Thomas Eakins, 1895 - Riter Fitzgerald - uchapishaji mzuri wa sanaa

Muhtasari wa bidhaa

"Riter Fitzgerald" was made by the realist Marekani mchoraji Thomas Eakins in 1895. The original had the size of 193,7 × 163,2 cm (76 1/4 × 64 1/4 ndani) na ilipakwa rangi mafuta kwenye turubai. Mchoro wa asili umeandikwa na habari ifuatayo: signed, lower left on base of bookcase: "EAKINS 95". Nowadays, this work of art is in the the digital art collection of Art Institute Chicago, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. This modern art artpiece, which is in the public domain is being supplied with courtesy of Art Institute Chicago. Furthermore, the artpiece has the following creditline: Marafiki wa Mkusanyiko wa Sanaa wa Marekani; Mfuko wa Goodman. Juu ya hayo, alignment ni picha ya with a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The photographer, painter, sculptor, art educator Thomas Eakins was a North American artist, whose artistic style can be classified as Realism. The Realist painter lived for a total of miaka 72, mzaliwa ndani 1844 huko Philadelphia, kaunti ya Philadelphia, Pennsylvania, Marekani na aliaga dunia mwaka wa 1916 huko Philadelphia, kaunti ya Philadelphia, Pennsylvania, Marekani.

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Katika orodha kunjuzi za bidhaa unaweza kuchagua saizi na nyenzo kulingana na upendeleo wako. Tunakuruhusu kuchagua kati ya anuwai zifuatazo:

• Mchapishaji wa dibond ya Alumini: An Aluminium Dibond print is a material with an outstanding depth. For our Print On Aluminum Dibond, we print your selected work of art onto the surface of the aluminum material.
• Chapisho la bango (nyenzo za turubai): Our poster print is a UV printed sheet of canvas with a slightly roughened surface structure, which resembles the actual version of the artwork. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm around the work of art to facilitate the framing with your custom frame.
• Turubai: A canvas direct print is a printed canvas stretched on a wooden stretcher. It creates a plastic effect of three-dimensionality. How can I hang a canvas on my wall? Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the support of additional wall-mounts. Canvas prints are suitable for all kinds of walls.
• Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): An print on acrylic glass, which is sometimes denoted as a an art print on plexiglass, will convert an original into beautiful home décor. What is more, the acrylic glass fine art print makes a good alternative option to canvas and aluminidum dibond art prints. The work of art is made with state-of-the-art UV direct printing machines. This creates the image effect of deep and vivid colors. The major upside of a plexiglass print is that contrasts plus smaller painting details become more exposed due to the very subtle tonal gradation. The plexiglass protects your custom art print against light and heat for between four and 6 decades.

Ujumbe wa kisheria: We try to describe the products in as much detail as possible and to illustrate them visually on the respective product detail pages. Nonetheless, the tone of the print products, as well as the imprint may vary somehwat from the image on the device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as exactly as the digital version. Considering that our fine art prints are printed and processed manually, there may as well be minor discrepancies in the exact position and the size of the motif.

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Muhtasari wa msanii

Maandishi haya ni haki miliki na yanalindwa na hakimiliki ©, Artprinta (www.artprinta.com)

Taarifa asili ya kazi ya sanaa kama inavyotolewa kutoka Taasisi ya Sanaa Chicago (© Hakimiliki - Taasisi ya Sanaa Chicago - Taasisi ya Sanaa ya Chicago)

Riter Fitzgerald—the art, music, and literary critic for the Philadelphia Evening Item—championed Thomas Eakins’s work and publicly defended the artist when his teaching methods proved controversial. Eakins’s portrait of the journalist is informed by Fitzgerald’s open-minded opinions, his appreciation of diverse art forms, and his commitment to intellectual life. Comfortably seated in his book-lined library, Fitzgerald is portrayed as a genteel man who enjoys a leisurely, yet contemplative lifestyle. With an open book in his lap, he thoughtfully gazes into the distance, peacefully lost in the realm of ideas.