Ambrosius Bosschaert, 1620 - Bado Maisha na Vase ya Maua - chapa nzuri ya sanaa

This more than 400 year old artpiece was painted by the kiume artist Ambrosius Bosschaert in 1620. The version of the artwork measures the size Height: 130,3 cm (51,2 ″); Width: 85,5 cm (33,6 ″) Framed: Height: 141 cm (55,5 ″); Width: 99 cm (38,9 ″); Depth: 8 cm (3,1 ″). Oil was used by the painter as the technique for the artwork. This work of art is included in the Nationalmuseum Stockholm's art collection. This public domain artpiece is supplied with courtesy of Makumbusho ya Taifa ya Stockholm & Wikimedia Commons.Aidha, kazi ya sanaa ina mikopo ifuatayo: . Juu ya hayo, upatanishi wa uzazi wa kidijitali uko ndani picha ya umbizo na ina uwiano wa 2: 3, ambayo ina maana kwamba urefu ni 33% mfupi kuliko upana.

Nyenzo zinazoweza kuchaguliwa

Menyu kunjuzi ya bidhaa hukupa fursa ya kuchagua ukubwa na nyenzo zako binafsi. Tunakuruhusu kuchagua kati ya anuwai zifuatazo:

• Uchapishaji wa glasi ya Acrylic: An print on acrylic glass, which is often described as a print on plexiglass, makes the original work of art into lovely décor. The artwork will be made thanks to the help of state-of-the-art UV direct print technology.
• Bango (nyenzo za turubai): Our poster is a printed canvas with a slight texture on the surface. It is particularly used for placing your fine art print with a customized frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the print, which facilitates the framing with your custom frame.
• Mchapishaji wa dibond ya Alumini: Chapisho la Dibond ya Aluminium ni chapa iliyo na madoido ya kina ya kweli.
• Turubai: A UV printed canvas stretched on a wooden stretcher frame. How do I hang a canvas on the wall? Canvas prints are relatively low in weight, meaning that it is easy to hang the Canvas print without the support of extra wall-mounts. That is why, canvas prints are suitable for all types of walls.

Legal note: We try whatever we can in order to depict our products as clearly as we can and to demonstrate them visually. Please keep in mind that the colors of the print materials and the printing can diverge marginally from the image on the screen. Depending on your screen settings and the quality of the surface, color pigments might not be printed as exactly as the digital version. In view of the fact that all are processed and printed by hand, there may as well be slight variations in the motif's exact position and the size.

Bidhaa

Data ya kazi ya sanaa iliyopangwa

Jedwali la msanii

© Hakimiliki ya, Artprinta.com

General information from Nationalmuseum Stockholm website (© Hakimiliki - Nationalmuseum Stockholm - Makumbusho ya Taifa ya Stockholm)

English: The floral still life emerged around 1600, reflecting the great interest of the period in botany. One of the pioneers was Bosschaert. His compositions, painted for royal cabinets of curiosities, represented idealised bouquets, bringing together plants from different seasons. Here, in a terracotta vase, we see illusionistically depicted blooms – both cultivated rarities and meadow flowers. The insects, like the flowers, symbolise the transitoriness of life. Individual plants recur in several paintings, showing that the artist worked partly from sketches or prints. Blomsterstillebenet utvecklades omkring 1600 och speglar tidens starka intresse för botanik. En av pionjärerna var Bosschaert. Hans kompositioner, målade för furstarnas kuriosakabinett, utgjorde idealbuketter där växter från olika årstider sammanförts. I en terrakottavas syns här illusionistiskt avbildade blommor – såväl odlade rariteter som ängsblommor. Liksom blommorna symboliserar insekterna livets förgänglighet. Att enskilda växter återkommer i flera målningar visar att konstnären delvis arbetade efter skisser eller gravyrer.