Robert Feke, 1746 - Tench Francis - uchapishaji mzuri wa sanaa

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disclaimer: We try our utmost to describe the products as precisely as possible and to demonstrate them visually. At the same time, the tone of the printing material and the imprint can differ marginally from the representation on your monitor. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed one hundret percent realistically. Considering that our are processed and printed by hand, there may also be minor deviations in the motif's exact position and the size.

Maelezo ya ziada kutoka kwa tovuti ya makumbusho (© - na The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)

Feke emerged during the 1740s as the most gifted native-born artist working in the Northeast. The subject of this portrait, the Irish-born Tench Francis (1690?–1758), received legal training in England and emigrated to America in about 1720. He became the attorney general of Pennsylvania in 1741 and commissioned this portrait five years later. The picture is important as one of the few signed and dated works proving that Feke was active in Philadelphia in 1746. Thinly painted in elegant Rococo pastel colors but reflecting Quaker values in the sitter’s modest attire, the work represents Francis at the height of his career, as a pillar of society.

Je, ni aina gani ya bidhaa ya sanaa tunayowasilisha hapa?

The sanaa ya classic mchoro Tench Francis ilichorwa na bwana Robert Feke. Toleo la mchoro lilichorwa na saizi: 49 x 39 kwa (124,5 x 99,1 cm). Mafuta kwenye turubai was used by the American artist as the medium of the painting. The work of art belongs to the Makumbusho ya Metropolitan ya Sanaa Mkusanyiko wa sanaa ya kidijitali, ambayo ni mojawapo ya makumbusho makubwa zaidi na bora zaidi ya sanaa duniani, ambayo yanajumuisha zaidi ya kazi milioni mbili za sanaa zilizochukua miaka elfu tano ya utamaduni wa dunia, kutoka historia hadi sasa na kutoka kila sehemu ya dunia.. Kwa hisani ya - Makumbusho ya Metropolitan ya Sanaa, New York, Mfuko wa Maria DeWitt Jesup, 1934 (public domain license). The creditline of the artwork is: Maria DeWitt Jesup Fund, 1934. On top of that, alignment of the digital reproduction is picha ya na ina uwiano wa upande wa 1: 1.2, ambayo ina maana kwamba urefu ni 20% mfupi kuliko upana.

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