John A. Woodside, 1825 - Bado Maisha: Peaches na Zabibu - uchapishaji mzuri wa sanaa

Taarifa asilia kuhusu kazi ya sanaa kutoka kwenye jumba la makumbusho (© Hakimiliki - na The Metropolitan Museum of Art - www.metmuseum.org)

Woodside probably received his training from Philadelphia sign painter Matthew Pratt or one of Pratt’s business partners. In 1805, Woodside opened his own studio in Philadelphia, advertising his services as an ornamental or sign painter. He aspired to less mundane genres, however, and tried his hand at emblematic and patriotic works, animal scenes, miniatures, and copies after English engravings. This work and its companion, "Still Life: Peaches, Apple, and Pear" (41.152.2), are among Woodside’s few known still lifes and represent his best efforts as a painter. His arrangement of peaches and grapes in a spare setting bears the stylistic imprint of the Peale family, who established a still-life tradition in Philadelphia in the early nineteenth century.

Sanaa ya kisasa ya sanaa iliundwa na kiume msanii John A. Woodside in 1825. Toleo la asili hupima ukubwa: 9 3/4 x 12 1/4 in (24,8 x 31,1 cm). Mafuta juu ya kuni was applied by the American artist as the medium of the piece of art. Furthermore, this artpiece belongs to the Makumbusho ya Metropolitan ya Sanaa mkusanyiko wa sanaa ya kidijitali uliopo New York City, New York, Marekani. The artwork, which is in the public domain is provided with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1941. Additionally, the artpiece has the creditline: Rogers Fund, 1941. In addition to that, the alignment is landscape na ina uwiano wa upande wa 4: 3, Ambayo ina maana kwamba urefu ni 33% zaidi ya upana.

Pata chaguo lako la nyenzo za uchapishaji bora za sanaa unazopenda

In the dropdown lists right next to the product offering you can select the material and sizeaccording to your individual preferences. We allow yout to choose among the following variants:

• Uchapishaji wa turubai: The printed canvas applied on a wooden stretcher frame. Canvas prints are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the support of any wall-mounts. Canvas prints are suitable for all kinds of walls.
• Bango lililochapishwa (nyenzo za turubai): Our poster is a printed canvas paper with a nice surface texture. Please keep in mind, that depending on the size of the poster we add a white margin between 2 - 6cm around the work of art to facilitate the framing.
• Dibondi ya Aluminium: This is a metal print manufactured on aluminium dibond material with a true depth. For the Print On Aluminum Dibond, we print the selected artpiece on the aluminium composite surface. The bright parts of the artpiece shimmer with a silky gloss, however without glare. The colors of the print are bright and vivid in the highest definition, the fine details of the print are crisp, and you can really notice a matte appearance of the surface.
• Uchapishaji wa glasi ya Acrylic: The acrylic glass print, which is often named as a fine art print on plexiglass, transforms the original work of art into great home décor. Your favorite artwork is printed with state-of-the-art UV direct print machines.

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Kanusho la kisheria: We try everythig possible in order to depict our art products in as much detail as we can and to exhibit them visually. At the same time, some colors of the printing material, as well as the imprint might vary somehwat from the representation on the monitor. Depending on your screen settings and the nature of the surface, colors might not be printed one hundret percent realistically. Considering that the art reproductions are processed and printed by hand, there might as well be slight deviations in the exact position and the size of the motif.

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