Pietro Paolo Bonzi, 162 - Still Life with Fruit and Vine - chapa nzuri ya sanaa
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Original information about the work of art from Nationalmuseum Stockholm (© - Nationalmuseum Stockholm - Makumbusho ya Taifa ya Stockholm)
English: Bonzi’s still lifes exemplify a Caravaggesque naturalistic intensity of representation. Working with effects of natural sunlight and shadow, he made his elaborate arrangements of autumn fruit emerge from the depths of the background. Displayed on several levels as on a market stall, the stunning details and textures of the fruit, some with signs of decay, make them seem real enough to touch. Bonzis stilleben är typiska exempel på intensitet och naturalism i Caravaggios anda. Starkt solljus och skugga får de omsorgsfullt avbildade höstfrukterna, alla arrangerade likt ett marknadsstånd, att tydligt framträda mot en mörk bakgrund. Genom detaljrikedomen och måleriets sinnliga karaktär får vi en verklighetstrogen känsla av frukterna, som delvis redan är övermogna.
Maelezo maalum ya bidhaa
Kito hiki kilichorwa na Pietro Paolo Bonzi in 162. The 1850 mchoro wa umri wa miaka ulichorwa kwa saizi: Urefu: 134 cm (52,7 ″); Upana: 98 cm (38,5 ″) Iliyoundwa: Urefu: 146 cm (57,4 ″); Upana: 109 cm (42,9 ″); Kina: 7 cm (2,7 ″) and was manufactured with oil on canvas. Besides, the piece of art belongs to the digital art collection of Nationalmuseum Stockholm. The masterpiece, which is in the Uwanja wa umma is provided with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.Creditline of the artwork: . Besides this, the alignment is in portrait format na ina uwiano wa picha wa 1: 1.4, ikimaanisha kuwa urefu ni 29% mfupi kuliko upana.
Vifaa vinavyopatikana
Tunatoa anuwai ya saizi tofauti na vifaa kwa kila bidhaa. Unaweza kuchagua saizi yako uipendayo na nyenzo kati ya chaguzi zifuatazo:
- Bango lililochapishwa (nyenzo za turubai): The Artprinta poster is a UV printed flat cotton canvas paper with a slightly roughened finish on the surface. It is suited for putting the art print with the help of a personal frame. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the painting in order to facilitate the framing with your custom frame.
- Mchapishaji wa dibond ya Alumini: These are metal prints on aluminium dibond material with an outstanding depth effect. A direct Direct Print on Aluminum Dibond is the best start to the sophisticated world of fine reproductions on aluminum. The white & bright parts of the original artwork shimmer with a silk gloss but without the glow. The colors of the print are vivid and luminous, fine details are clear and crisp.
- Chapisha kwenye glasi ya akriliki inayong'aa (iliyo na mipako halisi ya glasi juu): The print on acrylic glass, often named a UV print on plexiglass, will convert the original into gorgeous décor. Your own version of the artwork is being made with modern UV print machines. The great advantage of an acrylic glass fine art print is that contrasts and also minor details will be more exposed due to the very fine tonal gradation in the picture. The plexiglass with real glass coating protects your selected fine art print against light and external influences for decades.
- Uchapishaji wa turubai: The printed canvas, which should not be confused with a canvas painting, is a digital image printed from an industrial printing machine. A canvas makes the special impression of three dimensionality. Your printed canvas of this artwork will allow you to transform your individual art print into a large artpiece like you know from galleries. Canvas Prints have the great advantage of being relatively low in weight, meaning that it is quite simple to hang the Canvas print without extra wall-mounts. Therefore, a canvas print is suitable for all types of walls in your home.
Muhtasari mfupi wa msanii
| jina: | Pietro Paolo Bonzi |
| Raia: | italian |
| Utaalam wa msanii: | mchoraji |
| Nchi: | Italia |
| Umri wa kifo: | miaka 60 |
| Mwaka wa kuzaliwa: | 1576 |
| Mahali: | Cortona |
| Alikufa katika mwaka: | 1636 |
| Mji wa kifo: | Roma |
Vipimo vya sanaa
| Jina la mchoro: | "Still Life with Fruit and Vine" |
| Uainishaji: | uchoraji |
| Mwaka wa sanaa: | 162 |
| Umri wa kazi ya sanaa: | zaidi ya miaka 1850 |
| Njia asili ya kazi ya sanaa: | mafuta kwenye turubai |
| Vipimo vya asili vya mchoro: | Urefu: 134 cm (52,7 ″); Upana: 98 cm (38,5 ″) Iliyoundwa: Urefu: 146 cm (57,4 ″); Upana: 109 cm (42,9 ″); Kina: 7 cm (2,7 ″) |
| Imeonyeshwa katika: | Makumbusho ya Taifa ya Stockholm |
| Mahali pa makumbusho: | Stockholm, Kaunti ya Stockholm, Uswidi |
| Ukurasa wa wavuti: | www.makumbusho ya kitaifa.se |
| Aina ya leseni ya uchoraji: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya Taifa ya Stockholm & Wikimedia Commons |
Maelezo ya kipengee kilichopangwa
| Uainishaji wa makala: | ukuta sanaa |
| Uzazi: | uzazi katika muundo wa digital |
| Mbinu ya uzalishaji: | uchapishaji wa dijiti (uchapishaji wa moja kwa moja wa UV) |
| Asili: | Uzalishaji wa Ujerumani |
| Aina ya hisa: | kwa mahitaji ya uzalishaji |
| Matumizi yaliyokusudiwa ya bidhaa: | mapambo ya ukuta, muundo wa nyumba |
| Mpangilio: | muundo wa picha |
| Kipengele uwiano: | urefu hadi upana 1: 1.4 |
| Ufafanuzi wa uwiano wa kipengele cha picha: | urefu ni 29% mfupi kuliko upana |
| Nyenzo zinazopatikana: | chapa ya bango (karatasi ya turubai), chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya turubai, chapa ya chuma (dibond ya alumini) |
| Chapisho la turubai (turubai kwenye fremu ya machela) lahaja za ukubwa: | 50x70cm - 20x28", 100x140cm - 39x55" |
| Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): | 50x70cm - 20x28", 100x140cm - 39x55" |
| Ukubwa wa bango (karatasi ya turubai): | 50x70cm - 20x28" |
| Ukubwa wa uchapishaji wa alumini: | 50x70cm - 20x28", 100x140cm - 39x55" |
| Muafaka wa picha: | haipatikani |
Kanusho la kisheria: We try what we can in order to depict our products in as much detail as possible and to showcase them visually. Please keep in mind that the pigments of the print products and the printing can diverge slightly from the presentation on the screen. Depending on the screen settings and the condition of the surface, not all color pigments are printed 100% realistically. Bearing in mind that the art reproductions are printed and processed manually, there may as well be slight variations in the exact position and the size of the motif.
© Hakimiliki ya | www.artprinta.com (Artprinta)