Théodore Gericault, 1820 - Horsewoman - chapa nzuri ya sanaa
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Maelezo ya bidhaa za sanaa
"Horsewoman" is a piece of art created by the male French artist Théodore Gericault. The 200 years old version of the masterpiece was made with the absolute size - 17 1/2 x 13 3/4 in (sentimita 44,5 x 34,9) na ilitengenezwa na mbinu mafuta kwenye turubai. Leo, mchoro huo uko kwenye mkusanyiko wa dijitali wa Makumbusho ya Metropolitan ya Sanaa. Kwa hisani ya - The Metropolitan Museum of Art, New York, Bequest of Mrs. Charles Wrightsman in honor of Mercedes Bass, 2019 (uwanja wa umma). In addition, the artpiece has the following creditline: Bequest of Mrs. Charles Wrightsman in honor of Mercedes Bass, 2019. Besides this, the alignment of the digital reproduction is picha ya na uwiano wa picha wa 1: 1.2, ikimaanisha kuwa urefu ni 20% mfupi kuliko upana.
Agiza nyenzo ambazo ungependa kuwa nazo
Tunatoa anuwai ya vifaa na saizi anuwai kwa kila bidhaa. Chagua saizi na nyenzo unayopenda kati ya chaguzi zifuatazo:
- Uchapishaji wa turubai: The canvas direct print is a printed cotton canvas mounted on a wooden stretcher. Your canvas print of this artpiece will provide you with the chance to transform your fine art print into a large size work of art. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is easy to hang your Canvas print without the help of additional wall-mounts. That is why, a canvas print is suited for all kinds of walls.
- Uchapishaji wa glasi ya Acrylic (na mipako halisi ya glasi): The acrylic glass print, which is sometimes named as a fine art print on plexiglass, will transform your favorite artwork into brilliant home décor. Your own replica of the work of art will be printed with the help of modern UV direct printing machines. This creates the image effect of stunning, intense colors. With an acrylic glass art print contrasts and granular painting details will be more identifiable because of the very fine gradation.
- Chapa ya bango (nyenzo za turubai): Our poster is a UV printed sheet of flat canvas with a nice structure on the surface. It is perfectly designed for framing your fine art print with a custom frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
- Mchapishaji wa dibond ya Alumini: Aluminium Dibond prints are prints on metal with an impressive effect of depth. A direct Direct Print on Aluminum Dibond is the perfect introduction to replicas on aluminum. The white and bright parts of the original artpiece shine with a silky gloss but without the glow. This print on aluminium is the most popular entry-level product and is a truly contemporary way to showcase fine art prints, as it draws attention on the artwork.
Kanusho la kisheria: We try everythig possible in order to describe our products as closely as possible and to showcase them visually on the respective product detail pages. Still, the colors of the printed materials and the imprint might differ to a certain extent from the image on your monitor. Depending on the screen settings and the quality of the surface, not all colors are printed as realisitcally as the digital version on this website. Bearing in mind that the are processed and printed manually, there might as well be slight discrepancies in the exact position and the size of the motif.
Maelezo ya kipengee kilichopangwa
| Chapisha bidhaa: | uzazi wa sanaa |
| Mbinu ya uzazi: | uzazi wa kidijitali |
| Mbinu ya utengenezaji: | uchapishaji wa dijiti (uchapishaji wa moja kwa moja wa UV) |
| Asili ya bidhaa: | germany |
| Aina ya hisa: | kwa mahitaji ya uzalishaji |
| Matumizi ya bidhaa: | picha ya ukuta, mapambo ya nyumbani |
| Mwelekeo wa picha: | muundo wa picha |
| Uwiano wa picha: | (urefu : upana) 1 :1.2 |
| Maana ya uwiano wa upande: | urefu ni 20% mfupi kuliko upana |
| Nyenzo za uzazi zinazopatikana: | chapa ya turubai, chapa ya bango (karatasi ya turubai), chapa ya chuma (dibond ya alumini), chapa ya glasi ya akriliki (iliyo na mipako halisi ya glasi) |
| Turubai kwenye fremu ya machela (kuchapishwa kwa turubai): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Uchapishaji wa glasi ya akriliki (na mipako halisi ya glasi): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Chaguzi za kuchapisha bango (karatasi ya turubai): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Vibadala vya kuchapisha Dibond (nyenzo za alumini): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Muundo wa uchapishaji wa sanaa: | haipatikani |
Maelezo ya kazi ya sanaa
| Kipande cha jina la sanaa: | "Mwanamke wa farasi" |
| Uainishaji: | uchoraji |
| Muda wa mwavuli: | sanaa ya kisasa |
| Karne: | 19th karne |
| Iliundwa katika mwaka: | 1820 |
| Umri wa kazi ya sanaa: | 200 umri wa miaka |
| Njia asili ya kazi ya sanaa: | mafuta kwenye turubai |
| Ukubwa asilia: | 17 1/2 x 13 3/4 in (sentimita 44,5 x 34,9) |
| Makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
| Mahali pa makumbusho: | New York City, New York, Marekani |
| Tovuti ya Makumbusho: | Makumbusho ya Metropolitan ya Sanaa |
| Aina ya leseni: | Uwanja wa umma |
| Kwa hisani ya: | The Metropolitan Museum of Art, New York, Bequest of Mrs. Charles Wrightsman in honor of Mercedes Bass, 2019 |
| Mstari wa mkopo wa kazi ya sanaa: | Bequest of Mrs. Charles Wrightsman in honor of Mercedes Bass, 2019 |
Maelezo ya jumla juu ya msanii
| Jina la msanii: | Théodore Gericault |
| Jinsia ya msanii: | kiume |
| Raia wa msanii: | Kifaransa |
| Kazi: | mchoraji |
| Nchi: | Ufaransa |
| Uainishaji wa msanii: | msanii wa kisasa |
| Umri wa kifo: | miaka 33 |
| Mwaka wa kuzaliwa: | 1791 |
| Alikufa: | 1824 |
Maandishi haya yanalindwa na hakimiliki © - Artprinta.com (Artprinta)
Taarifa za ziada kutoka kwa jumba la makumbusho (© Hakimiliki - Makumbusho ya Sanaa ya Metropolitan - Makumbusho ya Metropolitan ya Sanaa)
Gericault produced a group of works representing the elegant aspects of horsemanship and sport during his stay in England in 1820–21 and afterward. The artist studied horses extensively throughout his life, and this composition is derived from traditional English equestrian portraits. Gericault also produced a nearly identical composition in watercolor showing the same rider, whose identity is subject to speculation, on a dappled gray horse (Museum Boijmans Van Beuningen, Rotterdam).