François Hubert Drouais, 1759 - Picha ya Marquise dAguirandes - chapa nzuri ya sanaa
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Description of this painting from François Hubert Drouais
In 1759 François Hubert Drouais created this work of art. The 260 toleo la miaka ya kazi ya sanaa lilifanywa na saizi: Iliyoundwa: 138,6 x 111,9 x 13,7 cm (54 9/16 x 44 1/16 x 5 3/8 ndani); Isiyo na fremu: sentimita 101 x 85,6 (39 3/4 x 33 inchi 11/16). Mafuta kwenye turubai was used by the French painter as the technique for the work of art. Signed upper left: "Drouais fecit 1759" is the artpiece's original inscription. Moveover, this artpiece is part of the art collection of Makumbusho ya Sanaa ya Cleveland. Kwa hisani ya Makumbusho ya Sanaa ya Cleveland (uwanja wa umma).dropoff Window : Dropoff Window Wasia wa John L. Severance. Zaidi ya hayo, usawazishaji uko ndani picha ya format na ina uwiano wa 1 : 1.2, ikimaanisha hivyo urefu ni 20% mfupi kuliko upana.
Chagua nyenzo unayopendelea ya uchapishaji wa sanaa nzuri
In the product dropdown selection you can choose your favorite size and material. Choose among the following product options now to match your preferences in size and material:
- Mchapishaji wa dibond ya Alumini: An Aluminium Dibond print is a print with an impressive depth, which makes a contemporary look by having a non-reflective surface. A direct Aluminium Dibond Print is the best start to the sophisticated world of art prints with aluminum. For the Print On Aluminum Dibond, we print the selected artwork on the aluminium composite white-primed surface. Colors are luminous in the highest definition, fine details are very clear, and you can truly feel the matte appearance of the art print surface. The direct UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely stylish way to showcase art prints, since it puts the viewer’s attention on the image.
- Chapisho la bango (nyenzo za turubai): A poster print is a printed canvas with a nice finish on the surface. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6 cm around the work of art to facilitate the framing with your custom frame.
- Uchapishaji wa turubai: The canvas print is a printed canvas stretched on a wooden stretcher. It generates a sculptural effect of three dimensionality. A canvas print has the advantage of being low in weight, which implies that it is quite simple to hang up the Canvas print without additional wall-mounts. A canvas print is suitable for any kind of wall.
- Kioo cha akriliki kilichochapishwa (na mipako halisi ya glasi juu): An print on acrylic glass, which is often described as a UV print on plexiglass, makes your favorite original work of art into beautiful décor. Your own version of the work of art is being printed with the help of modern UV printing machines.
Kanusho la kisheria: We try our best in order to describe our art products as precisely as possible and to illustrate them visually in our shop. Please keep in mind that the pigments of the print products and the print result may vary slightly from the representation on your device's screen. Depending on the settings of your screen and the quality of the surface, not all colors are printed as realistically as the digital version depicted here. Given that all our art reproductions are printed and processed manually, there might as well be slight deviations in the motif's size and exact position.
Kuhusu bidhaa hii
| Uainishaji wa bidhaa: | ukuta sanaa |
| Mbinu ya uzazi: | uzazi wa kidijitali |
| Njia ya Uzalishaji: | Uchapishaji wa moja kwa moja wa UV (uchapishaji wa dijiti) |
| Asili ya Bidhaa: | Uzalishaji wa Ujerumani |
| Aina ya hisa: | juu ya mahitaji |
| Bidhaa matumizi: | nyumba ya sanaa ya kuchapisha, nyumba ya sanaa ya ukuta |
| Mpangilio wa kazi ya sanaa: | muundo wa picha |
| Kipengele uwiano: | 1, 1.2 : XNUMX - urefu: upana |
| Maana: | urefu ni 20% mfupi kuliko upana |
| Nyenzo unaweza kuchagua: | chapa ya bango (karatasi ya turubai), chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya chuma (dibond ya alumini), chapa ya turubai |
| Turubai kwenye fremu ya machela (chapisho la turubai) lahaja za ukubwa: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Chaguzi za ukubwa wa glasi ya akriliki (na mipako halisi ya glasi): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Chaguzi za ukubwa wa uchapishaji wa bango (karatasi ya turubai): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Chaguzi za ukubwa wa Dibond (nyenzo za alumini): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Muafaka wa picha: | uchapishaji wa sanaa usio na fremu |
Maelezo kuhusu kipande cha sanaa
| Jina la mchoro: | "Portrait of the Marquise dAguirandes" |
| Uainishaji: | uchoraji |
| Aina pana: | sanaa ya classic |
| Uainishaji wa muda: | 18th karne |
| Mwaka wa sanaa: | 1759 |
| Umri wa kazi ya sanaa: | karibu na miaka 260 |
| Imechorwa kwenye: | mafuta kwenye turubai |
| Ukubwa asili (mchoro): | Iliyoundwa: 138,6 x 111,9 x 13,7 cm (54 9/16 x 44 1/16 x 5 3/8 ndani); Isiyo na fremu: sentimita 101 x 85,6 (39 3/4 x 33 inchi 11/16) |
| Imetiwa saini (mchoro): | signed upper left: "Drouais fecit 1759" |
| Makumbusho: | Makumbusho ya Sanaa ya Cleveland |
| Mahali pa makumbusho: | Cleveland, Ohio, Marekani |
| Tovuti ya Makumbusho: | www.clevelandart.org |
| Aina ya leseni ya mchoro: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya Sanaa ya Cleveland |
| Mstari wa mkopo wa kazi ya sanaa: | Wasia wa John L. Severance |
Taarifa za msanii
| Jina la msanii: | François Hubert Drouais |
| Raia wa msanii: | Kifaransa |
| Utaalam wa msanii: | mchoraji |
| Nchi ya asili: | Ufaransa |
| Uainishaji: | bwana mzee |
| Umri wa kifo: | miaka 48 |
| Mwaka wa kuzaliwa: | 1727 |
| Alikufa katika mwaka: | 1775 |
© Hakimiliki na | Artprinta.com (Artprinta)
General specifications by the museum (© Copyright - by The Cleveland Museum of Art - Makumbusho ya Sanaa ya Cleveland)
Like many French portraitists active during the ancien régime, François-Hubert Drouais was skilled at veiling the physical imperfections of his subjects. This portrait certainly has this quality: the face has been idealized, smoothed, and perfected, but the focus of the painting is less on the Marquise and more on her elegant gown, which is a particularly fine rendering of eighteenth-century printed cloth, with the brilliant gold and white fabric strewn with meticulously detailed flowers and lace.