Auguste Renoir, 1885 - Bado Maisha yenye Maua na Pears za Kuchoma - chapa nzuri ya sanaa
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Muhtasari wa nakala
Still Life with Flowers and Prickly Pears ni kipande cha sanaa kilichofanywa na Kifaransa painter Auguste Renoir in 1885. Toleo la asili lilichorwa kwa saizi kamili: 28 7/8 x 23 3/8 in (sentimita 73,3 x 59,4) and was manufactured with oil on canvas. Nowadays, this artwork forms part of the Makumbusho ya Metropolitan ya Sanaa ukusanyaji wa sanaa ya digital. Kwa hisani ya - The Metropolitan Museum of Art, New York, Bequest of Catherine Vance Gaisman, 2010 (uwanja wa umma). Kwa kuongezea, kazi ya sanaa ina nambari ya mkopo: Bequest of Catherine Vance Gaisman, 2010. Kwa kuongezea, mpangilio uko kwenye picha format na ina uwiano wa upande wa 1: 1.2, ambayo ina maana kwamba urefu ni 20% mfupi kuliko upana.
Chagua chaguo la nyenzo za uchapishaji wa sanaa
Tunatoa anuwai ya saizi tofauti na vifaa kwa kila bidhaa. Tunakuruhusu kuchagua kati ya anuwai zifuatazo:
- Uchapishaji wa turubai: The printed canvas, which shall not be confused with a canvas painting, is a digital replica printed on an industrial printing machine. A canvas produces a unique look of three dimensionality. A canvas print of your favorite work of art will give you the chance of turning your fine art print into a large artwork as you know from galleries. Canvas prints are relatively low in weight, which implies that it is easy to hang your Canvas print without any wall-mounts. Because of thatcanvas prints are suited for all kinds of walls.
- Chapa ya bango (nyenzo za turubai): A poster print is a UV printed canvas with a granular finish on the surface. It is excellently suited for putting the art copy with the help of a custom-made frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm around the work of art in order to facilitate the framing.
- Mchapishaji wa dibond ya Alumini: This is a metal print made on aluminium dibond material with an impressive depth. For the Aluminium Dibond option, we print the selected artwork onto the aluminium composite white-primed surface. The UV print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely stylish way to display artworks, as it draws attention on the image.
- Uchapishaji wa glasi ya akriliki yenye kung'aa (iliyo na mipako halisi ya glasi): An print on acrylic glass, which is often referenced as a print on plexiglass, will change the original into home decoration. Further, it offers a viable alternative to aluminium and canvas fine art prints. Your own replica of the work of art will be custom-made thanks to the help of modern UV direct print machines. This makes deep, rich colors. The major advantage of a plexiglass print is that contrasts plus small details will be identifiable due to the granular tonal gradation in the picture. Our acrylic glass protects your custom art print against sunlight and heat for many years to come.
Ujumbe wa kisheria: We try to depict our art products with as many details as possible and to showcase them visually. Nevertheless, the pigments of the printing material and the print result can differ slightly from the presentation on the device's monitor. Depending on the settings of your screen and the condition of the surface, colors can unfortunately not be printed as exactly as the digital version depicted here. Given that the art prints are processed and printed by hand, there may as well be minor deviations in the motif's exact position and the size.
Maelezo ya bidhaa iliyopangwa
| Chapisha bidhaa: | uzazi mzuri wa sanaa |
| Uzazi: | uzazi wa kidijitali |
| Utaratibu wa Uzalishaji: | Uchapishaji wa moja kwa moja wa UV |
| Asili ya Bidhaa: | Imetengenezwa kwa Ujerumani |
| Aina ya hisa: | kwa mahitaji ya uzalishaji |
| Matumizi yaliyokusudiwa ya bidhaa: | nyumba ya sanaa ya ukuta, ukuta wa nyumba ya sanaa |
| Mwelekeo wa picha: | muundo wa picha |
| Kipengele uwiano: | 1, 1.2 : XNUMX - (urefu: upana) |
| Athari ya uwiano wa picha: | urefu ni 20% mfupi kuliko upana |
| Lahaja za nyenzo zinazopatikana: | chapa ya chuma (dibond ya alumini), chapa ya bango (karatasi ya turubai), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya turubai |
| Vibadala vya kuchapisha turubai (turubai kwenye fremu ya machela): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Chaguzi za ukubwa wa glasi ya akriliki (na mipako halisi ya glasi): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Chapisho la bango (karatasi ya turubai): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Ukubwa wa kuchapisha dibond ya alumini (nyenzo za alumini): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Muundo wa uchapishaji wa sanaa: | si ni pamoja na |
Sehemu ya sifa za sanaa
| Jina la kazi ya sanaa: | "Still Life with Flowers and Prickly Pears" |
| Uainishaji wa kazi za sanaa: | uchoraji |
| Kategoria ya jumla: | sanaa ya kisasa |
| kipindi: | 19th karne |
| Mwaka wa uumbaji: | 1885 |
| Takriban umri wa kazi ya sanaa: | zaidi ya miaka 130 |
| Mchoro wa kati asilia: | mafuta kwenye turubai |
| Vipimo vya asili vya mchoro: | 28 7/8 x 23 3/8 in (sentimita 73,3 x 59,4) |
| Makumbusho / eneo: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| Inapatikana chini ya: | Makumbusho ya Metropolitan ya Sanaa |
| Aina ya leseni ya mchoro: | Uwanja wa umma |
| Kwa hisani ya: | The Metropolitan Museum of Art, New York, Bequest of Catherine Vance Gaisman, 2010 |
| Nambari ya mkopo: | Bequest of Catherine Vance Gaisman, 2010 |
Maelezo ya jumla juu ya msanii
| Jina la msanii: | Auguste Renoir |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | Kifaransa |
| Taaluma: | mchoraji |
| Nchi ya nyumbani: | Ufaransa |
| Kategoria ya msanii: | msanii wa kisasa |
| Muda wa maisha: | miaka 78 |
| Mwaka wa kuzaliwa: | 1841 |
| Alikufa katika mwaka: | 1919 |
© Hakimiliki ya | Artprinta (www.artprinta.com)
Maelezo ya ziada na Makumbusho ya Sanaa ya Metropolitan (© - Makumbusho ya Sanaa ya Metropolitan - Makumbusho ya Metropolitan ya Sanaa)
This picture is closely related to Still Life: Flowers, 1885 (Solomon R. Guggenheim Museum, New York), which depicts the same vase—with its distinctive elephant-head handles—and wood table or dresser. Featuring an autumnal bouquet and Cézannesque arrangement of prickly pears, the present still life was likely painted the same year, in the wake of a visit with Cézanne that summer. At this time, Renoir sought to combine the luminosity of Impressionism with a greater degree of classicism, prompting him to explore techniques that would emulate the dry, light colors of Italian frescoes, which have led to some surface cracks.