Lorenzo Lotto, 1533 - Madonna na Mtoto na Wafadhili Wawili - chapa nzuri ya sanaa
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Ufafanuzi wa bidhaa
Mchoro huu ulichorwa na mchoraji wa kiume Lorenzo Lotto. This work of art is in the the The J. Paul Getty Museum's digital art collection. With courtesy of - The J. Paul Getty Museum (yenye leseni - kikoa cha umma).Furthermore, the work of art has the creditline: . The alignment is landscape with a ratio of 4 : 3, which implies that urefu ni 33% zaidi ya upana. Lorenzo Lotto was a male painter from Italy, whose art style can mainly be classified as High Renaissance. The Italian artist lived for miaka 81, mzaliwa ndani 1475 in Venice, Venezia province, Veneto, Italy and deceased in the year 1556 in Loreto, Ancona province, Marches, Italy.
Nyenzo za bidhaa unaweza kuchagua kutoka
Tunatoa anuwai ya vifaa na saizi tofauti kwa kila bidhaa. Chaguzi zifuatazo zinapatikana kwa ubinafsishaji:
- Uchapishaji wa turubai: A canvas direct print is a printed canvas mounted on a wood stretcher. Also, a canvas print makes a attractive and pleasing impression. A canvas print has the advantage of being relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without the use of additional wall-mounts. Therefore, canvas prints are suited for all kinds of walls.
- Chapisho la bango (nyenzo za turubai): The Artprinta poster is a printed canvas with a slightly roughened surface texture. It is designed for framing the art copy with the help of a custom-made frame. Please note, that depending on the size of the poster we add a white margin of something between 2-6cm round about the painting in order to facilitate the framing with your custom frame.
- Chapa ya dibond ya Alumini (chuma): Aluminium Dibond prints are prints on metal with a true effect of depth. A direct Direct Print on Aluminum Dibond is your ideal start to the sophisticated world of reproductions with aluminum.
- Kioo cha akriliki kilichochapishwa: A glossy acrylic glass print, which is often described as a plexiglass print, changes your selected original work of art into wonderful wall décor. In addition, it makes a distinct alternative to dibond and canvas fine art prints. Your own version of the work of art will be printed with the help of modern UV direct print machines. This has the impression of sharp and vivid colors. Our real glass coating protects your custom art replica against light and external influences for between 4 and six decades.
disclaimer: We do whatever we can in order to describe the products as exact as possible and to showcase them visually. Please bear in mind that some pigments of the printing material and the print result might vary somehwat from the image on the device's screen. Depending on your settings of your screen and the condition of the surface, not all colors can be printed 100% realistically. Considering that the fine art prints are processed and printed manually, there may as well be minor deviations in the motif's exact position and the size.
Maelezo ya makala yaliyoundwa
| Uainishaji wa bidhaa: | uchapishaji wa sanaa |
| Uzazi: | uzazi wa kidijitali |
| Njia ya Uzalishaji: | Uchapishaji wa moja kwa moja wa UV |
| Uzalishaji: | viwandani nchini Ujerumani |
| Aina ya hisa: | uzalishaji kwa mahitaji |
| Bidhaa matumizi: | mapambo ya ukuta, nyumba ya sanaa ya uzazi wa sanaa |
| Mpangilio wa kazi ya sanaa: | muundo wa mazingira |
| Uwiano wa picha: | 4, 3 : XNUMX - urefu: upana |
| Maana ya uwiano wa kipengele cha upande: | urefu ni 33% zaidi ya upana |
| Chaguzi za nyenzo zinazopatikana: | chapa ya chuma (dibond ya alumini), chapa ya turubai, chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi), chapa ya bango (karatasi ya turubai) |
| Ukubwa wa kuchapisha turubai (turubai kwenye fremu ya machela): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
| Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
| Chaguzi za kuchapisha bango (karatasi ya turubai): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
| Ukubwa wa uchapishaji wa alumini: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
| Muundo wa uchapishaji wa sanaa: | haipatikani |
Maelezo ya muundo juu ya kipande cha sanaa
| Jina la kazi ya sanaa: | "Madonna and Child with Two Donors" |
| Uainishaji: | uchoraji |
| Muda wa mwavuli: | sanaa ya classic |
| kipindi: | 16th karne |
| Iliundwa katika mwaka: | 1533 |
| Takriban umri wa kazi ya sanaa: | karibu na miaka 480 |
| Makumbusho / mkusanyiko: | Makumbusho ya J. Paul Getty |
| Mahali pa makumbusho: | Los Angeles, California, Marekani |
| Ukurasa wa wavuti: | www.getty.edu |
| Aina ya leseni ya uchoraji: | Uwanja wa umma |
| Kwa hisani ya: | Makumbusho ya J. Paul Getty |
Maelezo ya msingi juu ya msanii
| Artist: | Lorenzo Lotto |
| Majina Mbadala: | Laurenso Lotto, Laurent Lotto, L. Lotto, Lorenzo Lot Diszipulo de Corezo, Laurentius Lottus, Lorenzo Lot, Lorenzo Lotto, Lotto Lorenzo, Lazzaro Lotti, Lotto Laurentio, Lorenzo Lotto da Bergamo, Loti, Lotto, lorenzo loto, Lorenzo Lotti, L. Lotti, Lotto Lorenzo, Laurentius Lotus |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | italian |
| Kazi: | mchoraji |
| Nchi ya msanii: | Italia |
| Kategoria ya msanii: | bwana mzee |
| Mitindo ya sanaa: | Renaissance ya Juu |
| Alikufa akiwa na umri: | miaka 81 |
| Mwaka wa kuzaliwa: | 1475 |
| Kuzaliwa katika (mahali): | Venice, mkoa wa Venezia, Veneto, Italia |
| Alikufa katika mwaka: | 1556 |
| Mji wa kifo: | Loreto, jimbo la Ancona, Marches, Italia |
Maandishi haya ni haki miliki na yanalindwa na hakimiliki ©, Artprinta.com (Artprinta)
(© Hakimiliki - na Makumbusho ya J. Paul Getty - Makumbusho ya J. Paul Getty)
Framed by richly draped fabric, the Virgin Mary tenderly sits Christ on her lap. The couple who commissioned the panel look up at the child, meeting his eyes as he rewards their piety with a blessing. As the symbol of Christ's resurrection, the fig branch growing behind the curtain also reassures the donors of their own redemption.
In the late 1400s, well-to-do families often commissioned such pictures for hanging in the home or the private chapel of a church. These panels served both as portraits and as testimonies to the donors' religious devotion.
Lorenzo Lotto emphasized the contrast between the earthly and the spiritual realms by using a highly naturalistic style for the couple and a more ideal, poetic rendering for the Virgin and child. With a flair for color betraying his Venetian origins, Lotto contrasted Mary's luminous blues and reds with the donors' more somber clothing.