Goya - Narcisa de Goicoechea Barañano - chapa nzuri ya sanaa
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Background information on the artwork titled "Narcisa de Goicoechea Barañano"
Kipande hiki cha sanaa Narcisa de Goicoechea Barañano iliundwa na Goya. Toleo la kipande cha sanaa lilichorwa na saizi: 44 1/4 x 30 3/4 in (sentimita 112,4 x 78,1). Oil on canvas was used by the European painter as the medium of the artpiece. The piece of art is in the the Makumbusho ya Metropolitan ya Sanaa mkusanyiko wa sanaa. Kwa hisani ya - The Metropolitan Museum of Art, New York, HO Havemeyer Collection, Wosia wa Bibi HO Havemeyer, 1929 (leseni ya kikoa cha umma). Creditline of the artwork: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. The alignment of the digital reproduction is in picha ya format na ina uwiano wa 1: 1.4, ambayo ina maana kwamba urefu ni 29% mfupi kuliko upana.
Chagua nyenzo zako
Tunatoa anuwai ya saizi na vifaa anuwai kwa kila bidhaa. Tunakuruhusu kuchagua kati ya anuwai zifuatazo:
- Chapisho la bango (nyenzo za turubai): The poster print is a UV printed sheet of canvas paper with a nice texture on the surface. A poster print is excellently used for putting your art copy with the help of a special frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the print in order to facilitate the framing.
- Mchapishaji wa dibond ya Alumini: Aluminium Dibond prints are prints on metal with an outstanding depth - for a modern impression and a non-reflective surface. For the Direct Print On Aluminum Dibond, we print the favorite artpiece right onto the aluminium composite white-primed surface. Colors are luminous, fine details appear very clear, and there’s a matte appearance that you can literally feel.
- Uchapishaji wa turubai: The printed canvas, not to be mistaken with a canvas painting, is a digital replica printed from a UV direct printer. Besides, canvas makes a cosy and enjoyable look. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up the Canvas print without the help of extra wall-mounts. Because of thatcanvas prints are suitable for all types of walls.
- Uchapishaji wa glasi ya Acrylic: An print on acrylic glass, often labelled as a plexiglass print, will change your favorite original work of art into brilliant home décor and forms a good alternative option to canvas and dibond fine art replicas. Your work of art will be printed with the help of modern UV direct printing machines. This makes sharp and rich color tones. With an acrylic glass fine art print contrasts as well as artwork details will be more visible due to the very subtle gradation in the print. Our acrylic glass protects your chosen art print against sunlight and heat for many years to come.
Ujumbe muhimu wa kisheria: We try all that we can to describe the art products as accurately as possible and to demonstrate them visually. Still, the pigments of the print products and the printing may differ marginally from the presentation on your screen. Depending on your settings of your screen and the nature of the surface, colors might not be printed 100% realistically. Given that the fine art prints are processed and printed by hand, there may also be minor differences in the motif's size and exact position.
Bidhaa
Uainishaji wa makala: | uzazi wa sanaa |
Njia ya uzazi: | uzazi katika muundo wa digital |
Mbinu ya utengenezaji: | uchapishaji wa dijiti (uchapishaji wa moja kwa moja wa UV) |
Uzalishaji: | viwandani nchini Ujerumani |
Aina ya hisa: | kwa mahitaji ya uzalishaji |
Matumizi yaliyokusudiwa ya bidhaa: | matunzio ya sanaa ya uzazi, mapambo ya nyumbani |
Mpangilio wa kazi ya sanaa: | muundo wa picha |
Uwiano wa upande: | 1: 1.4 urefu hadi upana |
Ufafanuzi wa uwiano wa kipengele: | urefu ni 29% mfupi kuliko upana |
Uchaguzi wa nyenzo za bidhaa: | chapa ya chuma (dibond ya alumini), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya turubai, chapa ya bango (karatasi ya turubai) |
Chapisho la turubai (turubai kwenye fremu ya machela) lahaja za ukubwa: | 50x70cm - 20x28", 100x140cm - 39x55" |
Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): | 50x70cm - 20x28", 100x140cm - 39x55" |
Chaguzi za kuchapisha bango (karatasi ya turubai): | 50x70cm - 20x28" |
Chaguzi za ukubwa wa uchapishaji wa dibond ya aluminium: | 50x70cm - 20x28", 100x140cm - 39x55" |
Muundo wa uchapishaji wa sanaa: | haipatikani |
Habari za sanaa
Kichwa cha mchoro: | "Narcisa de Goicoechea Barañano" |
Uainishaji wa kazi za sanaa: | uchoraji |
Imechorwa kwenye: | mafuta kwenye turubai |
Vipimo vya kazi ya asili ya sanaa: | 44 1/4 x 30 3/4 in (sentimita 112,4 x 78,1) |
Makumbusho / mkusanyiko: | Makumbusho ya Metropolitan ya Sanaa |
Mahali pa makumbusho: | New York City, New York, Marekani |
Inapatikana kwa: | Makumbusho ya Metropolitan ya Sanaa |
leseni: | Uwanja wa umma |
Kwa hisani ya: | The Metropolitan Museum of Art, New York, HO Havemeyer Collection, Wosia wa Bibi HO Havemeyer, 1929 |
Mstari wa mkopo wa kazi ya sanaa: | Mkusanyiko wa HO Havemeyer, Wasia wa Bi HO Havemeyer, 1929 |
Msanii
jina: | Goya |
Jinsia ya msanii: | kiume |
Raia wa msanii: | spanish |
Utaalam wa msanii: | mchoraji |
Nchi ya asili: | Hispania |
Umri wa kifo: | miaka 82 |
Mwaka wa kuzaliwa: | 1746 |
Alikufa: | 1828 |
Hakimiliki © - Artprinta.com (Artprinta)
Additional description as provided from The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)
This painting first came to light in 1900, when it was lent to the large Goya exhibition in Madrid as the pendant to a portrait of the sitter's husband, Juan Bautista de Goicoechea y Urrutia. Juan Bautista was appointed Minister of War to Ferdinand VII in 1815 and in his portrait (now in the Staatliche Kunsthalle, Karlesruhe) wears the order of Charles III, received in the same year. He was apparently distantly related to Gumersinda Goicoechea, who married Goya's son Javier in 1805. Our portrait may have been painted close to the time of Javier's marriage, but was certainly executed by 1815/16.Despite the signature on the ring—a favorite device of Goya's—the attribution of this portrait has recently been questioned by some authorities.