Theodor Philipsen, 1890 - Vivuli vya muda mrefu. Ng'ombe kwenye Kisiwa cha Saltholm - uchapishaji mzuri wa sanaa
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Maelezo ya usuli wa bidhaa
hii sanaa ya kisasa mchoro Long Shadows. Cattle on the Island of Saltholm ilichorwa na msanii Theodor Philipsen. Leo, mchoro huu unaweza kutazamwa katika mkusanyiko wa Makumbusho ya Statens ya Kunst (Matunzio ya Kitaifa ya Denmark) akiwa Copenhagen, Denmark. Kwa hisani ya Matunzio ya Kitaifa ya Denmark (yenye leseni - kikoa cha umma).Creditline ya kazi ya sanaa:. alignment ya uzazi digital ni landscape na ina uwiano wa 4: 3, ikimaanisha kuwa urefu ni 33% zaidi ya upana.
General information by the museum (© Copyright - by Statens Museum for Kunst (National Gallery of Denmark) - Makumbusho ya Statens ya Kunst (Matunzio ya Kitaifa ya Denmark))
The short, brisk, richly coloured brushstrokes make the picture vibrate with light, colour, and atmosphere. Philipsen is not, however, an impressionist in the French sense of the concept. He was not interested in ”modern life”.
In his paintings, he almost turns his back on it in favour of the simple life within nature, often taking a form such as this almost transcendental tribute to the all-embracing power of light. The cows are not the real motif; that distinction belongs to the sun and the power of the sun.
The great innovator Whenever the history of Danish art is told, Philipsen is often assigned the role as the great innovator. From his starting point within the landscapes and animal pictures of the late Golden Age, he brought Danish art out of the smoke-filled salons and threw open the French doors to let in a far more modern mode of painting filled with light and colour.
Philipsen's impressionism Several factors contributed to Philipsen’s appropriation of Impressionism, including visits to the Impressionist exhibitions in Paris, his enjoyment of the Southern climate on travels in Spain and Italy, and – very importantly – his friendship with Paul Gauguin (1848-1903) during the mid-1880s. Philipsen’s originality stems from his ability to adapt and develop the Impressionist palette in accordance with the Danish countryside and climate.
Maelezo juu ya kazi ya sanaa
| Jina la kazi ya sanaa: | "Long Shadows. Cattle on the Island of Saltholm" |
| Uainishaji: | uchoraji |
| Uainishaji wa sanaa: | sanaa ya kisasa |
| Wakati: | 19th karne |
| Mwaka wa uumbaji: | 1890 |
| Umri wa kazi ya sanaa: | zaidi ya miaka 130 |
| Makumbusho / eneo: | Makumbusho ya Statens ya Kunst (Matunzio ya Kitaifa ya Denmark) |
| Mahali pa makumbusho: | Copenhagen, Denmark |
| Website: | Makumbusho ya Statens ya Kunst (Matunzio ya Kitaifa ya Denmark) |
| Aina ya leseni ya uchoraji: | Uwanja wa umma |
| Kwa hisani ya: | Matunzio ya Kitaifa ya Denmark |
Taarifa za msanii
| jina: | Theodor Philipsen |
| Jinsia ya msanii: | kiume |
| Raia: | danish |
| Utaalam wa msanii: | mchoraji |
| Nchi: | Denmark |
| Uainishaji: | msanii wa kisasa |
| Uhai: | miaka 80 |
| Mwaka wa kuzaliwa: | 1840 |
| Kuzaliwa katika (mahali): | Copenhagen |
| Mwaka ulikufa: | 1920 |
| Mahali pa kifo: | Copenhagen |
Chaguzi za nyenzo
In the product dropdown selection you can pick the material and sizeaccording to your preferences. You can choose your your favorite size and material among the following options:
- Chapisho la bango (nyenzo za turubai): The poster is a UV printed canvas with a nice structure on the surface, that reminds the original version of the artwork. Please keep in mind, that depending on the absolute size of the poster we add a white margin of approximately 2 - 6cm round about the artwork, which facilitates the framing.
- Uchapishaji wa turubai: The canvas print is a printed canvas stretched on a wooden frame. Your printed canvas of your favorite masterpiece will give you the chance to transform your very own fine art print into a large size collection piece as you would see in a gallery. A canvas print has the advantage of being relatively low in weight, which means that it is easy to hang your Canvas print without extra wall-mounts. That is why, a canvas print is suited for any type of wall.
- Uchapishaji wa glasi ya akriliki yenye kung'aa (iliyo na mipako halisi ya glasi): The acrylic glass print, often labelled as a print on plexiglass, transforms an original artwork into beautiful home décor. Our plexiglass with real glass coating protects your custom art replica against light and external influences for several decades.
- Mchapishaji wa dibond ya Alumini: These are metal prints on aluminium dibond with a true depth. The Aluminium Dibond Print is the best start to fine art prints on aluminum. The bright and white parts of the original artpiece shine with a silk gloss but without glow. The colors are luminous in the highest definition, the details appear very clear, and you can perceive the matte appearance.
Bidhaa
| Aina ya makala: | ukuta sanaa |
| Mbinu ya uzazi: | uzazi wa kidijitali |
| Mchakato wa uzalishaji: | uchapishaji wa dijiti |
| Asili: | viwandani nchini Ujerumani |
| Aina ya hisa: | uzalishaji kwa mahitaji |
| Matumizi yaliyokusudiwa ya bidhaa: | nyumba ya sanaa ya kuchapisha, nyumba ya sanaa ya ukuta |
| Mpangilio wa picha: | mpangilio wa mazingira |
| Uwiano wa picha: | urefu hadi upana 4: 3 |
| Maana ya uwiano wa upande: | urefu ni 33% zaidi ya upana |
| Chaguo zilizopo: | chapa ya glasi ya akriliki (yenye mipako halisi ya glasi), chapa ya bango (karatasi ya turubai), chapa ya chuma (dibond ya alumini), chapa ya turubai |
| Turubai kwenye fremu ya machela (kuchapishwa kwa turubai): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
| Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
| Chaguzi za kuchapisha bango (karatasi ya turubai): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
| Chapa ya dibond ya Alumini (nyenzo za alumini): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
| Frame: | uzazi usio na mfumo |
Legal disclaimer: We try everythig possible in order to describe our art products as exact as it is possible and to demonstrate them visually on the different product detail pages. Nevertheless, the pigments of the printed materials and the print result might differ somehwat from the image on your device's screen. Depending on your screen settings and the quality of the surface, color pigments might not be printed one hundret percent realistically. Bearing in mind that all are processed and printed manually, there might as well be minor variations in the exact position and the size of the motif.
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