François Bonvin, 1874 - Mwanamke mchanga na Mandolin, Picha ya Louison Köhler - chapa nzuri ya sanaa

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Taarifa asilia kuhusu mchoro na tovuti ya jumba la makumbusho (© - Makumbusho ya Sanaa ya Cleveland - Makumbusho ya Sanaa ya Cleveland)

Bonvin was fascinated by the realism of 17th-century Dutch, Flemish, and Spanish still life paintings. He was also aware of the French Realist movement, a highly candid, straightforward style with political overtones. This work embodies both the realism for which Bonvin was famous and the still life paintings of earlier periods. The woman in the painting is Louison Köhler (1850–?), the artist's mistress. After two failed marriages, Bonvin met her in 1870, and she remained with him until his death, appearing in several of his paintings. The image of the reclining woman hanging directly over Louison's head probably suggests the carnal nature of their relationship. Bonvin borrowed this image—a swooning, overjoyed female—from the famous painting Bacchanal by Titian (1485–1576), now in the Prado Museum in Madrid.

Muhtasari wa nakala

The 19th century piece of art was created by the male painter François Bonvin in 1874. The 140 toleo la umri wa miaka ya kazi ya sanaa hupima ukubwa halisi: Iliyoundwa: 70,5 x 62,2 x 7,6 cm (27 3/4 x 24 1/2 x 3 ndani); Isiyo na fremu: sentimita 54,9 x 46 (21 5/8 x 18 1/8 in). Oil on fabric was applied by the European artist as the medium of the piece of art. The original artwork has the following inscription: signed lower left: F. Bonvin. Leo, kipande hiki cha sanaa kimejumuishwa katika Makumbusho ya Sanaa ya Cleveland mkusanyiko wa sanaa, ambayo ni moja wapo ya makumbusho inayoongoza ulimwenguni ambayo huunda, kuhifadhi, kusoma, na kushiriki makusanyo yake bora ya sanaa kutoka vipindi na sehemu zote za ulimwengu, ikitoa usomi mpya na uelewa, huku ikitumika kama kitovu cha kijamii na kiakili kwa jumuiya. The sanaa ya kisasa Uwanja wa umma Kito hutolewa kwa hisani ya Makumbusho ya Sanaa ya Cleveland. Mstari wa mkopo wa kazi ya sanaa: Zawadi ya Bwana na Bibi Noah L. Butkin. Juu ya hayo, upatanishi wa uzazi wa kidijitali ni picha ya na ina uwiano wa 1: 1.2, Ambayo ina maana kwamba urefu ni 20% mfupi kuliko upana.

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