Hans Memling, 1480 - Bikira na Mtoto pamoja na Watakatifu Catherine wa Alexandria na Barbara - chapa nzuri ya sanaa

Maelezo ya usuli wa bidhaa ya sanaa

Ya zaidi 540 kazi ya sanaa ya umri wa miaka iliyopewa jina Virgin and Child with Saints Catherine of Alexandria and Barbara ilichorwa na mwamko wa kaskazini msanii Kukumbuka kwa Hans. The 540 Toleo la umri wa miaka la mchoro lilitengenezwa na saizi - Kwa jumla 26 7/8 x 28 7/8 in (68,3 x 73,3 cm); uso uliopakwa rangi 26 3/8 x 28 3/8 in (sentimita 67 x 72,1) na ilipakwa rangi ya kati mafuta juu ya kuni. Today, this artpiece is part of the digital collection of Makumbusho ya Metropolitan ya Sanaa, ambayo iko New York City, New York, Marekani. The Uwanja wa umma artpiece inajumuishwa kwa hisani ya Jumba la kumbukumbu la Metropolitan la Sanaa, New York, Bequest of Benjamin Altman, 1913. : Bequest of Benjamin Altman, 1913. What is more, the alignment is in square format na uwiano wa upande wa 1 : 1, ambayo ina maana kwamba urefu ni sawa na upana. Hans Memling was a Netherlandish of Dutch nationality, whose artistic style was mainly Northern Renaissance. The Northern Renaissance painter was born in the year 1430 huko Seligenstadt, jimbo la Hessen, Ujerumani na alikufa akiwa na umri wa miaka 64 katika mwaka wa 1494 huko Bruges, West-Vlaanderen, Flanders, Ubelgiji.

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What does the The Metropolitan Museum of Art state about this 15th century work of art made by Hans Memling? (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

The picture’s harmonious composition was adapted from a large, celebrated altarpiece Hans Memling completed in 1479 for the Sint-Janshospitaal in Bruges. This smaller, more modest version was commissioned by an anonymous donor who kneels at the left. He is shown reciting his rosary as he contemplates Saint Catherine’s mystic marriage to the infant Jesus. Saint Barbara, whose attribute—the tower—is behind her, sets a meditative example by reading. The grape arbor above the Virgin’s throne and canopy was most likely added shortly after Memling’s lifetime, in the early sixteenth century, when the cult of the Eucharist became increasingly popular.