Nicolas Maes, 1652 - mtengenezaji wa lace - uchapishaji mzuri wa sanaa
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Original artwork description from Petit Palais - Musée des Beaux-arts de la Ville de Paris website (© - by Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)
In a Dutch interior, a seated woman looked at a piece of lacework made using a spindle. Placed next to an open window, the lace wearing a dress and a black hat, and a white collar. Many everyday objects are placed on the floor, wall and a buffet at the bottom. On the right, the sheet on the table is lifted on board.
A pupil of Rembrandt, Nicolas Maes has specialized in genre painting and portraiture. As in the works of Pieter de Hooch or Hoogstraten, light bathes its calm interior where his silent figures apply to any household chore. His works reflect the lessons of his master powerful and dramatic chiaroscuro, red and warm brown, thick shadows.
Genre scene, Female, Lace, Home Interior, Window
Maelezo ya usuli juu ya mchoro wa kipekee
| Sehemu ya kichwa cha sanaa: | "the lacemaker" |
| Uainishaji wa kazi ya sanaa: | uchoraji |
| Uainishaji wa sanaa: | sanaa ya classic |
| Wakati: | 17th karne |
| Imeundwa katika: | 1652 |
| Umri wa kazi ya sanaa: | 360 umri wa miaka |
| Imechorwa kwenye: | Uchoraji wa mafuta |
| Ukubwa asili (mchoro): | Urefu: 34,5 cm, Upana: 27,5 cm |
| Sahihi kwenye kazi ya sanaa: | Signature - Bottom left: "N. Maes" |
| Makumbusho / eneo: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
| Mahali pa makumbusho: | Paris, Ufaransa |
| Tovuti ya makumbusho: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
| Leseni ya kazi ya sanaa: | Uwanja wa umma |
| Kwa hisani ya: | Petit Palais Paris |
Maelezo ya jumla kuhusu msanii
| Jina la msanii: | Nicolas Maes |
| Kazi za msanii: | mchoraji |
| Kategoria ya msanii: | bwana mzee |
| Uzima wa maisha: | miaka 59 |
| Mzaliwa: | 1634 |
| Mji wa kuzaliwa: | Dordrecht |
| Alikufa katika mwaka: | 1693 |
| Mahali pa kifo: | Amsterdam |
Taarifa ya bidhaa
| Uainishaji wa bidhaa: | uchapishaji wa sanaa |
| Mbinu ya uzazi: | uzazi katika muundo wa digital |
| Mbinu ya uzalishaji: | Uchapishaji wa moja kwa moja wa UV (uchapishaji wa dijiti) |
| viwanda: | viwandani nchini Ujerumani |
| Aina ya hisa: | uzalishaji kwa mahitaji |
| Matumizi yaliyokusudiwa ya bidhaa: | muundo wa nyumba, mkusanyiko wa sanaa (reproductions) |
| Mwelekeo wa kazi ya sanaa: | mpangilio wa picha |
| Uwiano wa upande: | 3, 4 : XNUMX - (urefu: upana) |
| Ufafanuzi wa uwiano wa kipengele cha upande: | urefu ni 25% mfupi kuliko upana |
| Chaguzi za nyenzo zinazopatikana: | chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya chuma (dibond ya alumini), chapa ya bango (karatasi ya turubai), chapa ya turubai |
| Chapisho la turubai (turubai kwenye fremu ya machela) lahaja za ukubwa: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
| Uchapishaji wa glasi ya akriliki (iliyo na mipako halisi ya glasi) anuwai za saizi: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
| Chapisho la bango (karatasi ya turubai): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
| Chaguzi za uchapishaji wa alumini: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
| Frame: | bila sura |
Chagua nyenzo unayopendelea ya kuchapisha sanaa
Tunatoa anuwai ya saizi tofauti na vifaa kwa kila bidhaa. Chagua kati ya chaguo zifuatazo za bidhaa sasa ili kulinganisha mapendeleo yako kwa ukubwa na nyenzo:
- Mchapishaji wa dibond ya Alumini: An Aluminium Dibond print is a print material with an impressive depth effect. Its non-reflective surface make a modern impression.
- Mchapishaji wa glasi ya akriliki yenye kung'aa: A glossy acrylic glass print, which is often named as a plexiglass print, changes your favorite original artwork into beautiful décor. What is more, the acrylic print is a viable alternative to aluminium and canvas prints. The work of art will be printed with the help of modern UV direct print machines. Our real glass coating protects your selected art print against sunlight and external influences for many decades.
- Bango (nyenzo za turubai): Our poster is a UV printed canvas paper with a fine surface structure, which resembles the original masterpiece. The poster print is ideally suited for putting the fine art print using a custom-made frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2 - 6cm around the work of art, which facilitates the framing with a custom frame.
- Uchapishaji wa turubai: The printed canvas material stretched on a wooden stretcher frame. A canvas makes a exclusive look of three dimensionality. A canvas print of your favorite artwork will provide you with the chance to transform your fine art print into a large collection piece like you would see in a gallery. A canvas print has the great advantage of being relatively low in weight, which implies that it is quite simple to hang your Canvas print without the use of any wall-mounts. Because of thatcanvas prints are suitable for all kinds of walls.
Maelezo
hii 17th karne piece of art "the lacemaker" was painted by the artist Nicolas Maes. The 360 year old version of the piece of art had the size of Urefu: 34,5 cm, Upana: 27,5 cm. Uchoraji wa mafuta was applied by the artist as the medium of the artwork. The painting has the following text as inscrption: Signature - Bottom left: "N. Maes". Moveover, this work of art is in the the digital collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris, which is an art museum in the 8th arrondissement. The Uwanja wa umma masterpiece is included with courtesy of Petit Palais Paris.In addition to that, the work of art has the following creditline: . Further, the alignment is picha ya kwa uwiano wa 3 : 4, ambayo ina maana kwamba urefu ni 25% mfupi kuliko upana.
Legal disclaimer: We try all that we can in order to describe the products in as much detail as possible and to display them visually. At the same time, some pigments of the printing material, as well as the print result might diverge marginally from the representation on the monitor. Depending on the screen settings and the quality of the surface, colors can unfortunately not be printed 100% realistically. Since all art reproductions are processed and printed manually, there may as well be slight differences in the motif's size and exact position.
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