Richard Bergh, 1881 - Mandhari ya Bahari mbali na Honfleur - chapa nzuri ya sanaa

Ni nyenzo gani unayopenda zaidi ya kuchapisha sanaa?

In the dropdown lists next to the product offering you can pick your prefered size and material. We allow yout to choose among the following variants:

• Metali (chapisho la dibond ya aluminium): This is a metal print made on aluminium dibond material with an impressive depth. The bright parts of the original artpiece shine with a silk gloss, however without glow. The colors are luminous, details are crisp and clear.
• Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): An print on acrylic glass, often referred to as a an art print on plexiglass, will transform your selected original into great wall decoration. The artwork will be printed with modern UV direct printing technology.
• Bango (nyenzo za turubai): A poster is a UV printed sheet of cotton canvas with a nice surface texture. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Uchapishaji wa turubai: The printed canvas mounted on a wooden frame. A canvas print has the advantage of being low in weight, which means that it is easy to hang your Canvas print without the support of extra wall-mounts. Hence, a canvas print is suited for any kind of wall.

Muhimu kumbuka: We try the best we can in order to depict our art products with as many details as we can and to illustrate them visually. Although, the pigments of the print products and the imprint may vary marginally from the representation on the screen. Depending on the screen settings and the nature of the surface, not all color pigments are printed as realisitcally as the digital version on this website. Because all art prints are processed and printed by hand, there might also be slight discrepancies in the motif's size and exact position.

Artwork depiction from Nationalmuseum Stockholm (© - Makumbusho ya Taifa Stockholm - Makumbusho ya Taifa ya Stockholm)

Kiingereza: Wasanii wengi wa Uswidi waliokwenda Ufaransa walienda Normandy. Waliathiriwa na mtindo wa uchoraji uliowakilishwa na Charles-François Daubigny. Upepo, anga na mawimbi yalitoa changamoto mpya kabisa za wachoraji. Katika kujitahidi kupata uhalisi, walitafuta masomo kama vile sehemu kavu ya bahari yenye mwani, kana kwamba wanajaribu kujitenga na chochote ambacho kingeweza kuonwa kuwa kizuri. Katika mandhari yao ya bahari, wasanii mara nyingi walionyesha watu wakikusanya kome. Kazi hii ilikuwa ngumu na ya hatari. Mara nyingi ilifanywa na wanawake na watoto. Flera av de svenska Frankrikeresenärerna sökte sig mpaka Normandie. Blåsten, skyarna och tidvattnet bjöd ständigt på måleritekniska utmaningar. I sin strävan att upppnå en realism målade man gärna torrlagda, tångskräpiga havsstränder – som för att distansera sig från det som kunde uppfattas som vackert. I kustbilderna skildrar konstnärerna utöver själva landscapet ofta arbetet med att plocka musslor. Detta var både slitsamt och riskfyllt och utfördes ofta av kvinnor och ghalani.

makala

Sea Landscape off Honfleur ni mchoro uliotengenezwa na mchoraji wa kiume Richard Bergh. Toleo la kazi ya sanaa lilikuwa na saizi ifuatayo: Urefu: 38 cm (14,9 ″); Upana: 53 cm (20,8 ″) Iliyoundwa: Urefu: 52 cm (20,4 ″); Upana: 67 cm (26,3 ″); Kina: 6 cm (2,3 ″). Besides, the artpiece belongs to the Nationalmuseum Stockholm's collection, which is located in Stockholm, Kaunti ya Stockholm, Uswidi. Kwa hisani ya Nationalmuseum Stockholm & Wikimedia Commons (yenye leseni - kikoa cha umma).:. Juu ya hayo, upatanishi uko katika umbizo la mlalo na uwiano wa upande wa 1.4: 1, ambayo ina maana kwamba urefu ni 40% zaidi ya upana.

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