Goya, 1804 - Ignacio Garcini na Queralt (1752-1825), Brigedia wa Wahandisi - uchapishaji mzuri wa sanaa
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Maelezo ya msingi kuhusu bidhaa
The modern art artwork was made by the painter Goya in 1804. The over 210 umri wa mwaka awali hupima ukubwa wa Inchi 41 x 32 3/4 (cm 104,1 x 83,2) na ilichorwa na mbinu of mafuta kwenye turubai. Besides, this work of art is included in the The Metropolitan Museum of Art's collection. The sanaa ya kisasa mchoro, ambayo iko katika Uwanja wa umma is being provided with courtesy of The Metropolitan Museum of Art, New York, Bequest of Harry Payne Bingham, 1955. Creditline of the artwork: Wosia wa Harry Payne Bingham, 1955. Kwa kuongezea hii, upatanishi ni picha yenye uwiano wa 3: 4, ambayo ina maana kwamba urefu ni 25% mfupi kuliko upana.
Chagua nyenzo za chaguo lako
We offer a range of different sizes and materials for every product. Select your preferred size and material between the following alternatives:
- Bango lililochapishwa (nyenzo za turubai): A poster print is a UV printed cotton canvas with a slightly rough finish on the surface, which resembles the actual version of the work of art. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6 cm around the painting, which facilitates the framing.
- Uchapishaji wa turubai: A printed canvas, which shall not be confused with a painting on a canvas, is a digital replica printed on a UV direct printing machine. A canvas produces the unique effect of three dimensionality. Besides, printed canvas produces a familiar and enjoyable ambience. Your canvas of this artwork will allow you to transform your own art print into a large size artpiece as you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up your Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.
- Mchapishaji wa dibond ya Alumini: These are metal prints on aluminium dibond material with an impressive effect of depth. A direct Aluminium Dibond Print is your perfect start to fine art reproductions manufactured with aluminum. For the Print On Aluminum Dibond, we print the work of art right onto the surface of the white-primed aluminum. The bright and white parts of the artwork shimmer with a silk gloss but without any glow. The direct print on aluminium is the most popular entry-level product and is a truly sophisticated way to showcase fine art reproductions, as it draws attention on the image.
- Uchapishaji wa glasi ya akriliki yenye kung'aa (iliyo na mipako halisi ya glasi): The print on acrylic glass, which is often named as a print on plexiglass, will turn an original into wall décor and forms a good alternative option to canvas or aluminium dibond fine art replicas. The artwork will be made with state-of-the-art UV print technology. This has the effect of rich, impressive color tones. The acrylic glass protects your custom art replica against light and external influences for between 40-60 years.
Legal disclaimer: We try everythig possible in order to depict our art products with as many details as it is possible and to illustrate them visually in our shop. Still, the colors of the printing material and the print result might differ to a certain extent from the presentation on the device's monitor. Depending on your screen settings and the quality of the surface, colors might not be printed as realistically as the digital version shown here. Given that the fine art prints are printed and processed manually, there may as well be minor deviations in the exact position and the size of the motif.
Kuhusu bidhaa
| Uainishaji wa makala: | uzazi mzuri wa sanaa |
| Uzazi: | uzazi wa kidijitali |
| Mbinu ya utengenezaji: | Uchapishaji wa moja kwa moja wa UV |
| viwanda: | zinazozalishwa nchini Ujerumani |
| Aina ya hisa: | uzalishaji kwa mahitaji |
| Matumizi ya bidhaa: | mapambo ya ukuta, nyumba ya sanaa ya kuchapisha |
| Mwelekeo wa picha: | muundo wa picha |
| Kipengele uwiano: | urefu: upana - 3: 4 |
| Athari ya uwiano: | urefu ni 25% mfupi kuliko upana |
| Lahaja zinazopatikana: | chapa ya chuma (dibond ya alumini), chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya bango (karatasi ya turubai), chapa ya turubai |
| Ukubwa wa kuchapisha turubai (turubai kwenye fremu ya machela): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
| Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
| Vibadala vya kuchapisha bango (karatasi ya turubai): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
| Chaguzi za ukubwa wa Dibond (nyenzo za alumini): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
| Muundo wa nakala ya sanaa: | haipatikani |
Maelezo ya muundo kwenye mchoro
| Kichwa cha kipande cha sanaa: | "Ignacio Garcini and Queralt (1752-1825), Brigadier of Engineers" |
| Uainishaji: | uchoraji |
| Neno la jumla: | sanaa ya kisasa |
| Karne: | 19th karne |
| mwaka: | 1804 |
| Takriban umri wa kazi ya sanaa: | zaidi ya miaka 210 |
| Njia asili ya kazi ya sanaa: | mafuta kwenye turubai |
| Vipimo vya kazi ya asili ya sanaa: | Inchi 41 x 32 3/4 (cm 104,1 x 83,2) |
| Imeonyeshwa katika: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| ukurasa wa wavuti wa Makumbusho: | www.metmuseum.org |
| Aina ya leseni ya uchoraji: | Uwanja wa umma |
| Kwa hisani ya: | Jumba la kumbukumbu la Metropolitan la Sanaa, New York, Wosia wa Harry Payne Bingham, 1955 |
| Mstari wa mkopo wa kazi ya sanaa: | Wosia wa Harry Payne Bingham, 1955 |
Jedwali la metadata la msanii
| Jina la msanii: | Goya |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | spanish |
| Taaluma: | mchoraji |
| Nchi ya asili: | Hispania |
| Uainishaji wa msanii: | msanii wa kisasa |
| Umri wa kifo: | miaka 82 |
| Mwaka wa kuzaliwa: | 1746 |
| Mwaka wa kifo: | 1828 |
Maandishi haya yanalindwa na hakimiliki © | www.artprinta.com (Artprinta)
Maelezo ya ziada kutoka Makumbusho ya Sanaa ya Metropolitan (© Hakimiliki - na The Metropolitan Museum of Art - www.metmuseum.org)
An official in the War Department, Ignacio Garcini wears the uniform of the Corps of Engineers. The embroidered red cross on his coat and the badge of the Order of Santiago are decorations he received in 1806 and must have been added after the painting was signed. After the French invasion of Spain in 1808, Garcini became a collaborator, and in 1811 he wrote the book Chronicle of Spain Since the Reign of Charles IV: Account of the Persecution Suffered by Colonel D. Ignacio Garcini.