Jēkabs Kazaks - Wakimbizi - chapa nzuri ya sanaa

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Supplemental information by Latvian National Museum of Art (© Copyright - by Latvian National Museum of Art - Makumbusho ya Kitaifa ya Sanaa ya Kilatvia)

In his largest composition “Refugees”, modernist Jēkabs Kazaks who, “like the old masters, wanted to work hard like a craftsman”, expresses the nations tragedy with true severity. He reveals it as the harsh story of a peasant family driven from their home during the First World War. Like a rock in the vertically formed expressive composition, the mighty figure of the grandfather rises above a low horizon – a symbol of strength; the image of the grandmother radiates the wisdom of the national spirit but the young mother with her suckling infant – the incessant drive of life. The refugees have an inner spite that does not allow them to submit to despair. These people leave an impression of spiritual and physical unbreakability; a single hope smoulders in their hearts – to return to their homeland. This monumental painting is regarded as one of the highest peaks of Latvia’s classical modernism.

Picha yako ya kibinafsi ya sanaa ya kuona

Wakimbizi was created by the artist Jēkabs Kazaks. The piece of art was made with the size: 210,5 x 107 cm and was painted with the techinque mafuta kwenye turubai. Besides, the piece of art can be viewed in in the digital collection of Latvian National Museum of Art, which is one of the largest museums in the Baltic region, which consists of four museums and one exhibiton hall. The work of art, which belongs to the public domain is being provided with courtesy of Latvijas Nacionālais mākslas muzejs, Makumbusho ya Kitaifa ya Sanaa ya Kilatvia.:. Zaidi ya hayo, upatanishi wa uzazi wa kidijitali uko ndani picha ya umbizo lenye uwiano wa picha wa 1: 2, ikimaanisha kuwa urefu ni 50% mfupi kuliko upana.

Pata chaguo lako la nyenzo za uchapishaji za sanaa uzipendazo

Tunatoa anuwai ya vifaa na saizi tofauti kwa kila bidhaa. Unaweza kuchagua kati ya chaguzi zifuatazo za ubinafsishaji wa bidhaa:

  • Dibondi ya Alumini (chapa ya chuma): Aluminium Dibond prints are metal prints with an impressive depth. The Aluminium Dibond Print is the best start to replicas on aluminum. For the Aluminium Dibond option, we print your selected work of art onto the aluminium composite surface. The colors of the print are luminous, fine details of the print appear clear and crisp, and you can perceive the matte appearance of the art print surface.
  • Chapa ya bango (nyenzo za turubai): A poster is a printed sheet of canvas paper with a slight surface texture. The poster print is appropriate for framing your art copy using a custom-made frame. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the painting in order to facilitate the framing.
  • Turubai: The canvas print, not to be mistaken with a canvas painting, is a digital copy printed from a UV direct printing machine. A canvas makes a typical impression of three-dimensionality. A canvas print of this work of art will give you the chance of transforming your customized fine art print into a large artpiece. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang the Canvas print without the support of additional wall-mounts. Hence, canvas prints are suited for any type of wall.
  • Mchapishaji wa glasi ya akriliki yenye kung'aa: A glossy print on acrylic glass, which is often described as a UV print on plexiglass, makes your favorite original into lovely décor. Above all, the acrylic glass print makes a great alternative to dibond and canvas fine art replicas. The artwork is being custom-made with the help of state-of-the-art UV direct printing technology. The image effect of this are intense, sharp colors. The great benefit of a plexiglass fine art copy is that sharp contrasts and details become more visible due to the fine tonal gradation. The acrylic glass protects your custom art replica against light and external influences for up to six decades.

Mchoraji

Jina la msanii: Jēkabs Kazaks
Kazi: mchoraji

Maelezo ya msingi kuhusu mchoro

Kichwa cha kazi ya sanaa: "Refugees"
Uainishaji wa kazi za sanaa: uchoraji
Imechorwa kwenye: mafuta kwenye turubai
Vipimo vya asili vya mchoro: 210,5 x 107cm
Makumbusho / mkusanyiko: Makumbusho ya Kitaifa ya Sanaa ya Kilatvia
Mahali pa makumbusho: Riga, Latvia
Inapatikana chini ya: www.lnmm.lv
Aina ya leseni ya uchoraji: Uwanja wa umma
Kwa hisani ya: Latvijas Nacionālais mākslas muzejs, Makumbusho ya Kitaifa ya Sanaa ya Kilatvia

Jedwali la bidhaa

Uainishaji wa makala: uzazi wa sanaa
Mbinu ya uzazi: uzazi wa kidijitali
Utaratibu wa Uzalishaji: uchapishaji wa dijiti
Asili ya bidhaa: viwandani nchini Ujerumani
Aina ya hisa: juu ya mahitaji
Matumizi ya bidhaa iliyopendekezwa: mapambo ya nyumbani, nyumba ya sanaa ya kuchapisha
Mpangilio wa picha: muundo wa picha
Kipengele uwiano: (urefu: upana) 1: 2
Kidokezo: urefu ni 50% mfupi kuliko upana
Nyenzo za uzazi zinazopatikana: chapa ya bango (karatasi ya turubai), chapa ya chuma (dibond ya alumini), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya turubai
Chaguzi za kuchapisha turubai (turubai kwenye fremu ya machela): 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47", 80x160cm - 31x63", 90x180x35 cm
Chaguzi za ukubwa wa glasi ya akriliki (na mipako halisi ya glasi): 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47", 80x160cm - 31x63", 90x180x35 cm
Vibadala vya ukubwa wa bango (karatasi ya turubai): 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47"
Chaguzi za kuchapisha alumini (nyenzo za dibond ya alumini): 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47"
Muundo wa uchapishaji wa sanaa: bila sura

Muhimu kumbuka: We try to depict the art products as exact as possible and to exhibit them visually. Still, the pigments of the printed materials, as well as the print result can vary slightly from the presentation on the screen. Depending on the screen settings and the quality of the surface, color pigments might not be printed one hundret percent realistically. Bearing in mind that our art reproductions are processed and printed manually, there may also be slight differences in the motif's size and exact position.

Maandishi haya yana hakimiliki © - www.artprinta.com (Artprinta)

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