Henri-Joseph Harpignies, 1885 - Moonrise - chapa nzuri ya sanaa

Taarifa asilia kuhusu mchoro kutoka kwenye tovuti ya jumba la makumbusho (© Hakimiliki - na The Metropolitan Museum of Art - Makumbusho ya Metropolitan ya Sanaa)

Throughout his career, Harpignies maintained close ties with artists and friends in his native town of Valenciennes. He also had a studio in Paris and in 1883 signed a contract with the Parisian firm of Arnold and Tripp that freed him from the management and sale of his work. The present painting, inspired by a passage from the poetry of Victor Hugo, was commissioned by the artist’s dealers, who presented the canvas to the Museum in 1886. Harpignies treated the romantic theme with characteristic directness, in a style influenced by Barbizon painters.

Kazi hii ya sanaa yenye jina Moonrise was created by the artist Henri-Joseph Harpignies in 1885. The piece of art measures the size 34 1/2 x 64 1/4 in (87,6 x 163,2 cm). Mafuta kwenye turubai was used by the painter as the technique for the artpiece. Moveover, this work of art is part of the digital collection of Makumbusho ya Metropolitan ya Sanaa in New York City, New York, Marekani. We are pleased to state that this work of art, which belongs to the public domain is being included with courtesy of The Metropolitan Museum of Art, New York, Gift of Arnold and Tripp, 1886. Zaidi ya hayo, kazi ya sanaa ina nambari ya mkopo: Gift of Arnold and Tripp, 1886. Zaidi ya hayo, mpangilio uko ndani landscape umbizo lenye uwiano wa 16 : 9, ikimaanisha hivyo urefu ni 78% zaidi ya upana. Henri-Joseph Harpignies was a painter, printmaker of French nationality, whose style was primarily Realism. The European artist was born in 1819 and deceased at the age of 97 katika 1916.

Chaguzi zinazowezekana za nyenzo

Kwa kila picha nzuri ya sanaa tunatoa vifaa na saizi tofauti. Ndio sababu, tunakuruhusu kuchagua kati ya chaguzi zifuatazo:

• Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): A glossy print on acrylic glass, often described as a print on plexiglass, changes an original work of art into brilliant home decoration. The great upside of a plexiglass fine art print is that sharp contrasts as well as small details become more recognizeable because of the subtle gradation in the print. The real glass coating protects your custom art print against light and external influences for many more years.
• Bango lililochapishwa (nyenzo za turubai): A poster print is a printed canvas with a nice surface texture. A poster print is suited for putting the art replica in a customized frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the artwork, which facilitates the framing.
• Mchapishaji wa dibond ya Alumini: An Aluminium Dibond print is a print with an impressive depth effect. Its non-reflective surface structure make a fashionable look. The Aluminium Dibond Print is the best start to the sophisticated world of fine art prints produced with aluminum. For your Direct Aluminium Dibond option, we print your selected work of art right on the aluminium composite surface. The white & bright parts of the work of art shine with a silky gloss, however without the glow. Colors are bright and vivid in the highest definition, the details of the print appear clear and crisp. The print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to display fine art prints, since it puts the viewer’s focus on the replica of the artwork.
• Uchapishaji wa turubai: A canvas direct print is a printed canvas stretched on a wooden stretcher. Your canvas print of this artpiece will allow you to transform your own art print into a large artpiece like you would see in a true gallery. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without extra wall-mounts. That is why, a canvas print is suited for all types of walls.

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disclaimer: We try all that we can to depict the art products as exact as it is possible and to illustrate them visually. Nevertheless, the pigments of the print materials and the imprint might vary somehwat from the presentation on your device's monitor. Depending on the screen settings and the condition of the surface, not all colors can be printed one hundret percent realistically. Since our art reproductions are printed and processed by hand, there may as well be minor discrepancies in the size and exact position of the motif.

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