Eva Gonzalès, 1882 - The Miliner - chapa nzuri ya sanaa
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Maelezo ya makala
"The Milliner" was made by Eva Gonzalès in 1882. The version of the work of art measures the size: 450 × 370 mm. Pastel and watercolor on canvas was used by the European painter as the medium of the artwork. The artwork has the following inscription: signed upper right: "Eva Gonzalès". Today, the work of art is in the the collection of Art Institute Chicago in Chicago, Illinois, Marekani. With courtesy of Art Institute Chicago (license: public domain). : Olivia Shaler Swan Memorial Collection. Moreover, alignment is picha ya na uwiano wa kipengele cha 1: 1.2, which implies that the length is 20% shorter than the width. Eva Gonzalès was a painter from France, whose style can be classified as Impressionism. The European painter was born in the year 1849 huko Paris na alikufa akiwa na umri wa miaka 34 katika 1883.
Chagua chaguo la nyenzo za uchapishaji wa sanaa
In the dropdown menu right next to the product you can pick the material and size of your choice. Choose your favorite size and material between the preferences:
- Chapisho la bango (nyenzo za turubai): The poster print is a UV printed flat canvas paper with a granular finish on the surface, that resembles the original artwork. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6cm round about the work of art in order to facilitate the framing with your custom frame.
- Uchapishaji wa turubai: A canvas print, which should not be mistaken with a canvas painting, is an image applied directly on canvas fabric. It produces a plastic look of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the use of any wall-mounts. A canvas print is suited for all kinds of walls.
- Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): The acrylic glass print, often labelled as a print on plexiglass, changes the original work of art into décor. Your artwork will be custom-made with modern UV printing technology. Our real glass coating protects your custom fine art print against sunlight and heat for between 40-60 years.
- Mchapishaji wa dibond ya Alumini: An Aluminium Dibond print is a print with a true depth - for a modern impression and non-reflective surface. A direct Direct Print on Aluminum Dibond is your ideal start to fine replicas on aluminum. For the Direct Print On Aluminum Dibond, we print the favorite artpiece on the surface of the white-primed aluminum composite. The white and bright components of the artpiece shimmer with a silky gloss, however without glow. Colors are luminous in the highest definition, the details of the print appear crisp and clear. The direct UV print on Aluminum Dibond is the most popular entry-level product and is an extremely stylish way to showcase artworks, because it puts all of the viewer’s focus on the replica of the artwork.
disclaimer: We try all that we can to depict our products with as many details as possible and to illustrate them visually in our shop. Nonetheless, some tone of the printing material and the printing might differ somehwat from the presentation on the monitor. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version depicted here. In view of the fact that all our art reproductions are printed and processed by hand, there might as well be minor discrepancies in the exact position and the size of the motif.
Bidhaa
| Uainishaji wa uchapishaji: | uchapishaji wa sanaa |
| Njia ya uzazi: | uzazi katika muundo wa digital |
| Utaratibu wa Uzalishaji: | Uchapishaji wa moja kwa moja wa UV |
| Asili: | germany |
| Aina ya hisa: | uzalishaji kwa mahitaji |
| Bidhaa matumizi: | sanaa ya ukuta, picha ya ukuta |
| Mwelekeo wa kazi ya sanaa: | muundo wa picha |
| Kipengele uwiano: | 1, 1.2 : XNUMX - urefu: upana |
| Maana ya uwiano wa picha: | urefu ni 20% mfupi kuliko upana |
| Lahaja za kitambaa: | chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya chuma (dibond ya alumini), chapa ya bango (karatasi ya turubai), chapa ya turubai |
| Chaguzi za kuchapisha turubai (turubai kwenye fremu ya machela): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Chaguzi za ukubwa wa uchapishaji wa bango (karatasi ya turubai): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Chaguzi za ukubwa wa kuchapisha alumini (nyenzo ya dibond ya alumini): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Muundo wa uzazi wa sanaa: | bila sura |
Sehemu ya habari ya sanaa
| Kichwa cha kazi ya sanaa: | "Miliner" |
| Uainishaji: | uchoraji |
| Uainishaji wa sanaa: | sanaa ya kisasa |
| kipindi: | 19th karne |
| Mwaka wa kazi ya sanaa: | 1882 |
| Umri wa kazi ya sanaa: | karibu na miaka 130 |
| Imechorwa kwenye: | pastel and watercolor on canvas |
| Vipimo vya asili (mchoro): | 450 × 370 mm |
| Sahihi: | signed upper right: "Eva Gonzalès" |
| Imeonyeshwa katika: | Taasisi ya Sanaa ya Chicago |
| Mahali pa makumbusho: | Chicago, Illinois, Marekani |
| Tovuti ya Makumbusho: | Taasisi ya Sanaa ya Chicago |
| Aina ya leseni ya uchoraji: | Uwanja wa umma |
| Kwa hisani ya: | Taasisi ya Sanaa ya Chicago |
| Mstari wa mkopo wa kazi ya sanaa: | Olivia Shaler Swan Memorial Collection |
Metadata ya msanii iliyoundwa
| Jina la msanii: | Eva Gonzales |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | Kifaransa |
| Kazi za msanii: | mchoraji |
| Nchi ya msanii: | Ufaransa |
| Kategoria ya msanii: | msanii wa kisasa |
| Mitindo ya sanaa: | Ishara |
| Alikufa akiwa na umri: | miaka 34 |
| Mwaka wa kuzaliwa: | 1849 |
| Mahali: | Paris |
| Mwaka ulikufa: | 1883 |
| Alikufa katika (mahali): | Paris |
© Hakimiliki imetolewa na - Artprinta (www.artprinta.com)
Original information about the artwork from Art Institute Chicago (© Copyright - by Art Institute Chicago - Taasisi ya Sanaa ya Chicago)
A pupil of Manet, Eva Gonzalès was one of the few women artists of the era who gained recognition. In treating a subject extensively explored by Manet, Degas, and Tissot at about the same time, Gonzalès alluded to the secondary occupation of many young working girls as prostitutes.