfupi kuliko upana. Gerard David was a male artist, illuminator, painter, drawer, miniaturist, whose style can be attributed mainly to Northern Renaissance. The Dutch artist lived for miaka 63 na alizaliwa ndani 1460 huko Oudewater, jimbo la Utrecht, Uholanzi na alikufa mnamo 1523.

Chagua nyenzo za bidhaa yako

Tunatoa anuwai ya saizi na vifaa anuwai kwa kila bidhaa. Chaguzi zifuatazo zinapatikana kwa ubinafsishaji:

  • Kioo cha akriliki kilichochapishwa na athari ya glossy (na mipako halisi ya kioo): An acrylic glass print, often referenced as a print on plexiglass, makes the original into magnificient décor and makes a viable alternative option to dibond and canvas fine art replicas. The work of art will be manufactured with the help of modern UV direct print technology.
  • Turubai: A canvas print, which should not be mistaken with a real canvas painting, is a digital image printed from an industrial printing machine. A canvas has a particular look of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy to hang the Canvas print without the help of additional wall-mounts. Therefore, canvas prints are suited for any type of wall.
  • Bango lililochapishwa (nyenzo za turubai): Our poster print is a printed canvas with a slightly roughened texture on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the painting, which facilitates the framing with a custom frame.
  • Chapa ya chuma (dibond ya alumini): These are metal prints on aluminium dibond material with an impressive effect of depth. The Aluminium Dibond Print is the perfect introduction to fine art reproductions with aluminum. The white & bright parts of the artpiece shimmer with a silk gloss but without any glow. The colors are luminous, fine details of the print appear crisp, and you can truly notice the matte appearance of the product.

Kanusho la kisheria: We try everything in order to describe our art products as exact as possible and to showcase them visually in our shop. Nonetheless, the colors of the printed materials, as well as the print result might differ slightly from the presentation on the device's monitor. Depending on the screen settings and the quality of the surface, colors might not be printed one hundret percent realistically. In view of the fact that all art reproductions are processed and printed by hand, there might as well be slight variations in the motif's exact position and the size.

Kuhusu kipengee

Chapisha bidhaa: uchapishaji mzuri wa sanaa
Mbinu ya uzazi: uzazi katika muundo wa digital
Utaratibu wa Uzalishaji: Uchapishaji wa UV / uchapishaji wa dijiti
Asili ya bidhaa: zinazozalishwa nchini Ujerumani
Aina ya hisa: uzalishaji kwa mahitaji
Matumizi ya bidhaa: mapambo ya nyumbani, ukuta wa nyumba ya sanaa
Mpangilio wa kazi ya sanaa: muundo wa picha
Kipengele uwiano: 3: 4
Maana ya uwiano wa picha: urefu ni 25% mfupi kuliko upana
Nyenzo unaweza kuchagua: chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya chuma (dibond ya alumini), chapa ya bango (karatasi ya turubai), chapa ya turubai
Chapisho la turubai (turubai kwenye fremu ya machela) lahaja za ukubwa: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Vibadala vya kuchapisha bango (karatasi ya turubai): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Chapa za alumini (nyenzo za dibond ya alumini) lahaja: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Muundo wa uchapishaji wa sanaa: bila sura

Maelezo ya kazi ya sanaa

Kichwa cha mchoro: "Wengine kwenye Ndege kuelekea Misri"
Uainishaji wa kazi ya sanaa: uchoraji
Muda wa mwavuli: sanaa ya classic
Karne: 16th karne
Mwaka wa kazi ya sanaa: 1512
Umri wa kazi ya sanaa: zaidi ya miaka 500
Imechorwa kwenye: mafuta juu ya kuni
Vipimo vya asili vya mchoro: 20 x 17 kwa (50,8 x 43,2 cm)
Imeonyeshwa katika: Makumbusho ya Metropolitan ya Sanaa
Mahali pa makumbusho: New York City, New York, Marekani
Inapatikana kwa: www.metmuseum.org
Aina ya leseni: Uwanja wa umma
Kwa hisani ya: Makumbusho ya Metropolitan ya Sanaa, New York, Mkusanyiko wa Jules Bache, 1949
Mstari wa mkopo wa kazi ya sanaa: Mkusanyiko wa Jules Bache, 1949

Maelezo ya jumla kuhusu msanii

Jina la msanii: Gerard david
Majina ya ziada: Davidt Gheeraert, Davidt Gherat, David Gheeraedt, David Gheeraert, Davidt Gerard, David, david gerard, Davidt Gheeraedt, gheeraert david, Davit Gerard, Davit Gheeraedt, Davit Gherat, David Gerard, Gerard David, Davit Gheeraert, David Gherat
Jinsia ya msanii: kiume
Raia: dutch
Kazi za msanii: artist, painter, illuminator, drawer, miniaturist
Nchi ya asili: Uholanzi
Uainishaji wa msanii: bwana mzee
Mitindo ya sanaa: Renaissance ya Kaskazini
Uzima wa maisha: miaka 63
Mzaliwa wa mwaka: 1460
Mahali pa kuzaliwa: Oudewater, mkoa wa Utrecht, Uholanzi
Mwaka wa kifo: 1523
Mji wa kifo: Bruges, West-Vlaanderen, Flanders, Ubelgiji

Maandishi haya yana hakimiliki © | Artprinta (www.artprinta.com)

Maelezo ya ziada na tovuti ya The Metropolitan Museum of Art (© Hakimiliki - na The Metropolitan Museum of Art - www.metmuseum.org)

This composition presents the Flight into Egypt as a continuous narrative. In a tiny background scene the Holy Family emerges from the forest, en route to the contemporary Netherlandish town at the left. In the foreground Mary nurses the Child in a moment of repose on their arduous journey, which the viewer is visually meant to follow. David achieved in this painting a remarkable balance of color and a serene sense of light and atmosphere. His awareness of Italian Renaissance conventions is evident in the pyramidal motif of the Virgin and Child and his use of chiaroscuro to convey the volume of the figures.

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