Leopold Carl Müller - Picha ya Mmisri - chapa nzuri ya sanaa

What does the original artwork description of the Belvedere write about this work of art painted by Leopold Carl Müller? (© - na Belvedere - Belvedere)

When Müller this woman portrait was painted, is incomprehensible. Müller was in the years from 1873/74 to 1885/86 a total of nine times in Egypt, on each of these multi-month stays, he produced a large number of studies and portraits of locals. Particular emphasis was doing the face, clothing and spatial environment were secondary. Similar to the Sphinx face today, the portrait of a young girl who is in the permanent collection of the Austrian Gallery, it is also not possible to read the set with rapid brushstrokes shape of the dress of the sitter. Empire shaded gray and beige tones let the Gefältel the substance suspect translucent pencil lines indicate the shape of the cut on, but already in the attention of the painter exhausted. we are only vaguely aware of the shape of the upper body. However, he focused his interest on their faces. In well-chosen brushstrokes, with finely merging shades forehead and cheeks are modeled in a delicate shade, the soft chin from slender neck lifts off. The slightly-knit eyebrows, strong nose, full lips, the jet-black curly hair gives the appearance of the woman's specific character. However, the face is dominated by the samtigbraunen eyes. The white hat and the big earrings are the only jewelry that the woman is wearing. Unlike the head sketches einbaute Müller proven in his great genre painting, these portraits were created for its own sake. Haja recalls the juxtaposition of sketchy execution and finely divided, more drawing in the illusionary "non finito the Lenbach's portrait art since the late 70s." From influencing Mueller and Franz von Lenbach is not out of the two artists were also befriended one another and talking together in winter 1875/1876 in Cairo. Literature: Seligmann, Adalbert Franz (ed.): Carl Leopold Müller. An artist's life in letters, pictures and documents, Vienna, Berlin, Leipzig, Munich 1922; Zemen, Herbert (ed.): Leopold Müller 1834 to 1892. Letters and documents, Vienna 1996; Wimmer, Günther: The Orient painter Leopold Müller, in: Orient. Austrian painting from 1848 to 1914, ed. v. Erika Mayr-Oehring, exh. Cat. Residenzgalerie Salzburg 1997, pp 57-71; Haja, Martina (description): Half-length portrait of an Egyptian girl in Orient. Austrian painting from 1848 to 1914, ed. v. Erika Mayr-Oehring, exh. Kat. Residenz Salzburg 1997, p 210, Cat 42; Zemen, Herbert (ed.): Leopold Müller in the artists' house. The Orient images, Vienna 1998. [Sabine Grabner, in: donut, Michael / Mayer, Monika: New Acquisitions Austrian Gallery Belvedere 1992-1999. Master of Heiligenkreuz to Krystufek, ed. v. d. Austrian Gallery Belvedere, Vienna 1999 (temporary exhibition of the Austrian Gallery, 224), pp 66-67]

Chapisha muhtasari wa bidhaa

Kito Portrait of an Egyptian iliundwa na kweli painter Leopold Carl Müller. The painting was painted with the size: 61 x 48 cm - vipimo vya sura: 78 x 64 x 7 cm and was painted on the medium oil on canvas. Besides, this piece of art is part of the Belvedere's art collection. With courtesy of - © Belvedere, Vienna, inventory number: 9521 (leseni ya kikoa cha umma). Creditline of the artwork: purchase from private property, Vienna in 1998. Further, the alignment of the digital reproduction is portrait with a side ratio of 3: 4, which implies that the length is 25% shorter than the width. Leopold Carl Müller was a painter, whose art style can mainly be classified as Realism. The artist was born in 1834 in Dresden and passed away at the age of 58 in the year 1892 in Weidlingau near Vienna.

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